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although it was reported to have cost. sixty thousand :

"Here, my dear friend, is an exact account of the most brilliant suppers I ever gave:

"One evening I had invited twelve or fifteen friends to hear a reading of the poet Le Brun; whilst I was resting, before they arrived, my brother read to me some pages of the Travels of Anacharsis.' When he reached the part describing Greek dinners, and the different sauces and food they had, he said, 'We ought to try some of those things to-night.' I immediately spoke to my cook and told her what to do, and we decided that she should make one sauce for the fowl, and another for the eels. As I was expecting some very pretty women, I thought we might all dress up in Greek costumes, so as to create a surprise for M. de Vaudreuil and M. Boutin, who we knew could not arrive before ten. My studio, full of things with which I draped my models, provided me with several clothes, and the Comte de Parois, who lodged in my house, had a fine selection of Etruscan vases. He came to see me that day, as it happened; I informed him of my project, and he brought me a quantity of vases to choose from. I dusted them carefully and placed them on a mahogany table, laid without

a cloth. I then placed a large screen behind the chairs, which I concealed by covering it here and there with a drapery, like that which is seen in some of Poussin's paintings. A hanging lamp threw a strong light on the table. At last everything was prepared, even my costumes; the first to arrive was a daughter of Joseph Vernet, the charming Madame Chalgrin. Immediately I dressed her hair and

draped her; then came Madame de Verneuil, renowned for her beauty; Madame Vigée, my sister-in-law, who, without being pretty, had the most lovely eyes; and there they were all three metamorphosed into bona fide Athenians. Brun-Pindare came in; we took off his powder, and undid his side curls, and on his head I

Le

placed a wreath of laurel. The Comte de Parois had a large purple mantle which served for drapery for my poet, and in a twinkling there was Pindare transformed into Anacreon. Then came the Marquis de Cubières; whilst they went to his house for his guitar, which he had had mounted as a golden lyre, I dressed him also, as well as M. de Rivière (my sister-inlaw's brother), Gingueré, and Chaudet, the famous sculptor.

"It was getting late; I had not much time to think of myself, but as I always wore white tunic-shaped dresses, now called blouses, I only needed a veil and a crown of flowers on my head. I took great pains with my daughter, a charming child, and Mademoiselle de Bonneuil, now Madame Regnault d'Angély, who was very pretty. Both were most graceful to behold, bearing each an antique vase and waiting on us.

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Boutin, and when these two gentlemen entered the room they found us singing the chorus of Gluck, The God of Paphos and Guido,' whilst M. de Cubières accompanied us on his lyre.

"I never in my life saw two such astonished faces as those of M. de Vaudreuil and his companion. They were surprised and delighted, and could hardly tear themselves away from looking at us, in order to sit down in the places reserved for them. Besides the two dishes I have mentioned, we had a cake made of honey and Corinthian grapes, and two plates of vegetables. We did indeed drink that evening a bottle of old Cyprian wine, which I had given but that was our only excess. We sat a long time at table, and Le Brun recited several odes to us. We all spent a most enjoyable evening."

me,

No one had at this time any apprehension of what was coming. Life was

a carnival, every one lived for pleasure, and pleasure alone. Every thing was for the best in the best of all possible worlds. There was discontent amongst the people, but no one for an instant imagined that any thing would occur to shake the monarchy to its foundations. France in 1786 was apparently as powerful as ever. She had been victorious in war, she was ruling Holland, building out the sea at Cherbourg, and concluding a commercial treaty with England, which was calculated to restore material prosperity to her people. But the cost of the war to free America had been enormous, seventy millions. And there was this danger: The King of France was in the same situation as the Divine Figure from the North' is now. He had dispensed liberty abroad, and it was demanded at home. The King of France tried concession; it failed. The Emperor of Russia is using repression; succeed. may

it In addition to this, the hard winter of 1788-9, combined with the scarcity of corn, exasperated the people to the last degree; and the most alarming symptoms of popular discontent began to appear. But no one even then imagined the catastrophe so near.

Madame Le Brun writes:

"About the same time I went to spend a few days at Marly with Madame Auguier, a sister of Madame Campan's, and attached, like herself, to the Queen's household. She had a château and fine park near the weir. One day as we were standing at a window looking on to the court, and from thence to the high road we saw a drunken man enter and fall down. Madame Auguier, with her usual kindness, called to her husband's valet and told him to pick up this unfortunate creature, take him to

the kitchen and look after him. Soon after the valet returned.

