King LearYale University Press, 1 באוק׳ 2008 - 215 עמודים King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy. |
מתוך הספר
תוצאות 1-5 מתוך 21
עמוד vii
... Introduction xvii Textual Note xxix Some Essentials of the Shakespearean Stage xxxi King Lear 1 An Essay by Harold Bloom 195 Further Reading 207 Finding List 213 about this book Abandoned to a raging storm,in act 3,scene Contents.
... Introduction xvii Textual Note xxix Some Essentials of the Shakespearean Stage xxxi King Lear 1 An Essay by Harold Bloom 195 Further Reading 207 Finding List 213 about this book Abandoned to a raging storm,in act 3,scene Contents.
עמוד xv
... stage directions—and in some cases have added brief directions, to indicate who is speaking to whom. I have made no emendations; I have necessarily been obliged to make choices.Textual decisions have been annotated when the differences ...
... stage directions—and in some cases have added brief directions, to indicate who is speaking to whom. I have made no emendations; I have necessarily been obliged to make choices.Textual decisions have been annotated when the differences ...
עמוד xviii
... stage effects of so wide-ranging a variety,from gutta percha eyeballs dropping onto the stage (with surely a splash of red paint to heighten audience reaction), to bravura emotional displays and scenes of such thunderous impact as a son ...
... stage effects of so wide-ranging a variety,from gutta percha eyeballs dropping onto the stage (with surely a splash of red paint to heighten audience reaction), to bravura emotional displays and scenes of such thunderous impact as a son ...
עמוד xix
... stage time (significant on-stage time, not including mere on-stage-presence). Ophelia, a famously important character in Hamlet, has only 17 percent. Further, no single character in Lear, Lear included, has anything like the dominant 66 ...
... stage time (significant on-stage time, not including mere on-stage-presence). Ophelia, a famously important character in Hamlet, has only 17 percent. Further, no single character in Lear, Lear included, has anything like the dominant 66 ...
עמוד xx
... stage, the range of emotions displayed by eleven of the above-listed twelve prominent characters (Cornwall's first-act appearance is almost totally nonverbal),in the sequence of their appearances in the first act. Kent:(1) gentlemanly ...
... stage, the range of emotions displayed by eleven of the above-listed twelve prominent characters (Cornwall's first-act appearance is almost totally nonverbal),in the sequence of their appearances in the first act. Kent:(1) gentlemanly ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
Albany annotated answer appear Attendant Attendants bear better bring Burgundy comes Cordelia Cornwall daughters dead dear death dost doth Duke Edgar Edmund Elizabethan enter exeunt exit eyes face fall father fear find first follow Fool fortune France further give given Gloucester Gloucester’s gods gone Goneril grace hand hast hath head hear heart hold honor husband i’the keep Kent kind King King Lear Lear Lear’s less live look lord man’s matter means Messenger mind nature never night noble o’the once Oswald person play poor present reason Regan scene seek seems seen sense Servants Shakespeare sister speak speech stage stand sword tell texts thee thine thing thou thought turn University villain wear wish