The British Cinema BookRobert Murphy British Film Institute, 1997 - 279 עמודים British cinema in the late-1990s is recognized by many as an important window on the past and during the late 1980s and early 1990s has been seen to have become a dynamic and rapidly growing area of study. This volume represents current progress made in exploring the history of British cinema. The essay topics range from: the silent cinema to the future of British films in the 1990s; from the documentary movement to quota quickies; from the flamboyant melodramas of the 1940s to the portrayal of women in the 1960s; and from the role of European exiles to the cosy pleasures of Ealing - the book offers a comprehensive account of the history and characteristics of the British cinema. |
מתוך הספר
תוצאות 1-3 מתוך 34
עמוד 127
... artists . During the 1950s the company maintained about forty contract artists , some of whom , such as Diana Dors , Jill Ireland and Anthony Steel , had been through the Rank Charm School . They were employed on long - term contracts ...
... artists . During the 1950s the company maintained about forty contract artists , some of whom , such as Diana Dors , Jill Ireland and Anthony Steel , had been through the Rank Charm School . They were employed on long - term contracts ...
עמוד 128
... artist's annual salary . Thus assignment to two films would cover an artist's annual salary ; any more , and a profit was made.23 John Davis would frequently require a production to use Rank contract artists before he would give it the ...
... artist's annual salary . Thus assignment to two films would cover an artist's annual salary ; any more , and a profit was made.23 John Davis would frequently require a production to use Rank contract artists before he would give it the ...
עמוד 237
... artists for their irresponsibility and frivolity . He also argued for the urgency and importance of providing ... artistic culture . Crucially Brecht was a realist without being a naturalist - he believed that it was art's job to provide ...
... artists for their irresponsibility and frivolity . He also argued for the urgency and importance of providing ... artistic culture . Crucially Brecht was a realist without being a naturalist - he believed that it was art's job to provide ...
תוכן
Silent British Cinema Charles Barr | 5 |
British Film and the National Interest 19271939 Sarah Street | 17 |
The Associated British Picture Corporation and | 27 |
זכויות יוצרים | |
22 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
actors aesthetic American films art cinema artists audience BBFC Board box-office Britain British cinema British Cinema London British film industry British Film Institute camera censors censorship cent characters cinemagoing Cinematograph circuit comedy costume films crime critical cultural David director distributors documentary film documentary movement drama Ealing Ealing Studios early Emeric Pressburger England English Faber feature films femininity film production film-makers film's Films Act Films London finance Gainsborough Gaumont Gaumont-British genre girls Gregory's Girl History Hollywood horror films Jeffrey John Grierson Kinematograph Weekly Korda Lindsay Anderson Love male melodrama Michael Balcon Michael Powell middle-class million moral murder narrative national cinema national identity Odeon organised period played political popular post-war Powell and Pressburger Press Pressburger quota quickies Rank Rank's realism representation Richard Robert role Ronald Neame Routledge Screen script sexual social stars story studio success television theatre tradition wartime women working-class young