Twenty Israeli Composers: Voices of a CultureIsrael’s contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions—a heterogeneous culture of cultures. It is a rich and distinctive environment—at once ancient and modern, spiritual and secular, traditional and progressive. Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have earned distinction in Israel and abroad, and reflect the pluralism of Israeli art music, culture, and society. In first-person narrative, they discuss the interaction of inspiration, method, and cultural context in their work, revealing both international and national influence and scope. Three generations of contemporary composers-immigrants from Central and Eastern Europe, North and South America, and naïve sabras- share their ideas about music, the creative process, and their experiences as artists living and working in Israel. Robert Fleisher furnishes a biographical sketch of each composer, followed by a summary of recent accomplishments. The book also includes a bibliography, discography, and information for further study. |
מתוך הספר
תוצאות 1-5 מתוך 23
עמוד
In this context, the dodecaphonic compositional approach of Stefan Wolpe, a pupil of Anton Webern, was rejected by those seeking an amalgamated ...
In this context, the dodecaphonic compositional approach of Stefan Wolpe, a pupil of Anton Webern, was rejected by those seeking an amalgamated ...
עמוד
To some, Wolpe's adherence to the twelve-tone method of composition associated with the Second Vienna School could be viewed as “betraying one's historical ...
To some, Wolpe's adherence to the twelve-tone method of composition associated with the Second Vienna School could be viewed as “betraying one's historical ...
עמוד
Michael Wolpe has described three stylistic phases in Alexander's work: from 1945 until 1958 he participated in the Eastern Mediterranean style dominant ...
Michael Wolpe has described three stylistic phases in Alexander's work: from 1945 until 1958 he participated in the Eastern Mediterranean style dominant ...
עמוד
I was a student of Stefan Wolpe and his then second wife, Irma Schoenberg, who was not a relative of Schoenberg but a very good pianist and teacher.
I was a student of Stefan Wolpe and his then second wife, Irma Schoenberg, who was not a relative of Schoenberg but a very good pianist and teacher.
עמוד
But I must say that Wolpe left the country because he didn't feel well here. There were other reasons he went to the States. The general trend at that time ...
But I must say that Wolpe left the country because he didn't feel well here. There were other reasons he went to the States. The general trend at that time ...
מה אומרים אנשים - כתיבת ביקורת
לא מצאנו ביקורות במקומות הרגילים
תוכן
Immigrants and Sabras | |
Independence and Integration | |
Aharon Harlap b 1941 | |
Haim Permont b 1950 | |
Betty Olivero b 1954 | |
Ari BenShabetai b 1954 | |
Conclusion | |
Selected Discography | |
Selected Bibliography | |
מהדורות אחרות - הצג הכל
Twenty Israeli Composers: Voices of a Culture <span dir=ltr>Robert Fleisher</span> אין תצוגה מקדימה זמינה - 2018 |
מונחים וביטויים נפוצים
Abel Ehrlich Academy of Music aesthetic Ami Maayani Anthology of Israeli Arabic artists Aviv Ben-Haim Betty Olivero Bohlman Boskovitch cantillation Center IMC/MALI CD Choir choral composition concerning cond Contemporary Israeli Music contemporary music culture Daniel Galay Eastern Mediterranean Eastern music Ensemble European feel Festival Germany going Haim Haim Alexander Haim Permont harp Hebrew heterophony Horenstein immigrant composers influence interesting interviews Israel Music Institute Israel Philharmonic Orchestra Israeli composers Israeli music Israeli Music Center Israeli Piano Music Jerusalem Symphony Orchestra Jewish music Jews Josef Josef Tal Keren kibbutz kind Kopytman language live mean melody Mordecai Seter Music Center IMC/MALI Music in Israel musicians notation opera Orgad oriental Palestine Partos performed piece played pno Israeli Music Prize Ringer Rubin Academy Schoenberg Sonata songs sound started studied teacher there’s things Tzvi Avni violin Western Wolpe write wrote Yinam Leef