Shakespeare's Tragic SkepticismYale University Press, 1 בינו׳ 2002 - 283 עמודים Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
מתוך הספר
תוצאות 1-5 מתוך 92
עמוד vii
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
עמוד xii
... Hamlet is not accidental but rather lies at the cen- ter of [ Shakespeare's ] intention . . . . It is critical fideism [ or ] ... ' bardolatry ' to assume that every ' ambiguity ' we can find is a mark of the poet's genius . . . . But ...
... Hamlet is not accidental but rather lies at the cen- ter of [ Shakespeare's ] intention . . . . It is critical fideism [ or ] ... ' bardolatry ' to assume that every ' ambiguity ' we can find is a mark of the poet's genius . . . . But ...
עמוד xiv
... Hamlet's statement that he has " that within which passeth show " has been claimed by some mod- ern scholars who attribute to Shakespeare and the Elizabethan son- neteers the invention of the modern psyche . But this view is con- tested ...
... Hamlet's statement that he has " that within which passeth show " has been claimed by some mod- ern scholars who attribute to Shakespeare and the Elizabethan son- neteers the invention of the modern psyche . But this view is con- tested ...
עמוד xv
... Hamlet ; E. A. J. Honigmann , editor of the 1997 Arden Othello ; R. A. Foakes , editor of the 1997 Arden King Lear ; A. R. Braunmuller , editor of the 1997 New Cambridge Macbeth ; David Daniell , editor of the 1998 Arden Julius Caesar ...
... Hamlet ; E. A. J. Honigmann , editor of the 1997 Arden Othello ; R. A. Foakes , editor of the 1997 Arden King Lear ; A. R. Braunmuller , editor of the 1997 New Cambridge Macbeth ; David Daniell , editor of the 1998 Arden Julius Caesar ...
עמוד xvi
Millicent Bell. Jenkins's 1982 Arden Hamlet , Philip Edwards's 1985 New Cam- bridge Hamlet , Norman Sanders's 1984 New Cambridge Othello , Jay L. Halio's 1992 New Cambridge King Lear , Nicholas Brooke's 1990 Oxford Macbeth , Kenneth ...
Millicent Bell. Jenkins's 1982 Arden Hamlet , Philip Edwards's 1985 New Cam- bridge Hamlet , Norman Sanders's 1984 New Cambridge Othello , Jay L. Halio's 1992 New Cambridge King Lear , Nicholas Brooke's 1990 Oxford Macbeth , Kenneth ...
תוכן
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word