Shakespeare, כרך 3

accept action activities actual Angelo appears audience become believe Bertram Brutus Caesar Cassius century certainly character close comedy comes comic completely court Cressida cynical death direct Duke effect Elizabethan emotional equal evidence example existence expressed fact feel Feste Fool forces fortune given gives Globe Hamlet happy Helena honour human imagination important intellectual involved Jaques John Jonson Julius Caesar kind less Lord Malvolio matter meaning Measure mind moral nature never Night occasion particular performance perhaps personality play political position possible presented problem question reason record reference remarkable response result revealed romantic Rosalind satire says scene seems sense Shakespeare shows simply society speaks speech spirit status story taken theatre theatrical theme things tion Touchstone tragedies Troilus Troilus and Cressida true truth Viola writing written