Poetry and Prose: Being Essays on Modern English PoetryDutton, 1912 - 278 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 36
עמוד 13
... flasks of the true Falernian , whose dog used to accompany him in all his walks up the mountain- side , whose failing steps the young poet himself guided , whose hair never grew entirely white , and who now POETRY : A NOTE 13.
... flasks of the true Falernian , whose dog used to accompany him in all his walks up the mountain- side , whose failing steps the young poet himself guided , whose hair never grew entirely white , and who now POETRY : A NOTE 13.
עמוד 25
... side as with Bacon , his inquiring and historiogra- phical side as with Raleigh , or as with Shakespeare his poetical side in that age even poetry was pre - eminently poetical . Upon the sixteenth century in England there followed the ...
... side as with Bacon , his inquiring and historiogra- phical side as with Raleigh , or as with Shakespeare his poetical side in that age even poetry was pre - eminently poetical . Upon the sixteenth century in England there followed the ...
עמוד 35
... side - current , the romantic work , which was not its work , done in it , the romantic work done by the way . The passages at the end of Pope's Messiah and Dunciad are not typical eighteenth - century work . Shenstone in his ...
... side - current , the romantic work , which was not its work , done in it , the romantic work done by the way . The passages at the end of Pope's Messiah and Dunciad are not typical eighteenth - century work . Shenstone in his ...
עמוד 36
... side of Crow Park after sunset and saw the solemn colouring of light draw on , the last gleam of sun- shine fading away on the hill - tops , the deep serene of the waters , and the long shadows of the mountains thrown across them , till ...
... side of Crow Park after sunset and saw the solemn colouring of light draw on , the last gleam of sun- shine fading away on the hill - tops , the deep serene of the waters , and the long shadows of the mountains thrown across them , till ...
עמוד 37
... side by side with those of Burns . All that Burns writes is not poetry - by no means - and all that Gray writes is not prose . I do not say so ; but the one , with all his faults , sees the world from the standpoint of the poet ; the ...
... side by side with those of Burns . All that Burns writes is not poetry - by no means - and all that Gray writes is not prose . I do not say so ; but the one , with all his faults , sees the world from the standpoint of the poet ; the ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
1st series Arnold Basil de Sélincourt beauty breath Burns Byron Caliban upon Setebos charm child Chillianwallah conscious course criticism dear death delight doctrine dream Earth Edom effect eighteenth century Emerson emotion equally Essays experience expression eyes fact fancy feeling felt frae French Revolution George Meredith give habit happy hear heard heart heaven human idea imagination infinite instance intellectual kind lines literature lives Lycophron lyric man's mean Meredith merely mind modern moral Nature never Ode to Duty once one's Othello Over-Soul passage Periander play poem poet poet's poetical poetry prose pure realise reality religion Rousseau sense sentiment Shakespeare social sometimes song sorrow soul speak spirit style sweet tell Tennyson thee things thou thought tion Titmouse tone true truth Universe verse voice whole words Wordsworth write young youth
קטעים בולטים
עמוד 31 - Dupe of to-morrow even from a child. Thus many a sad to-morrow came and went, Till, all my stock of infant sorrow spent, I learned at last submission to my lot ; But, though I less deplored thee, ne'er forgot. Where once we dwelt our name is heard no more, Children not thine have trod my nursery floor ; And where the gardener Robin, day by day, Drew me to school along the public way, Delighted with my bauble coach, and wrapped In scarlet mantle warm, and velvet capped, Tis now become a history little...
עמוד 75 - Yestreen, when to the trembling string The dance gaed thro' the lighted ha', To thee my fancy took its wing, I sat, but neither heard nor saw: Tho' this was fair, and that was braw, And yon the toast of a' the town, I sigh'd and said amang them a'; — "Ye are na Mary Morison!
עמוד 142 - If the labours of Men of science should ever create any material revolution, direct or indirect, in our condition, and in the impressions which we habitually receive...
עמוד 97 - THE REVERIE OF POOR SUSAN AT the corner of Wood Street, when daylight appears, Hangs a Thrush that sings loud, it has sung for three years : Poor Susan has passed by the spot, and has heard In the silence of morning the song of the Bird.
עמוד 9 - A SLUMBER did my spirit seal ; •^*- I had no human fears : She seemed a thing that could not feel The touch of earthly years. No motion has she now, no force ; She neither hears nor sees ; Rolled round in earth's diurnal course, With rocks, and stones, and trees.
עמוד 130 - SHE walks in beauty, like the night Of cloudless climes and starry skies ; And all that's best of dark and bright Meet in her aspect and her eyes : Thus mellow'd to that tender light Which heaven to gaudy day denies.
עמוד 240 - Standing on the bare ground — my head bathed by the blithe air and uplifted into infinite space — all * mean egotism vanishes. I become a transparent eyeball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or parcel of God.
עמוד 4 - The use of this FEIGNED HISTORY hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it...
עמוד 140 - Tis sweet to hear the watch-dog's honest bark Bay deep-mouthed welcome as we draw near home; 'Tis sweet to know there is an eye will mark Our coming, and look brighter when we come...
עמוד 17 - MOST sweet it is with unuplifted eyes To pace the ground, if path be there or none. While a fair region round the traveller lies Which he forbears again to look upon ; Pleased rather with some soft ideal scene, The work of Fancy, or some happy tone Of meditation, slipping in between The beauty coming and the beauty gone.