Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and StyleIan Bent Cambridge University Press, 17 במרץ 1994 - 391 עמודים This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century. |
תוכן
Introduction 22 | 22 |
Fruitful Method of Analysing a Piece of Music | 39 |
Analysis of the Finale of Mozarts Symphony | 82 |
Threepart Fugue Bk I No 6 in D minor | 100 |
Introduction | 127 |
Aria Non so più from Mozarts The Marriage | 146 |
A Particularly Remarkable Passage in a String | 161 |
Firstmovement Form in the String Quartet | 201 |
The Harmonic Style of Richard Wagner Elucidated | 226 |
The ten styles of Palestrina 1828 | 263 |
Mozarts String Quartets Dedicated to Haydn 1843 | 281 |
Appendix | 331 |
| 360 | |
מהדורות אחרות - הצג הכל
Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style <span dir=ltr>Ian Bent</span> אין תצוגה מקדימה זמינה - 1994 |
מונחים וביטויים נפוצים
Allegro analysis Antoine Reicha appears Art of Fugue Bach Bach's Baini bass bassoon Beethoven cadence canon cellos century chord chromatic composer contrapuntal countersubject diatonic dominant double counterpoint Eb minor edition entries Example exposition F minor Fétis fifth figure fugal fugue fundamental genre Giovanni harmony Hauptmann Haydn ideas imitation imperfect cadence inversion J. S. Bach later Leipzig Lenz Ludwig van Beethoven major manner Marpurg Mayrberger melodic-chromatic melody middle voice minor triad modulation Momigny motif movement Mozart music theory Musical Composition nature oboes octave Palestrina Paris passage passing note period phrase piano piece Pierluigi present Rameau Reicha reprint edn rhetorical Riemann scale-degree scherzo score as Ex Sechter second theme seventh Sonata sonata form soprano String Quartet structure style Symphony thematic third tonal tonic Treatise triad trios Ulïbïshev upper voice violas violins Vogler volume Well-tempered Clavier Zergliederung