The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
מתוך הספר
תוצאות 1-5 מתוך 100
עמוד iii
... never laughed ; " and - to waste no more words on Sir William D'Avenant , -let but our readers survey his heavy , vulgar , unmeaning face , and , if we mistake not , they will as readily conclude that Shak- speare never holp to make it ...
... never laughed ; " and - to waste no more words on Sir William D'Avenant , -let but our readers survey his heavy , vulgar , unmeaning face , and , if we mistake not , they will as readily conclude that Shak- speare never holp to make it ...
עמוד v
... never saw England till 1618 , above a year after our author's death . So ready , however , are interested people in assisting credulous ones to impose on themselves , that we will venture to predict , -if some opulent dupe to the flimsy ...
... never saw England till 1618 , above a year after our author's death . So ready , however , are interested people in assisting credulous ones to impose on themselves , that we will venture to predict , -if some opulent dupe to the flimsy ...
עמוד xvi
... never reached the ears of our ancient editors . Having on this subject the support of Dr. Farmer's acknowledged judgement and experience , we shall not shrink from controversy with those who maintain a diffe- rent opinion , and refuse ...
... never reached the ears of our ancient editors . Having on this subject the support of Dr. Farmer's acknowledged judgement and experience , we shall not shrink from controversy with those who maintain a diffe- rent opinion , and refuse ...
עמוד xxiii
... never ut- tered such mutilated lines and unintelligible non- sense as was afterwards incorporated with their re- spective parts , in both the first quarto and folio editions . The folio therefore of 1623 , corrected from one or both the ...
... never ut- tered such mutilated lines and unintelligible non- sense as was afterwards incorporated with their re- spective parts , in both the first quarto and folio editions . The folio therefore of 1623 , corrected from one or both the ...
עמוד xxvi
... never attempted any , before he had consulted it . He was once , indeed , offered a large fragment of the first folio ; but in a few days he returned it , with an assurance that he did not perceive any de- cided superiority it could ...
... never attempted any , before he had consulted it . He was once , indeed , offered a large fragment of the first folio ; but in a few days he returned it , with an assurance that he did not perceive any de- cided superiority it could ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
acted addreffed afcertain againſt alfo alluded allufion appears becauſe Cæfar circumftance comedy Comedy of Errors compofitions copy criticks Cymbeline daughter death difcovered drama dramatick edition editor Engliſh faid fame fays fcene fecond folio feems feen feveral fhall fhew fhould fince firft firſt fome fometimes fpeare ftage fubject fuch fufficient fuppofe Hamlet Henry IV Hiftory himſelf impreffions inferted inftances Jonfon juft King Henry King Henry VI King Lear labour laft leaſt lefs likewife Loft Lover's Melancholy Macbeth MALONE moft moſt muft muſt obfcure obferved occafion old plays paffage perfons piece players pleaſe pleaſure poet poet's prefent printed probably publick publiſhed quarto reafon Regifter Richard Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſtage STEEVENS Stratford Stratford-upon-Avon theatre thefe themſelves theſe thofe Thomas thoſe tion Titus Andronicus tragedy tranflation Twelfth Night uſed verfes whofe William Shakspeare Winter's Tale words writer written
קטעים בולטים
עמוד 186 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
עמוד 221 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
עמוד 179 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
עמוד 221 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
עמוד 47 - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
עמוד 176 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
עמוד 220 - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
עמוד 192 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
עמוד 358 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
עמוד 184 - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.