'Madame is really too kind,' said he; 'this man is a scoundrel! here are the papers he let fall from his pocket;' and he placed in our hands several documents, one of which began with, Down with the Royal Family! down with the nobles and priests !' then followed rev

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olutionary litanies and a thousand atrocious prophecies, drawn up in language which made one's hair stand on end. Madame Auguier had the village guards called up: four of these soldiers came, who were desired to take the man away and make inquiries about him; they led him off, but the valet, who followed them from some distance, without their knowledge, saw them, as soon as they had turned the road, take their prisoner by the arm and dance about and sing with him as though they were the best of friends. I cannot tell you how this alarmed us what was to become of us if the civil guard even lent itself to the cause of the wicked?

"I advised Madame Auguier to show these papers to the Queen, and a few days after, being on duty again, she read them to her majesty, who returned them saying, 'It is impossible that they should meditate such wickedness, I will never believe them capable of it!'

"Alas! subsequent events have shown the fallacy of this noble doubt; and, without speaking of the august victim who would not believe in such horrors, poor Madame Auguier herself was destined to pay for her devotion with her life.

"This devotion never wavered. In the cruel

times of the Revolution, knowing the Queen was without money, she insisted on lending her twenty-five louis. The revolutionists heard of it and hastened to the Tuileries to conduct

her to prison, or in other words to the guillotine. On seeing them coming furiously toward her with menaces on their lips, Madame Auguier preferred speedy death to the agony of falling into their hands she threw herself out of the window and was killed."

The soldiers and police were not to be depended on. In fact the extinguishers were on fire and the revolutionists were emboldened to proceed to extremities. The famous 'Maison du Roi,' the descendants of the heroes who had turned the tide of battle at Steinkirk and Fontenoy, had been disbanded for financial reasons. The Swiss regiments were alone to be depended on, who fought for their master nobly but in vain.

Madame Le Brun writes:

"The dreadful year of 1789 had begun, and fear had taken possession of all wise minds. I remember in particular one evening, having invited some friends to hear some music, that the greater part of them arrived with consternation depicted on their faces; they had been that morning to Longchamps; the populace, assembled at the Barrière de l'Etoile, had abused frightfully all those who were in car

riages; some wretches got out on the steps of the carriages, crying out, 'Next year you will be behind your coaches and we shall be inside!' This and many other still worse remarks they were exposed to."

In October, after the King and Queen were dragged to Paris by the triumphant populace, Madame Le Brun sought safety in flight-luckily for herself, as the favorite of royalty would have probably shared the fate of so many of her friends.

On her way to Italy,

"I had opposite me in the diligence a man extremely dirty and unpleasantly odorous, who told me very coolly that he had stolen watches and other articles of value. Fortunately he saw nothing on me to tempt him ; for I had only a little linen with me and eighty louis for my journey ; all my trinkets I had left at Paris. The thief, not content with relating these acts of prowess, spoke continually about hanging such and such person, naming several people of my acquaintance. My little girl was so frightened at the man's manner and conversation that I took courage to say to him, 'Sir, I beg of you, do not speak of murder before this child.' He was silenced, and ended by having a game of play with her.'

It was in Italy that Madame Le Brun heard the details of the horrors in Paris, of the death of so many dear friends. It is a curious fact that the only person guillotined who showed signs of fear was Madame du Barry, the celebrated mistress of Louis XV.

Madame Le Brun writes:

"She is the only woman, amongst the numbers who perished in those days, who was unable to face the scaffold; she wept, she implored mercy from the horrible crowd which surrounded her, and that crowd was so affected that the executioner hastened to put an end to her agony. I am convinced that had the victims of that awful time not died so courageously, the Terror would have ceased much sooner. Men whose intellects are not fully developed have too little imagination to feel touched by internal suffering, and the pity of the populace was more easily aroused than its

admiration."

It is singular that the screams of Madame du Barry should have produced more effect on the bloodthirsty populace than the sight mentioned by De Tocqueville of a tumbril full of noble ladies being dragged to the place of execution who were looking as serene and tranquil as if they were going " à la messe.'

On her arrival in Rome Madame Le Brun was warmly received by her friends.

"The Abbé Maury came to tell me that the Pope wished me to take his portrait. I greatly desired to do so, but it was necessary that I should be veiled whilst painting his Holiness, and the fear that under the circumstances I should not be able to do justice to my subject compelled me to decline this honor. I was very sorry about it, for Pius VI. was one of the handsomest men I had seen.

