Harold Pinter's Politics: A Silence Beyond Echo

כריכה קדמית
Fairleigh Dickinson Univ Press, 2005 - 259 עמודים
Harold Pinter's Politics examines the expression of Pinter's political beliefs across every aspect and era of his artistic career. The fierce political stances of this important dramatist have been embodied in plays, screenplays, and his career as a theatrical director. Traditionally associated with absurdism, minimalism, and the dramatization of uncertainty, Pinter's name is now a byword for anti-authoritarian and anti-American politics. This transition has been in evidence from the earliest phases of his writing; all of Pinter's work emerges from his political views. His uniqueness as a political artist is that he is pessimistic about changing his audience or making it see its complicity in the horrors of the modern world. These horrors are dramatized through images of torture and oppression culminating in moments of silence that index the full extent of the destruction unleashed by the forces of power against dissidence.
 

תוכן

Harold Pinter and the Tradition of Political Theater
13
Early Plays and Retroactive Readings The Birthday Party The Dumb Waiter and The Hothouse
36
Pinter against the New Right Precisely One for the Road and Mountain Language
72
Pinter and the Permanence of Power Party Time Celebration Press Conference and The New World Order
101
Pinter at the Movies The Comfort of Strangers and Victory
144
Pinter and the Politics of Fascism Reunion Taking Sides and The Trojan War Will Not Take Place
164
Ashes to Ashes Morality and Politics after the Holocaust
195
Notes
221
Works Cited
239
Index
252
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עמוד 16 - If I were to state any moral precept it might be : Beware of the writer who puts forward his concern for you to embrace, who leaves you in no doubt of his worthiness, his usefulness, his altruism, who declares that his heart is in the right place, and ensures that it can be seen in full view, a pulsating mass where his characters ought to be.

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