Shakespearean Tragedy and GenderShirley Nelson Garner, Madelon Sprengnether Indiana University Press, 22 בפבר׳ 1996 - 326 עמודים ". . . an important volume for scholar and student alike, and a tribute to the enduring contributions of its authors." —Renaissance Quarterly |
תוכן
The Case of Richard III | 31 |
Lavinia in Titus Andronicus | 54 |
Reading Madness and Gender | 75 |
Fantasies of Maternal Power in Macbeth | 105 |
Timon of Athens Jacobean Patronage | 135 |
Desdemonas Disposition | 171 |
Renaissance English Stage | 193 |
The Fatal Cleopatra | 241 |
Whats Love Got to Do with It? Reading the Liberal Humanist | 268 |
Shakespeare in My Time and Place | 287 |
Notes on Contributors | 317 |
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action Adelman Antony and Cleopatra Antony's argues associated audience becomes body born of woman Brabantio Caesar Cambridge construction Coppélia cultural daughter death defined Desdemona discourse Duchess Duchess of Malfi early modern Elizabethan England English Renaissance essay fantasy father feminine feminist criticism figure Fortune Hamlet heroics of marriage heroism human husband Iago ideal identity ideology imagine Implicating Othello interpretation Jacobean James King Lear Lady Macbeth language Lavinia Lear's Levin London Macduff madness male masculine maternal Methuen mother murder nature Ophelia's patriarchal play's political psychological Puritans Renaissance Drama representation represented rhetoric Richard Richard III role Roman Routledge scene sense sexual Shakespeare Our Contemporary Shakespeare Quarterly Shakespeare's plays Shakespearean Tragedy social speech stage story suggests suicide Tamora theatrical Thomas Timon Timon of Athens tion Titus Titus Andronicus Tragedy and Gender tragic hero Tragic Subjects Venetian Venice wife witchcraft witches women writing York