The British Cinema BookRobert Murphy British Film Institute, 1997 - 279 עמודים British cinema in the late-1990s is recognized by many as an important window on the past and during the late 1980s and early 1990s has been seen to have become a dynamic and rapidly growing area of study. This volume represents current progress made in exploring the history of British cinema. The essay topics range from: the silent cinema to the future of British films in the 1990s; from the documentary movement to quota quickies; from the flamboyant melodramas of the 1940s to the portrayal of women in the 1960s; and from the role of European exiles to the cosy pleasures of Ealing - the book offers a comprehensive account of the history and characteristics of the British cinema. |
מתוך הספר
תוצאות 1-3 מתוך 29
עמוד 130
... box - office appeal to either British or American audiences . - The decline of the Rank empire Davis , like Rank , saw films as moral tracts and refused to show any ' X ' certificate films in Rank cinemas . He set his face against any ...
... box - office appeal to either British or American audiences . - The decline of the Rank empire Davis , like Rank , saw films as moral tracts and refused to show any ' X ' certificate films in Rank cinemas . He set his face against any ...
עמוד 173
... box office but outraged those critics who were committed to documentary realism , literary respectability and moral uplift as dominant values . They excoriated the new film genres with a venom which did nothing to dent their box - office ...
... box office but outraged those critics who were committed to documentary realism , literary respectability and moral uplift as dominant values . They excoriated the new film genres with a venom which did nothing to dent their box - office ...
עמוד 253
... box - office revenue come from Screen Finance , 24 February 1993 , p . 9. I have estimated admissions for individual films by dividing 1992 box - office revenues by the average realised seat prices for that year , as identified in ...
... box - office revenue come from Screen Finance , 24 February 1993 , p . 9. I have estimated admissions for individual films by dividing 1992 box - office revenues by the average realised seat prices for that year , as identified in ...
תוכן
Silent British Cinema Charles Barr | 5 |
British Film and the National Interest 19271939 Sarah Street | 17 |
The Associated British Picture Corporation and | 27 |
זכויות יוצרים | |
22 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
American appeared argued artists associated attempt audience Balcon became become Board Britain British cinema British Film Institute cent characters Charles comedy concern cost costume crime critical cultural David directed director documentary Ealing early effect England English established example figure film industry film-makers finance George girls Grierson History Hollywood horror House identity important interest James John less lives London look Love major male Michael million moral movement Movies narrative Office Paul period played political popular Powell presented Press problems production quota Rank realism relations Report representation represented Richard Robert role Screen script Second seen sense sexual social society sound stars story studio style success suggests television theatre trade tradition turn University women young