The French nobility flying from the Revolution were now arriving in Rome. There were also many distinguished ladies from different countries who sat to Madame Le Brun for their portraits. Miss Pitt, the daughter of Lord Camelford, afterward Lady Grenville, who only died the other day at an advanced age, then sixteen and very pretty, was painted as "Hebe on clouds, holding a goblet in her hand, from which an eagle was drinking."

Madame Le Brun writes:

"At the same time I took the portrait of a Polish lady, the Countess Potoçki. She came to me with her husband, and when he had left us, she coolly observed, 'It is my third husband; but I think I shall take up with my first again, who suited me better, although he is a regular scamp.'"

*

And

Will the ties of marriage ever become as loose in England? We really are in fear. Only the other day three thousand Norfolk farmers were seized with a burning desire to marry their wives' sisters, and this at a time of agricultural depression! They will surely go farther when the good old times return. their petition to Parliament was presented in such cold weather! Sydney Smith had an idea that people were more moral in the winter than the summer heat made their virtue ooze out of their fingers' ends. As an illustration of this he once

called out to Mrs. Norton at a large dinner-party," If this hot weather lasts we must give up port wine and marriage, and addict ourselves to sherbet and polygamy." A woman with three husbands alive must have such delightful reminiscences ! We were reading the other day about Lady Hanmer, the wife of Sir Thomas Hanmer, the Speaker, who ran off with Tom Hervey. Sir Thomas did not care much about that, but he was horribly disgusted with Tom, who kept on writing letter after

* Lord Palmerston said the great advantage of this kind of marriage would be that it required only one mother-in-law.

From a note-book.

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letter to him about our wife." The three proprietors of Madame Potoçki must have had moments of strange perplexity about their wife.

Another of Madame Le Brun's acquaintances had escaped from the prisons of Paris and arrived at Rome, who is described by her friend, Horace Walpole, as the pretty, little, wicked Duchesse de Fleury," who seems, like Madame Potoçki, to have had relays of husbands always in waiting.

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It is of this lady that Madame Le Brun relates the following anecdote. 'Before the return of the Bourbons, having occasion one day to visit the Emperor Napoleon, he said to her brusquely, 'Do you still love men?' Yes, sire, when they are polite,' she replied."

The Bonapartes were not polite, and the readers of these Memoirs will contrast the insolent manner of Madame Murat, when sitting for her portrait to Madame Le Brun, with the graciousness of Marie-Antoinette.

At Naples Madame Le Brun met Lady Hamilton, and speaks with wonder at the facility she had of expressing in her features either joy or sorrow, and of imitating different persons.

"One moment she would be a delightful Bacchante with animated eyes, and hair in disorder, then all at once her face would express sorrow, and you saw a beautiful repentant Magdalen."

At Vienna, as in every other capital in Europe, Madame Le Brun was received in the highest society. Amongst other friends she was very kindly treated by Prince Kaunitz, the celebrated minister of Maria-Theresa. The Prince was then in his eighty-third year. He was a man of the most singular habits and prejudices. Madame Le Brun was invited to see him ride, which the Prince imagined that he did better than any one.

Madame Le Brun writes:

"He rode like a Frenchman, his costume and figure reminded me of the cavaliers of the time of Louis XIV., such as we see them represented in the beautiful pictures of Wouvermans."

Although so old, he would never almentioned in his presence. There was low the passage to the other world to be no such thing as death. When MariaTheresa died the event was announced

no more."

to the Prince thus, "The Empress signs He was always very independent in his manner with MariaTheresa. One day her Majesty began to talk to him about his scandalous mode of life. The Prince promptly replied, "I came here to talk about your Majesty's affairs, not about my own. Madame Le Brun frequently dined with him, and committed the most atrocious fault a guest can commit: she would not, or could not, eat any thing, which very much annoyed the Prince. We wonder whether she was witness to that tremendous operation after dinner which is described by Swinburne in his 'Courts of Europe':

'After dinner the Prince treated us with the cleaning of his gums-one of the most nauseous operations I ever witnessed; and it lasted a prodigious long time, accompanied with all manner of noises. He carries a hundred implements in his pocket for this purpose, such as glasses of all sorts for seeing before and behind his teeth, a whetting steel for his knife, pincers to hold the steel with, knives and scissors without number, and cottons and lawns

for wiping his eyes. His whims are innumerable, nothing allusive to the mortality of human nature must ever be rung in his ears. To mention the small-pox is enough to knock him up for the day... The other day he sent a favorite dish of meat as a present to an aunt of his, four years after her decease, and would not have known it but for a blundering servant, who blabbed it to him."

