The Reality Effect: Film Culture and the Graphic ImperativePsychology Press, 2002 - 286 עמודים It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death. |
מהדורות אחרות - הצג הכל
The Reality Effect: Film Culture and the Graphic Imperative <span dir=ltr>Joel Black</span> תצוגה מקדימה מוגבלת - 2013 |
The Reality Effect: Film Culture and the Graphic Imperative <span dir=ltr>Joel Black</span> תצוגה מקדימה מוגבלת - 2013 |
The Reality Effect: Film Culture and the Graphic Imperative <span dir=ltr>Joel Black</span> אין תצוגה מקדימה זמינה - 2002 |
מונחים וביטויים נפוצים
actors actress actual aesthetic American appears artistic assassination audiences Ballard Barton Fink become Body Double camera car crashes Casablanca celebrity century character cinematic Clinton's Coover's critics Cronenberg's death depiction documentary dream entertainment erotic eroticism evidence experience fact fantasy fictional film culture film's filmmakers footage Freud Gloria graphic Grisham Gubbio Hitchcock's Holly Hollywood hyperreal illusion images increasingly J. G. Ballard Jake Jake's James Kennedy assassination killed Kubrick literary live Lolita medium of film Molina murder narrative narrator Natural Born Killers novel O.J. Simpson Palma Paulina photographer play pornographic portrayed presented primal scene produced psychoanalysis rape realistic recording reenactments representational role scenario scientific screen seduction sexual shot simulated snuff films special effects spectacle Stone story television tion Truman Show truth University Press Vaughan videotape viewer violence visual voyeuristic Wag the Dog woman York Zapruder Zapruder film