Leaving No Stones Unturned: Essays on the Ancient Near East and Egypt in Honor of Donald P. HansenErica Ehrenberg Eisenbrauns, 2002 - 323 עמודים A fitting tribute to the life and achievements of Donald P. Hansen, this collection includes contributions by Z. Bahrani, R. A. Fazzini, R. E. Freed, P. O. Harper, J. and D. Oates, D. O'Connor, E. L. Ochsenschlager, E. Holmes-Peck, W. H. Peck, H. Pittman, M. Van de Mieroop, M. S. Venit, K. Wilson, I. J. Winter, and many others. |
תוכן
Chapter 14 | 145 |
Chapter 15 | 155 |
Chapter 16 | 169 |
Chapter 17 | 183 |
Chapter 18 | 203 |
Chapter 19 | 211 |
Chapter 20 | 237 |
Chapter 21 | 261 |
Chapter 9 | 103 |
Chapter 10 | 109 |
Chapter 11 | 119 |
Chapter 12 | 125 |
Chapter 13 | 139 |
Chapter 22 | 279 |
Chapter 23 | 301 |
Chapter 24 | 313 |
Back Cover | 324 |
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
Abydos Akkadian al-Hiba Alalakh Amenemhat Amenemhat III Amiet animals Antiquities appears archaeological Archaeology architecture Assurnasirpal II Assyrian Awan Babylonia Banks belt Bismaya Boston sphinx bowl Brak Bronze Age bullae bulls Catalogue century B.C. context cylinder seal Cypriot Cyprus decoration deity depicted Donald Hansen Dynasty Early Dynastic Egypt Egyptian Egyptomania enclosure evidence example excavations Expedition figure framed lozenge style Glyptique goddess Greek Hyksos iconography inscribed inscription Institute Iran Iranian Iraq Islamic jeweler's Kalus Khasekhemwy king Late lion Louvre material Mesopotamia Metropolitan Museum millennium monuments motifs mound mud brick Museum of Art Muslim Nasr Nippur Nusku Oriental palace Peribsen period platform Pottery Proto-Elamite Protogeometric Raydan representation rings rooster royal tombs sacred Saqqara Sarvistan Sasanian scene seal impressions sherds sphinx Stele stone structure Sumerian surface Susa Tell Tell Brak Temple texts Tigrane Tomb University Urartian Uruk vase vessel village wall York Zafar Ziwiyeh
קטעים בולטים
עמוד 14 - A heroic figure, or even a bull-man, either grasps an animal, holds it aloft upside down, or plunges a dagger into its body. The violent action is always shown in progress; the outcome is not in evidence; no one wins. This grouping of figures reflects the eternal and cyclical battle against chaos, between civilized and uncivilized man, between domestic animals and beasts of the wild, between periods of peaceful fecundity and the vagaries of nature, between the known and the unknown.
עמוד 22 - Triumphus: An Inquiry into the Origins, Development and Meaning of the Roman Triumph (Leiden, 1970), 130).