Female Voices from an Ewe Dance-drumming Community in Ghana: Our Music Has Become a Divine Spirit

כריכה קדמית
Routledge, 5 ביולי 2017 - 234 עמודים
Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes a DVD documentary.
 

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Our Music Has Become a Divine Spirit Music and Identity in an African Town
1
1 Daughters of the Dram The Social Environment of Female Artists in Dzodze
25
2 The Dance Space Music Associations Territories and Events
49
3 We are a Community Dancedrumming Group The Dzigbordi Habɔbɔ of Dzodze
77
4 Doing it for Everyone to See The Oral Artistry of Dzigbordi in Performance
123
DVD Notes
197
Glossary
201
Interviews
203
References
205
Index
213
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