The British Cinema BookRobert Murphy British Film Institute, 1997 - 279 עמודים British cinema in the late-1990s is recognized by many as an important window on the past and during the late 1980s and early 1990s has been seen to have become a dynamic and rapidly growing area of study. This volume represents current progress made in exploring the history of British cinema. The essay topics range from: the silent cinema to the future of British films in the 1990s; from the documentary movement to quota quickies; from the flamboyant melodramas of the 1940s to the portrayal of women in the 1960s; and from the role of European exiles to the cosy pleasures of Ealing - the book offers a comprehensive account of the history and characteristics of the British cinema. |
מתוך הספר
תוצאות 1-3 מתוך 22
עמוד 80
... Melodrama is the medium through which these concepts travel , fused with and animating discourses of familialism , community and nation . However , melodrama is also a medium that ex- poses the problematic and tenuous nature of social ...
... Melodrama is the medium through which these concepts travel , fused with and animating discourses of familialism , community and nation . However , melodrama is also a medium that ex- poses the problematic and tenuous nature of social ...
עמוד 88
... Melodrama , in Christine Gledhill ( ed . ) , Home is Where the Heart is : Studies in Melodrama and the Woman's Film ( London : British Film Institute , 1987 ) , p . 178 . 5. Ibid . , p . 179 . 6. Aspinall , ' Women , Realism , and ...
... Melodrama , in Christine Gledhill ( ed . ) , Home is Where the Heart is : Studies in Melodrama and the Woman's Film ( London : British Film Institute , 1987 ) , p . 178 . 5. Ibid . , p . 179 . 6. Aspinall , ' Women , Realism , and ...
עמוד 238
... melodrama , and low comedy as against the oppressiveness of realism . Dilute surrealism ? Dawn Archibald as the witch woman in Neil Jordan's The Company of Wolves ( 1984 ) . The treatment of melodrama first alerted me to the weakness. 238.
... melodrama , and low comedy as against the oppressiveness of realism . Dilute surrealism ? Dawn Archibald as the witch woman in Neil Jordan's The Company of Wolves ( 1984 ) . The treatment of melodrama first alerted me to the weakness. 238.
תוכן
Silent British Cinema Charles Barr | 5 |
British Film and the National Interest 19271939 Sarah Street | 17 |
The Associated British Picture Corporation and | 27 |
זכויות יוצרים | |
22 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
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