Slave Theater in the Roman Republic: Plautus and Popular ComedyCambridge University Press, 28 בדצמ׳ 2017 - 563 עמודים Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger. |
תוכן
WHAT WAS GIVEN | 69 |
Singing for Your Supper | 138 |
WHAT WAS DESIRED | 199 |
Looking like a SlaveWoman | 252 |
Telling Without Saying | 311 |
Remembering the Way Back | 351 |
Human Trafficking and the Road Home | 357 |
Escape | 417 |
From Stage to Rebellion | 478 |
ix | 481 |
to Plautus with Titles of Early Comedies for which Fragments | 492 |
מהדורות אחרות - הצג הכל
Slave Theater in the Roman Republic: Plautus and Popular Comedy <span dir=ltr>Amy Richlin</span> תצוגה מקדימה מוגבלת - 2017 |
Slave Theater in the Roman Republic: Plautus and Popular Comedy <span dir=ltr>Amy Richlin</span> תצוגה מקדימה מוגבלת - 2017 |
Slave Theater in the Roman Republic: Plautus and Popular Comedy <span dir=ltr>Amy Richlin</span> אין תצוגה מקדימה זמינה - 2019 |
מונחים וביטויים נפוצים
Acropolistis actors Agorastocles Amphitruo ancilla Asinaria Athens atque audience Aulularia Bacchides Ballio beating Caecilius Statius Captivi Casina Chalinus characters Chrysalus Cistellaria comedy comic culture Curculio discussion Dordalus Dutsch Ennius enslaved Epid Epidamnus Epidicus Ergasilus father female flagitatio Fraenkel freed slaves girl Greek Gripus haec Hegio hercle insults joke king Latin Leonida Libanus lines lorarius ludi male slaves manumission mask Menaechmus Mercator Mercurius meretrix Messenio metatheatrical mihi Miles Gloriosus Milphio Naevius nunc Olympio onstage owner Paegnium Palaestra Palaestrio palliata parasitus Periphanes Persa Philocrates pimp pimp's Plautine Plautus plays Poen Poenulus Polybius prologue speaker prostitutes Pseudolus puer quae quam quid quod quom Richlin Roman Rome Rudens Sagaristio says scene seen in chapter senex sexual slave-women slavery soldier song Sosia speech stage Stalagmus Stasimus status Stichus story Telestis tells theater tibi Toxilus Tranio Truc Truculentus Tyndarus verbal dueling Virgo women words