King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 בפבר׳ 2000 - 320 עמודים The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
מתוך הספר
תוצאות 1-5 מתוך 50
עמוד
... never existed as written records. Many literary and theatrical critics, not knowing what might once have existed, more or less cheerfully accept the situation; some even make a theoretical virtue of it by claiming that such data are ...
... never existed as written records. Many literary and theatrical critics, not knowing what might once have existed, more or less cheerfully accept the situation; some even make a theoretical virtue of it by claiming that such data are ...
עמוד
... never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the Latin for “four”) are small books, printed on ...
... never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of these survive in two forms: quartos and folios. Quartos (from the Latin for “four”) are small books, printed on ...
עמוד
... never gives any sign of regret for his youthful adultery. We will be especially unpersuaded by Edgar's conviction of the economy of divine justice if we think of Cordelia's fate, and even of Lear's, which seem more appropriately summed ...
... never gives any sign of regret for his youthful adultery. We will be especially unpersuaded by Edgar's conviction of the economy of divine justice if we think of Cordelia's fate, and even of Lear's, which seem more appropriately summed ...
עמוד
... Never, never, never, never, never. (285–86) Lear heartbreakingly extends Cordelia's nothing into the scheme of time. He returns momentarily to the fantasy that she lives –“Look on her! Look, her lips”– and with that false hope he dies ...
... Never, never, never, never, never. (285–86) Lear heartbreakingly extends Cordelia's nothing into the scheme of time. He returns momentarily to the fantasy that she lives –“Look on her! Look, her lips”– and with that false hope he dies ...
עמוד
... in the nothing, the never, of death. The heroic vision is of suffering, unredeemed and unmitigated. Kent says, “The wonder is, he hath endured so long.” STEPHEN ORGEL Stanford University NOTE ON THE TEXTS The Quarto and the Folio To.
... in the nothing, the never, of death. The heroic vision is of suffering, unredeemed and unmitigated. Kent says, “The wonder is, he hath endured so long.” STEPHEN ORGEL Stanford University NOTE ON THE TEXTS The Quarto and the Folio To.
מהדורות אחרות - הצג הכל
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear (The Quarto Folio Texts) PEL <span dir=ltr>Stephen Orgel</span> אין תצוגה מקדימה זמינה - 2000 |
מונחים וביטויים נפוצים
ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits