Characters of Shakespear's Plays, & Lectures on the English PoetsMacmillan, 1903 - 422 עמודים |
מתוך הספר
תוצאות 1-3 מתוך 3
עמוד 208
... Yorkshire Tragedy is a tragedy in one act , a dramatised tale of murder : the tragical effect is overpowering , and it is extremely important to see how poetically Shakespear could handle such a subject . " There have been still farther ...
... Yorkshire Tragedy is a tragedy in one act , a dramatised tale of murder : the tragical effect is overpowering , and it is extremely important to see how poetically Shakespear could handle such a subject . " There have been still farther ...
עמוד 209
... Yorkshire Tragedy , which Schlegel speaks of as an un- doubted production of our author's , is much more in the manner of Heywood than of Shakespear . The effect is indeed overpowering , but the mode of producing it is by no means ...
... Yorkshire Tragedy , which Schlegel speaks of as an un- doubted production of our author's , is much more in the manner of Heywood than of Shakespear . The effect is indeed overpowering , but the mode of producing it is by no means ...
עמוד 422
... Tragedy , effects of , 26 ; pleasure and pain from , 110 , cp . 223 sq . Troilus and Cressida , 51-58 ; illus ... Yorkshire Tragedy , in the manner of Heywood , 209 . Young , 354-355 . Youth , 84 sqq . Zanga , a vulgar caricature of Iago ...
... Tragedy , effects of , 26 ; pleasure and pain from , 110 , cp . 223 sq . Troilus and Cressida , 51-58 ; illus ... Yorkshire Tragedy , in the manner of Heywood , 209 . Young , 354-355 . Youth , 84 sqq . Zanga , a vulgar caricature of Iago ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion Perdita person play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth