The Table-Talk of Shirley: Reminiscences of and Letters from Froude, Thackeray, Disraeli, Browning, Rossetti, Kingsley, Baynes, Huxley, Tyndall and Others

כריכה קדמית
Hansebooks GmbH, 2017 - 400 עמודים
The Table-Talk of Shirley - reminiscences of and letters from Froude, Thackeray, Disraeli, Browning, Rossetti, Kingsley, Baynes, Huxley, Tyndall and others is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

מהדורות אחרות - הצג הכל

מידע על המחבר (2017)

As a royal tutor, parson, orator, poet-satirist, and courtier, Skelton has been called one of the most remarkable poets between Chaucer and Spenser, an imaginative, unpredictable precursor of the Renaissance. A Ballade of the Scottys she Kynge (1513) celebrates the victory of the English forces of Henry VIII under the Earl of Surrey over the army of James IV at the battle of Flodden. Magnificence (1516) is an allegory in which the generous prince Magnificence is first destroyed by his own ill-advised generosity, then restored by Goodhope, Perseverance, and related virtues. He was awarded the degree of laureate by the universities of Oxford and Cambridge and was chosen as tutor to the young Prince Henry, who became Henry VIII. When Erasmus (see Vol. 4) visited England, he called Skelton "the one light and glory of British letters," mainly because of his translations of the classics and his Latin verses. Skelton directed his satire against the clergy, particularly Cardinal Wolsey, the target of Colin Clout (1522). After a lifelong hatred of Henry's chancellor, Skelton was finally forced to the sanctuary of Westminster in 1523 for writing Why Came Ye Not To Court (1522). While in confinement, he purified and simplified his style. He died before Wolsey met his downfall.

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