The Science Fiction Film ReaderOuter space, whether the homeland of demonic invaders or the destination of intrepid explorers, seems to ignite the wildest imagination of filmmakers and audiences alike. And back on earth we all marvel when our planet is taken over by apes or when in a laboratory beings are created that defy, or perhaps reflect, our own humanity. This lavishly illustrated collection of essays begins with 'Cinematic Views', written between 1907 and 1929 by the great film pioneer Georges Melies. It goes on to explore the foundation of science fiction films in writings from the 20s and 30s by such masters of word and image as H G Wells, Luis Bunuel and Jorge Luis Borges. With the genre established and flourishing, the book moves in a variety of directions -- toward outer space, as a subject; different periods in film history, each with its own style and dominant themes; the work of specific directors and writers and, finally, some classic science fiction films of the recent past. |
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תוכן
TRICK EFFECTS | 2 |
MR WELLS REVIEW A CURRENT FILM | 5 |
METROPOLIS | 13 |
WELLS THE VISIONARY | 16 |
FRAU IM MOND THE WOMAN IN THE MOON | 20 |
REAL SCIENCE FICTION AND THE REAL WORLD | 22 |
MOON PILOT | 33 |
STARSHIP TROOPERS | 41 |
AI ARTIFICIAL INTELLIGENCE | 215 |
JOSEPH CAMPBELL ON STAR WARS | 226 |
STAR WARS REPUBLICS AND EMPIRES OF TOMORROW | 229 |
STEVEN SPIELBERG ON ET | 254 |
THE PURE AND THE IMPURE | 261 |
WELL I DONT LOVE YOU ET | 266 |
PHILIP K DICK ON BLADE RUNNER | 270 |
BLADE RUNNER | 280 |
INTERVIEW WITH ROBERT WISE | 50 |
THIS MEANS SOMETHING INVADERS FROM MARS | 60 |
STUDIO AESTHETICS AND 1950s METAPHYSICS | 68 |
THE IMAGINATION OF DISASTER | 98 |
FIVE | 114 |
DON SIEGEL ON THE POD SOCIETY | 132 |
NEARER MY POD TO THEE | 140 |
THE DAMNED | 146 |
THE CREATION OF THE HUMANOIDS | 153 |
POLITICS AND STORYTELLING IN THE PLANET OF THE APES SERIES | 165 |
KUBRICK AND OTHERS | 177 |
THE MYTH OF 2001 | 178 |
SCIENCE FICTION AND THE MYSTERIUM IN 2001SOLARIS AND CONTACT | 181 |
JUICE FROM A CLOCKWORK ORANGE | 210 |
I THINK THEREFORE I AM CARTESIAN MOTIFS IN THE FILMED SCIENCE FICTION OF PHILIP K DICK | 287 |
THE FORBIN PROJECT | 312 |
CYBORG CINEMA OF THE 1980s | 315 |
REPRODUCING RIPLEY | 335 |
TERRY GILLIAM AND BRAZIL | 344 |
TIME TRAVEL AND FILM SPECTATORSHIP IN 12 MONKEYS AND STRANGE DAYS | 355 |
BACK TO THE FUTURE AGAIN OR THE LAST TEMPTATION OF DONNIE DARKO | 369 |
JOE DANTES AMERICAN APOCALYPSE | 382 |
THE TRUMAN SHOW | 386 |
THE MEN IN BLACK FILMS | 390 |
SIGNS OF SPIRITUAL LIFE or Why You Are the Alien Species | 397 |
THE MATRIX OR THE TWO SIDES OF PERVERSION | 406 |
CONTRIBUTORS | 429 |
מונחים וביטויים נפוצים
12 Monkeys Agent Kay alien American Anderton Androids Apes audience become Black Blade Runner Body Snatchers body without organs camera characters cinema Craigis Creature cyborg David Day the Earth death Deckard Destination Moon Dick Dick's director Donnie Donnie Darko dream Earth Stood ence essay eyes fantasy feel film's filmmakers final future genre Gilliam Heinlein hero Hollywood human Humanoids idea images imagination Joe Dante Kubrick live look Lucas machine Matrix means Metropolis Michael modern monster movie narrative novel nuclear organs Outer Space Philip K Planet play political Printed by permission produced reality replicants Ridley Scott Ripley Robocop robot says scene science fiction films science-fiction scientist Scott screen screenplay script seems sequence shot social Solaris special effects Spielberg Star Wars Starship Troopers story Strange Days studio theme things tion Truman universe Vader Videodrome visual York Zizek