King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 בפבר׳ 2000 - 320 עמודים The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
מתוך הספר
תוצאות 1-5 מתוך 86
עמוד
... speak to peculiarly modern concerns. In Shakespeare's own time it spoke as well to. were archeologically accurate scenes of early Britain, and complex stage machinery and lighting effects were employed throughout. (Drawing by J. Bernard ...
... speak to peculiarly modern concerns. In Shakespeare's own time it spoke as well to. were archeologically accurate scenes of early Britain, and complex stage machinery and lighting effects were employed throughout. (Drawing by J. Bernard ...
עמוד
... speak and please the king. The king's power is, to begin with, the power to bestow the monarchy. But Lear thinks of it in much less practical and more metaphysical ways, as the power of his senses – Hence, and avoid my sight! (I.1.122)* ...
... speak and please the king. The king's power is, to begin with, the power to bestow the monarchy. But Lear thinks of it in much less practical and more metaphysical ways, as the power of his senses – Hence, and avoid my sight! (I.1.122)* ...
עמוד
... speaking, is five nevers: Thou'lt come no more. Never, never, never, never, never. (285–86) Lear heartbreakingly extends Cordelia's nothing into the scheme of time. He returns momentarily to the fantasy that she lives –“Look on her ...
... speaking, is five nevers: Thou'lt come no more. Never, never, never, never, never. (285–86) Lear heartbreakingly extends Cordelia's nothing into the scheme of time. He returns momentarily to the fantasy that she lives –“Look on her ...
עמוד
... may extend Where merit doth most challenge it? Goneril, our eldest born, speak first. GONERIL Sir, I do love you more than words can wield the 29 30 31 32 35 40 48 matter, Dearer than eyesight, space, or liberty, Beyond what can.
... may extend Where merit doth most challenge it? Goneril, our eldest born, speak first. GONERIL Sir, I do love you more than words can wield the 29 30 31 32 35 40 48 matter, Dearer than eyesight, space, or liberty, Beyond what can.
עמוד
... Speak. REGAN Sir, I am made Of the selfsame mettle that my sister is, And prize me at her worth in my true heart. I find she names my very deed of love; Only she came short, that I profess Myself an enemy to all other joys Which the ...
... Speak. REGAN Sir, I am made Of the selfsame mettle that my sister is, And prize me at her worth in my true heart. I find she names my very deed of love; Only she came short, that I profess Myself an enemy to all other joys Which the ...
מהדורות אחרות - הצג הכל
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear (The Quarto Folio Texts) PEL <span dir=ltr>Stephen Orgel</span> אין תצוגה מקדימה זמינה - 2000 |
מונחים וביטויים נפוצים
ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits