Johnson the Poet: The Poetic Career of Samuel JohnsonUniversity of Delaware Press, 1999 - 335 עמודים Comments on Johnson's versatile career as satirist, playwright, moralist, neo-Latinist, elegise, prologuist and writer of drawing-room verse. This reconsideration calls attention to the qualities that so captivated Johnson's 18th-century readers and argues both the historical importance and continuing critical significance of Johnson's poetry. |
מתוך הספר
תוצאות 1-3 מתוך 25
עמוד 43
... Stanza 7 opens like stanza 6 with a passive periphrastic to emphasize necessity ; but , beyond that grammatical and rhetorical similarity , the two stanzas are designed to contrast with one another . Stanza 6 points to where we must all ...
... Stanza 7 opens like stanza 6 with a passive periphrastic to emphasize necessity ; but , beyond that grammatical and rhetorical similarity , the two stanzas are designed to contrast with one another . Stanza 6 points to where we must all ...
עמוד 45
... stanza is nothing like Horace's third , but expands instead on the sentiments of the last two lines of Horace's first stanza . Horace's third stanza , as noted above , marks an important shift in mode of address from personal to public ...
... stanza is nothing like Horace's third , but expands instead on the sentiments of the last two lines of Horace's first stanza . Horace's third stanza , as noted above , marks an important shift in mode of address from personal to public ...
עמוד 46
... stanza , they function rhetorically more like the lines of Horace's third . " We all must view the Stygian flood ... stanza . He also uses the auxiliary verb must to do double duty for two of Horace's passive periphrastics , " enaviganda ...
... stanza , they function rhetorically more like the lines of Horace's third . " We all must view the Stygian flood ... stanza . He also uses the auxiliary verb must to do double duty for two of Horace's passive periphrastics , " enaviganda ...
תוכן
Acknowledgments | 9 |
The Young Author | 31 |
London Country Ideology and the Limits | 57 |
זכויות יוצרים | |
11 קטעים אחרים שאינם מוצגים
מונחים וביטויים נפוצים
ANONYMOUS audience beauty become begins Boswell calls Cambridge career century chapter Charles Christian classical closing contrast critical dangers death Dictionary Dryden early edition eighteenth-century elegy English epitaphs Essay example faith fall fear follow give History hope Horace's Human Wishes imitation Irene John Juvenal's kind King language late later Latin learned Letters Levet lies literary Lives London means mind moral nature never notes opening Opposition original Oxford passions perhaps play pleasure poem poet poetic poetry political Pope Pope's praise prayers probably Prologue published reader reason religious remain rhetorical Robert Samuel Johnson Satire seems speaker stanza Studies success Thales things Thomas thou thought tion translation turn University Press Vanity of Human verse virtue writing written wrote York young