King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 בפבר׳ 2000 - 320 עמודים The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
מתוך הספר
תוצאות 1-5 מתוך 98
עמוד
... [Edgar as] Tom. III.7 Enter Cornwall and Regan, and Goneril, and Bastard [Edmund, and Servants]. IV.1 Enter Edgar [as Poor Tom]. IV.2 Enter Goneril and Bastard [Edmund]. IV.3a Enter Kent [disguised] and a Gentleman. IV.3b Enter Cordelia ...
... [Edgar as] Tom. III.7 Enter Cornwall and Regan, and Goneril, and Bastard [Edmund, and Servants]. IV.1 Enter Edgar [as Poor Tom]. IV.2 Enter Goneril and Bastard [Edmund]. IV.3a Enter Kent [disguised] and a Gentleman. IV.3b Enter Cordelia ...
עמוד
... Edgar [as Poor Tom]. IV.2 Enter Goneril with Bastard [Edmund], and [separately] Steward [Oswald]. IV.3 Enter, with Drum and Colors, Cordelia, Gentleman, and Soldiers. IV.4 Enter Regan and Steward [Oswald], IV.5 Enter Gloucester and Edgar ...
... Edgar [as Poor Tom]. IV.2 Enter Goneril with Bastard [Edmund], and [separately] Steward [Oswald]. IV.3 Enter, with Drum and Colors, Cordelia, Gentleman, and Soldiers. IV.4 Enter Regan and Steward [Oswald], IV.5 Enter Gloucester and Edgar ...
עמוד
... Edgar, Gloucester's legitimate heir, is displaced, is a measure of how forcefully those doubts were felt. Gloucester's whole sense of the beloved Edgar is overturned in an instant by Edmund's deception, as Lear's sense of Cordelia is ...
... Edgar, Gloucester's legitimate heir, is displaced, is a measure of how forcefully those doubts were felt. Gloucester's whole sense of the beloved Edgar is overturned in an instant by Edmund's deception, as Lear's sense of Cordelia is ...
עמוד
... Edgar, or in the plainspeaking Fool, a surrogate Cordelia. Edgar leads his blind father out of despair through a little staged miracle, the extraordinary imagined fall from Dover Cliff in IV.5. But the resulting patience and acceptance ...
... Edgar, or in the plainspeaking Fool, a surrogate Cordelia. Edgar leads his blind father out of despair through a little staged miracle, the extraordinary imagined fall from Dover Cliff in IV.5. But the resulting patience and acceptance ...
עמוד
... Edgar's conviction of the economy of divine justice if we think of Cordelia's fate, and even of Lear's, which seem more appropriately summed up with Gloucester's own cosmic epigram, As flies to wanton boys are we to th' gods: They kill ...
... Edgar's conviction of the economy of divine justice if we think of Cordelia's fate, and even of Lear's, which seem more appropriately summed up with Gloucester's own cosmic epigram, As flies to wanton boys are we to th' gods: They kill ...
מהדורות אחרות - הצג הכל
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear: The 1608 Quarto and 1623 Folio Texts <span dir=ltr>William Shakespeare</span> תצוגה מקדימה מוגבלת - 2000 |
King Lear (The Quarto Folio Texts) PEL <span dir=ltr>Stephen Orgel</span> אין תצוגה מקדימה זמינה - 2000 |
מונחים וביטויים נפוצים
ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits