(Un)masking Bruno Schulz: New Combinations, Further Fragmentations, Ultimate Reintegrations

כריכה קדמית
Dieter De Bruyn, Kris van Heuckelom
Rodopi, 2009 - 529 עמודים
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Whatever critical scalpel one selects for dissecting the literary works of Bruno Schulz (1892-1942), there will always be a certain degree of textual resistance which cannot be broken. Or in other words, taking off one of Schulz's many masks, one will probably never avoid the impression that a new mask has emerged. This book contributes to the three most typical critical strategies of reading Schulz's works (combinations, fragmentations, reintegrations) - being fully aware, of course, of the relativity of each particular approach. In addition, the book sets out to explore all of Schulz's creative output (i.e. his stories as well as his graphic, epistolary and even literary critical works), as one of Schulz's main goals was exactly to cross artificially set up boundaries between, among other things, different artistic media of expression. The book for the first time brings together leading Schulzologists (Jarzębski, Robertson, Sproede) and their prospective successors (Augsburger, Gorin, Kato, Suchańska-Drażyńska, Underhill, Wojda), established Polish academics (Dąbrowski, Markowski, Skwara, Weretiuk) and their foreign counterparts (De Bruyn, Gall, Meyer-Fraatz, Schulte, Zieliński), scholars primarily working on other authors (Anessi, Śliwa, Żurek) and those focusing on other art forms (Sánchez-Pardo, Watt). The editors' introduction offers an overview of seven decades of Schulzology. The book is of interest for both readers with a general interest in (world) literature and/or a particular interest in Polish and Jewish studies.
 

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תוכן

Martin Buber Bruno Schulz and Jewish Modernity
27
Bruno Schulz and Boleslaw Lesmian
49
As One Kabbalist to Another On Arnold Sluckis Mystical Visions in the Poem Bruno Schulz
67
The Lie Always Rises to the Surface like Oil Toward a Metafictional Reading of Karol Irzykowskis Paluba and Bruno Schulzs Fiction
83
I Drew a Plan of an Imaginary City The Phenomenon of the City in Bruno Schulz and Miron Bialoszewski
135
Bruno Schulz and Danilo Kiš
153
Bruno Schulz and the Magical Realism of Gabriel García Márquez in One Hundred Years of Solitude
173
A Woman on a Sofa in Bruno Schulzs Art and Writings Schulz as a Painterly and Writerly Artist
195
Bruno Schulz and Seductive Discourse
327
Paradox and Potential
339
Jewish Mysticism A Source of Similarities Between Bruno Schulzs Writings and Psychoanalysis
361
The Clepsydra of Empedocles and the Phenomena of Breath and Wind in Bruno Schulzs Fiction
379
The Great Heresy of the Varsovian Center
397
Paradox or Norm?
419
Text and Theater The Ironic Imagination of Bruno Schulz
435
From the True Viewer of Xiega balwochwalcza to the True Reader of Ksiga
451

Schulz as a Modernist
219
Zuloaga Rilke? Schulz
251
Bordercrossing and Artistic Practice
267
From Literature to Theatricality
289
Aesthetics of Melancholy in Bruno Schulzs Writings
307
Between AvantGarde and Hasidic Redemption
473
Poetical Fluidization and Intellectual Eclecticism in Bruno Schulzs Writings
499
Index
519
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