The British Cinema BookRobert Murphy British Film Institute, 1997 - 279 עמודים British cinema in the late-1990s is recognized by many as an important window on the past and during the late 1980s and early 1990s has been seen to have become a dynamic and rapidly growing area of study. This volume represents current progress made in exploring the history of British cinema. The essay topics range from: the silent cinema to the future of British films in the 1990s; from the documentary movement to quota quickies; from the flamboyant melodramas of the 1940s to the portrayal of women in the 1960s; and from the role of European exiles to the cosy pleasures of Ealing - the book offers a comprehensive account of the history and characteristics of the British cinema. |
מתוך הספר
תוצאות 1-3 מתוך 74
עמוד 5
... period . For a country which was to become a major producer in the sound period , this is extraordinary . It is now common to divide pre - 1930 film history into three main stages : 1 ) early or primitive cinema , from 1895 to around ...
... period . For a country which was to become a major producer in the sound period , this is extraordinary . It is now common to divide pre - 1930 film history into three main stages : 1 ) early or primitive cinema , from 1895 to around ...
עמוד 61
... period , then , Grierson's ideas on social change and documentary film can be charac- terised as reformist and progressive . The films and film - makers The films made by the documentary movement from 1929 to 1939 fall into a number of ...
... period , then , Grierson's ideas on social change and documentary film can be charac- terised as reformist and progressive . The films and film - makers The films made by the documentary movement from 1929 to 1939 fall into a number of ...
עמוד 139
... period which had figured largely in British costume cul- ture was that of the Regency and the Napoleonic wars . In films such as Korda's The Scarlet Pimpernel ( 1935 ) and Gainsborough's The Man in Grey ( 1943 ) the Regency had been ...
... period which had figured largely in British costume cul- ture was that of the Regency and the Napoleonic wars . In films such as Korda's The Scarlet Pimpernel ( 1935 ) and Gainsborough's The Man in Grey ( 1943 ) the Regency had been ...
תוכן
Silent British Cinema Charles Barr | 5 |
British Film and the National Interest 19271939 Sarah Street | 17 |
The Associated British Picture Corporation and | 27 |
זכויות יוצרים | |
22 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
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