Oli. Read it you, sirrah. [To FABIAN. Fab. [reads. By the Lord, madam, you wrong me, and the world shall know it: though you have put me into darkness, and given your drunken cousin rule over me, yet have I the benefit of my senses as well as your ladyship. I have your own letter that induced me to the semblance I put on; with the which I doubt not but to do myself much right, or you much shame. Think of me as you please. I leave my duty a little unthought of, and speak out of my injury. The madly-used MALVOLIO. Oli. Did he write this? [Exit FABIAN. Duke. Madam, I am most apt to embrace your offer.- . Your master quits you ; [To Viola.] and, for your ser vice done him, A sister ?—you are she. Re-enter FABIAN with MalvoLIO. Ay, my lord, this same: Madam, you have done me wrong, Notorious wrong. Oli. Have I, Malvolio ? no. Mal. Lady, you have. Pray you, peruse that letter: You must not now deny it is your hand, Write from it, if you can, in hand, or phrase ; Or say, 'tis not your seal, nor your invention : You can say none of this: Well, grant it then, And tell me, in the modesty of honour, Why you have given me such clear lights of favour ; Bade me come smiling, and cross-garter'd, to you ; To put on yellow stockings, and to frown Upon sir Toby, and the lighter people : And, acting this in an obedient hope, Why have you suffer'd me to be imprison'd, Kept in a dark house, visited by the priest, And made the most notorious gecko, and gull, That e'er invention play'd on ? tell me why. Oli. Alas, Malvolio, this is not my writing, Good madam, hear me speak; geck] A fool. In recompense whereof, he hath married her. Oli. Alas, poor fool! how have they baffled thee! Clo. Why, some are born great, some achieve greatness, and some have greatness thrown upon them. I was one, šir, in this interlude ; one sir Topas, sir ; but that's all one:-By the Lord, fool, I am not mad ;—But do you remember ? Madam, why laugh you at such a barren rascal ? an you smile not, he's gagg'd: And thus the whirligig of time brings in his revenges. Mal. I'll be reveng'd on the whole pack of you. (Exit. Oli. He hath been most notoriously abus'd. Duke. Pursue him, and entreat him to a peace :He hath not told us of the captain yet; When that is known and golden time convents", A solemn combination shall be made Of our dear souls- Mean time, sweet sister, We will not part from hence.-Cesario, come ; For so you shall be, while you are a man; But, when in other habits you are seen, Orsino's mistress, and his fancy's queen. [Exeunt. SONG. With hey, ho, the wind and the rain, For the rain it raineth every day. But when I came to man's estate, With hey, ho, the wind and the rain, For the rain it raineth every day. 1 convents,] i. e. shall serve, agree, be convenient. But when I came, alas ! to wive, With hey, ho, the wind and the rain, For the rain it raineth every day. But when I came unto my bed, With hey, ho, the wind and the rain, For the rain it raineth every day. A great while ago the world begun, With hey, ho, the wind and the rain, And we'll strive to please you every day. (Exit. This play is in the graver part elegant and easy, and in some of the lighter scenes exquisitely humorous. Ague-cheek is drawn with great propriety, but his character is, in a great measure, that of natural fatuity, and is therefore not the proper prey of a satirist. The soliloquy of Malvolio is truly comic; he is betrayed to ridicule merely by bis pride. The marriage of Olivia, and the succeeding perplexity, though well enough contrived to divert on the stage, wants credibility, and fails to produce the proper instruction required in the drama, as it exhibits no just picture of life. Johnson. |