 | Nathanael West - 1960 - 456 דפים
[ אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת ] | |
 | Nathanael West - 1960 - 456 דפים
[ אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת ] | |
 | Nathanael West - 1975 - 168 דפים
[ אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת ] | |
 | Kingsley Widmer - 1982 - 174 דפים
[ אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת ] | |
 | Alfred Kazin - 1983 - 212 דפים
[ אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת ] | |
 | Phillip Brian Harper - 1994 - 244 דפים
...well, in Faye's, where ironically there is a radical discontinuity between signifier and signified: "The strange thing about her gestures and expressions...illustrate what she was saying. They were almost pure" (The Day of the Locust, 387). That purity consists in Faye's disassociation from the eternal struggle... | |
 | Tim Armstrong - 1998 - 324 דפים
...her eyes, toss her head so that her platinum hair splashed across the red plush of the chair back. The strange thing about her gestures and expressions...tried to excite her hearers into being uncritical. (387) West describes something like the relation between body and discourse engendered by the Hays... | |
 | Ulrike Weissenborn - 1998 - 156 דפים
...automaton body, Faye Greener's gestures take on a life of their own, apart from her conscious self: The strange thing about her gestures and expressions...tried to excite her hearers into being uncritical. (159) Whereas Homer's hands still point to his repressed unconscious, Faye's body is entirely commodified... | |
| |
None of them really heard her. They were all too busy watching her smile, laugh, shiver, whisper, grow indignant, cross and uncross her legs, stick out her tongue, widen and narrow her eyes, toss her head so that her platinum hair splashed against the... 