Madame Le Brun's account of the state of society in Russia during the closing days of the Empress Catherine, and the mad reign of Paul, are peculiar ly interesting at the present time.

Madame Le Brun writes:

Paul was extremely ugly. A flat nose, and a very large mouth, full of long teeth, made him resemble a death's-head."

In the "Memoirs of Madame d'Oberkirch," who accompanied Paul and his beautiful wife to Paris, when they visited France as the Comte and Comtesse du Nord, the character of the unfortunate Prince is drawn in favorable colors, but on his advent to the throne it is clear that his mind was unhinged. Madame Le Brun writes:

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In 1802 Madame Le Brun paid a visit to England, where she was received with the utmost distinction. Madame Le Brun seems to have found society in London like its climate, rather dull and oppressive. We give an extract from her journal respecting the great actress of the time. Madame Le Brun was an excellent critic, and her opinion will perhaps convince some doubters who imagine that the acting of the Kembles was conventional and unnatural :

"I was more fortunate with Mrs. Siddons, whose visit I did not lose; I had seen this celebrated actress for the first time in the Gamester,' and I cannot express the pleasure with which I applauded her. I do not believe it possible for any one to possess greater talent for the stage than Mrs. Siddons had; all the English were unanimous in praising her perfect and natural style. The tone of her voice was enchanting: that of Mademoiselle Mars alone at all resembling it; and what above all, to my mind, constituted the great tragedian was the eloquence of her silence."

We have now concluded, although we fear imperfectly, the agreeable task of reviewing such a book as this. It may be gossiping, but then how dull history would be without its gossip. Where did Macaulay procure his wonderful historical portraits but from memoirs like these. From those of SaintSimon, Grammont, Pepys, and Dangeau

were produced the life-like characters of Charles II. and Louis XIV. So the future historian will from these Souvenirs' obtain a picturesque description of that charming society, which existed in France in the ancient days. How France has suffered since 1789! Three times has her capital been occupied by foreign armies. Revolution has followed revolution. In 1870 her end seemed at hand. But that is not to be. Always

falling over like a tumbler pigeon, how rapidly she resumes her flight! The pleasure of this revival to Englishmen is not marred by envy. We are indebted to France for many pleasures of our life, and there is no greater pleasure than in reading the manners and customs of bygone times written in the style of that accomplished artist, Madame Vigée Le Brun.-Temple Bar.

HALF-HEARTED.

IF I could love thee, Love, a little more,
If thy fair love outlived the brief sweet rose-
If in my golden field were all thy store,
And all my joy within thy garden close-
Then would I pray my heart to be full fond
Forever, and a little bit beyond.

If daffodil and primrose were not frail,

If snowdrop died not ere the dying day

If I were true as Daphnis in the tale,

If thou couldst love as Juliet in the play-
Then would I teach my heart to be full fond
Forever, and a little bit beyond.

But since I fear I am but wayward true,

And wayward false, fair love, thou seem'st to be-
Since I some day must sigh for something new,
And each day thou for life's monotony-

Prithee, stay here ere yet we grow too fond,
And let me pass a little bit beyond.

Blackwood's Magazine.

WHITE WINGS: A YACHTING ROMANCE.

CHAPTER V.

A BRAVE CAREER.

BY WILLIAM BLACK.

BUT when we went on deck the next morning we forgot all about the detestable person who was about to break in upon our peace (there was small chance that our faithful Angus Sutherland might encounter the snake in this summer paradise, and trample on him, and pitch him out; for this easy way of getting rid of disagreeable folk is 'not permitted in the Highlands now-a-days) as we looked on the beautiful bay shining all around

us.

"Dear me !" said Denny-mains, "if

Tom Galbraith could only see that now! It is a great peety he has never been to this place. I'm thinking I must write to him."

The Laird did not remember that we had an artist on board-one who, if she was not so great an artist as Mr. Galbraith, had at least exhibited one or two small landscapes in oil at the Royal Academy. But then the Academicians, though they might dread the contrast between their own work and that of Tom Galbraith, could have no fear of Mary Avon.

And even Mr. Galbraith himself might have been puzzled to find among his pigments any equivalent for the rare and

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