King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 בפבר׳ 2000 - 320 עמודים The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
מתוך הספר
תוצאות 1-5 מתוך 82
עמוד
... gods, goddesses, and other supernatural figures to and from the main acting area, just as one or more trapdoors permitted entrances and exits to and from the area, called “hell,” beneath the stage. Actors wore elementary makeup such as ...
... gods, goddesses, and other supernatural figures to and from the main acting area, just as one or more trapdoors permitted entrances and exits to and from the area, called “hell,” beneath the stage. Actors wore elementary makeup such as ...
עמוד
... the tying up of a loose end. Gloucester is effectively abandoned by the play. His tragedy is framed, moreover, with a simplistic moral. Edgar, confronting Edmund at the end, says, The gods are just, and of our pleasant vices [Q:
... the tying up of a loose end. Gloucester is effectively abandoned by the play. His tragedy is framed, moreover, with a simplistic moral. Edgar, confronting Edmund at the end, says, The gods are just, and of our pleasant vices [Q:
עמוד
... gods: They kill us for their sport. (IV.1.36–37) Tragedy may be a moralizing form, but it is not an equitable one: the innocent invariably suffer with the guilty, and often more than the guilty. If tragedy has a moral, it is surely that ...
... gods: They kill us for their sport. (IV.1.36–37) Tragedy may be a moralizing form, but it is not an equitable one: the innocent invariably suffer with the guilty, and often more than the guilty. If tragedy has a moral, it is surely that ...
עמוד
... God's ways have to be justified to man, and the task is not an easy one. In the final scene we find Lear creating a ... God who has left the world unattended (why else would God need spies?), and thus creating the only permanence in a ...
... God's ways have to be justified to man, and the task is not an easy one. In the final scene we find Lear creating a ... God who has left the world unattended (why else would God need spies?), and thus creating the only permanence in a ...
עמוד
... gods defend her” (233), is immediately followed by Lear carrying Cordelia's corpse, howling like a beast; and it seems to Kent and Edgar the Day of Judgment –“Is this the promised end?” “Or image of that horror?” (240–41) – though ...
... gods defend her” (233), is immediately followed by Lear carrying Cordelia's corpse, howling like a beast; and it seems to Kent and Edgar the Day of Judgment –“Is this the promised end?” “Or image of that horror?” (240–41) – though ...
מהדורות אחרות - הצג הכל
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear (The Quarto Folio Texts) PEL <span dir=ltr>Stephen Orgel</span> אין תצוגה מקדימה זמינה - 2000 |
מונחים וביטויים נפוצים
ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits