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may see most bravely: I'll tell you them all by their names, as they pass by; but mark Troilus above the

rest.

ENEAS passes over the Stage.

Cres. Speak not so loud.

Pan. That's Eneas; Is not that a brave man? he's one of the flowers of Troy, I can tell you; But mark Troilus; you shall see anon.

Cres. Who's that?

ANTENOR passes over.

Pan. That's Antenor; he has a shrewd wit, I can tell you; and he's a man good enough: he's one o'the soundest judgments in Troy, whosoever, and a proper man of person:-When comes Troilus?—I'll show you Troilus anon; if he see me, you shall see him nod

at me.

Cres. Will he give you the nod?

Pan. You shall see.

Cres. If he do, the rich shall have more2.

HECTOR passes over.

Pan. That's Hector, that, that, look you, that; There's a fellow !-Go thy way, Hector!-There's a brave man, niece.-O brave Hector!-Look, how he looks! there's a countenance: Is't not a brave man? Cres. O, a brave man!

Pan. Is 'a not? It does a man's heart good-Look you what hacks are on his helmet? look you yonder, do you see? look you there! there's no jesting: there's

2 the rich shall have more.] The allusion is to the word noddy, which, as now, did, in our author's time, and long before, signify a silly fellow, and may, by its etymology, signify likewise full of nods. Cressid means that a noddy shall have more nods. Of such remarks as these is a comment to consist! JOHNSON.

laying on; take't off who will, as they say: there be hacks!

Cres. Be those with swords?

Pan. Swords? any thing, he cares not: an the devil come to him, it's all one: By god's lid, it does one's heart good.

PARIS passes over.

Yonder comes Paris, yonder comes Paris: look ye yonder, niece; Is't not a gallant man too, is't not?Why, this is brave now.-Who said, he came hurt home to-day? he's not hurt: why, this will do Helen's heart good now. Ha! 'would I could see Troilus now! -you shall see Troilus anon.

Cres. Who's that?

HELENUS passes over.

Pan. That's Helenus,-I marvel, where Troilus is:That's Helenus;-I think he went not forth to-day :That's Helenus.

Cres. Can Helenus fight, uncle?

Pan. Helenus? no;-yes, he'll fight indifferent well: -I marvel, where Troilus is !-Hark; do you not hear the people cry, Troilus ?-Helenus is a priest.

Cres. What sneaking fellow comes yonder?

[blocks in formation]

Pan. Where? yonder? that's Deiphobus: 'Tis Troilus! there's a man, niece !-Hem!-Brave Troilus! the prince of chivalry.

Cres. Peace, for shame, peace!

Pan. Mark him; note him ;-0 brave Troilus !— look well upon him, niece; look you, how his sword is bloodied, and his helm more hack'd than Hector's; And how he looks, and how he goes!-O admirable youth! he ne'er saw three and twenty. Go thy way, Troilus, go thy way; had I a sister were a grace, or a daughter

a goddess, he should take his choice. O admirable man! Paris!-Paris is dirt to him; and I warrant, Helen, to change, would give an eye to boot.

Forces pass over the Stage.

Cres. Here come more.

Pan. Asses, fools, dolts! chaff and bran, chaff and bran! porridge after meat! I could live and die i'the eyes of Troilus. Ne'er look, ne'er look; the eagles are gone; crows and daws, crows and daws! I had rather be such a man as Troilus, than Agamemnon and all Greece.

Cres. There is among the Greeks, Achilles; a better man than Troilus.

Pan. Achilles? a drayman, a porter, a very camel. Cres. Well, well.

Pan. Well, well?-Why, have you any discretion? have you any eyes? Do you know what a man is? Is not birth, beauty, good shape, discourse, manhood, learning, gentleness, virtue, youth, liberality, and such like, the spice and salt that season a man?

Cres. Ay, a minced man: and then to be baked with no date in the pye3,-for then the man's date is out. Pan. You are such a woman! one knows not at what ward you lie.

Cres. Upon my back, to defend my belly; upon my wit, to defend my wiles; upon my secrecy, to defend mine honesty; my mask, to defend my beauty; and you, to defend all these: and at all these wards I lie, at a thousand watches.

Pan. Say one of your watches.

Cres. Nay, I'll watch you for that; and that's one of

3 no date in the pye,] To account for the introduction of this quibble, it should be remembered that dates were an ingredient in ancient pastry of almost every kind.

defence.

at what ward you lie.] A metaphor from the art of

the chiefest of them too; if I cannot ward what I would not have hit, I can watch you for telling how I took the blow; unless it swell past hiding, and then it is past watching.

Pan. You are such another!

Enter TROILUS' Boy.

Boy. Sir, my lord would instantly speak with you.
Pan. Where?

Boy. At your own house; there he unarms him.
Pan. Good boy, tell him I come:

I doubt he be hurt.-Fare ye well, good niece.
Cres. Adieu, uncle.

Pan. I'll be with you, niece, by and by.

Cres. To bring, uncle,

Pan. Ay, a token from Troilus.

[Exit Boy.

Cres. By the same token-you are a bawd.

[Exit PANDARUS.

Words, vows, griefs, tears, and love's full sacrifice,

He offers in another's enterprize :

But more in Troilus thousand fold I see

Than in the glass of Pandar's praise may be;
Yet hold I off. Women are angels, wooing:
Things won are done, joy's soul lies in the doing:
That she belov'd knows nought, that knows not this,-
Men prize the thing ungain'd more than it is:

That she was never yet, that ever knew
Love got so sweet, as when desire did sue:

Therefore this maxim out of love I teach,-
Achievement is command; ungain'd, beseech':

Then though my heart's content from love doth bear,
Nothing of that shall from mine eyes appear.

[Exit.

5 Achievement is command; ungain'd, beseech:] The meaning of this obscure line seems to be- —“Men, after possession, become our commanders: before it, they are our suppliants."

6

my heart's content -] Content for capacity, or perhaps for consent.

SCENE III.

The Grecian Camp. Before Agamemnon's Tent.

Trumpets.

Enter AGAMEMNON, NESTOR, ULYSSES,
MENELAUS, and Others.

Agam. Princes,

What grief hath set the jaundice on your cheeks?
The ample proposition, that hope makes

In all designs begun on earth below,

Fails in the promis'd largeness: checks and disasters
Grow in the veins of actions highest rear'd;
As knots, by the conflux of meeting sap,
Infect the sound pine, and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us,
That we come short of our suppose so far,

That, after seven years' siege, yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought

That gav't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works;
And think them shames, which are, indeed, nought else
But the protractive trials of great Jove,

To find persistive constancy in men?

The fineness of which metal is not found

In fortune's love: for then, the bold and coward,

The wise and fool, the artist and unread,

The hard and soft, seem all affin'd' and kin :
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;

7-affin'd] i. e. joined by affinity.

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