Drama Trauma: Specters of Race and Sexuality in Performance, Video, and ArtTaylor & Francis US, 1997 - 305 עמודים In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays. The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include: * installations by Mary Kelly and Dawn Dedeaux, * plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka * performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana * stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well. |
מתוך הספר
תוצאות 1-5 מתוך 73
עמוד i
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עמוד viii
... Political economies 103 Libidinal economies 110 The enigmatic smile 113 Notes 116 6 THE PLAY OF LETTERS : WRITING AND POSSESSION IN CHUCKY'S HUNCH 120 Self - restoration 122 Oozing signs , early memories 127 Primal digressions 132 ...
... Political economies 103 Libidinal economies 110 The enigmatic smile 113 Notes 116 6 THE PLAY OF LETTERS : WRITING AND POSSESSION IN CHUCKY'S HUNCH 120 Self - restoration 122 Oozing signs , early memories 127 Primal digressions 132 ...
עמוד xiv
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עמוד 3
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עמוד 15
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תוכן
PSYCHOANALYSIS AND | 31 |
Gallery London | 51 |
OTHELLO AN INDEX AND OBSCURE PROLOGUE | 57 |
Not black enough to decipher | 63 |
The gastness of her | 72 |
PATRIARCHAL PANOPTICISM OR THE ENIGMA OF | 101 |
WRITING AND POSSESSION | 120 |
SCREENING THE CAMERAS EYE | 145 |
harpsichord in Elijah Moshinksys Alls Well That Ends Well | 196 |
Moshinskys Alls Well That Ends Well BBC | 204 |
CENSORING THE LADIES LIBERTY | 217 |
Cafe | 227 |
Paris October 1978 | 234 |
MARY KELLY | 240 |
la Merd Artforum January 1991 | 244 |
International Festival of | 258 |
TORNADO BREATH | 169 |
Cornell University Ithaca New York | 181 |
FROM VERMEER | 189 |
274 | |
295 | |
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
aesthetic African-American All's American anamorphosis Arlene Arlene's Arlie Arlie's artistic audience Baraka's Blau camera obscura characters Chucky Chucky's Chucky's Hunch cinematic contemporary context critical cultural death DeDeaux Derrida Desdemona desire difference differend discourse discussion display dramatic Elly enigmatic essay fantasy female feminist Figure film frame Freud gaze gender genre Gloria Patri Herbert Blau ideology Indian Blood installation institutional joke Kelly Kelly's King Lear Kristeva Lacan Lear's Liberty Weekend Lyotard magic christian male masculine McCauley McCauley's melancholy memory Moshinsky Moshinsky's narrative Ntozake Shange Othello Owens patriarchal performance perspective phantasm play play's political position poststructural present psychoanalytical reading relation representation Romeo and Juliet scene seduction sexual Shakespeare Shakespearean comedy Shange signifier social Soul Shadows spectators specters stage story strategy structures suggests technological television televisual fear theatre theatrical theory tragedy tragic trauma urban warrior viewers visible vision visual woman writing