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won't bear analysis. There are things about it which I cannot understand at all. It don't say whatever became of William Schuyler. It just says enough about him to get one interested in his career, and then drops him. Who is William Schuyler, anyhow, and what part of South Park did he live in, and if he 'started down town at six o'clock, did he ever get there, and if he did, did anything happen to him? Is he the individual that met with the "distressing accident?" Considering the elaborate circumstantiality of detail observable in the item, it seems to me that it ought to contain more information than it does. On the contrary, it is obscure-and not only obscure, but utterly incomprehensible. Was the breaking of Mr. Schuyler's leg, fifteen years ago, the "distressing accident" that plunged Mr. Bloke into unspeakable grief, and caused him to come up here at dead of night and stop our press to acquaint the world with the circumstance? Or did the "distressing accident" consist in the destruction of Schuyler's mother-inlaw's property in early times? Or did it consist in the death of that person herself three years ago? (albeit it does not appear that she died by accident.) In a word, what did that "distressing accident" consist in? What did that drivelling ass of a Schuyler stand in the wake of a runaway horse for, with his shouting and gesticulating, if he wanted to stop him? And how the mischief could he get run over by a horse that had already passed beyond him? And what are

we to take "warning" by? And how is this extraordinary chapter of incomprehensibilities going to be a "lesson" to us? And, above all, what has the intoxicating "bowl" got to do with it, anyhow? It is not stated that Schuyler drank, or that his wife drank, or that his mother-in-law drank, or that the horse drank-wherefore, then, the reference to the intoxicating bowl? It does seem to me that if Mr. Bloke had let the intoxicating bowl alone himself, he never would have got into so much trouble about this exasperating imaginary accident. I have read this absurd item over and over again, with all its insinuating plausibilty, until my head swims; but I can make neither head nor tail of it. There certainly seems to have been an accident of some kind or other, but it is impossible to determine what the nature of it was, or who was the sufferer by it. I do not like to do it, but I feel compelled to request that the next time anything happens to one of Mr. Bloke's friends, he will append such explanatory notes to his account of it as will enable me to find out what sort of an accident it was and whom it happened to. I had rather all his friends should die than that I should be driven to the verge of lunacy again in trying to cipher out the meaning of another such production as the above.

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A Curious Dream.

CONTAINING A MORAL.

IGHT before last I had a singular dream. 1

seemed to be sitting on a door-step (in no particular city perhaps), ruminating, and the time of night appeared to be about twelve or one o'clock. The weather was balmy and delicious. There was no human sound in the air, not even a footstep. There was no sound of any kind to emphasize the dead stillness, except the occasional hollow barking of a dog in the distance and the fainter answer of a further dog. Presently up the street I heard a bony clack-clacking, and guessed it was the castanets of a serenading party. In a minute more a tall skeleton, hooded, and half-clad in a tattered and mouldy shroud, whose shreds were flapping about the ribby lattice-work of its person swung by me with a stately stride, and disappeared in the grey gloom of the starlight. It had a broken and worm-eaten coffin on its shoulder and a bundle of something in its hand. I knew what the clack-clacking was then; it was this party's joints working together, and his elbows knocking against his sides as he walked. I may say I was surprised. Before I could collect my thoughts and

enter upon any speculations as to what this apparition might portend, I heard another one coming—for I recognized his clack-clack. He had two-thirds of a coffin on his shoulder, and some foot- and headboards under his arm. I mightily wanted to peer under his hood and speak to him, but when he turned and smiled upon me with his cavernous sockets and his projecting grin as he went by, I thought I would not detain him. He was hardly gone when I heard the clacking again, and another one issued from the shadowy half-light. This one was bending under a heavy gravestone, and dragging ashabby coffin after him by a string. When he got to me he gave me a steady look for a moment or two, and then rounded to and backed up to me, saying:

"Ease this down for a fellow, will you?"

I eased the gravestone down till it rested on the ground, and in doing so noticed that it bore the name of "John Baxter Copmanhurst," with "May, 1839," as the date of his death. Deceased sat wearily down by me, and wiped his os frontis with his major maxillary-chiefly from former habit I judged, for I could not see that he brought away any perspiration.

"It is too bad, too bad," said he, drawing the remnant of the shroud about him and leaning his jaw pensively on his hand. Then he put his left foot up on his knee and fell to scratching his ankle bone absently with a rusty nail which he got out of his coffin.

"What is too bad, friend?"

"Oh, everything, everything. I almost wish I never had died."

[graphic]

"You surprise me. Why do you say this? Has anything gone wrong? What is the matter?" "Matter! Look at this shroud-rags. Look at

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