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Tom Mrs Eliot.
Xmas 1846.

Gengina Lowelle

COLLECTION

OF

PSALMS AND HYMNS

FOR

CHRISTIAN WORSHIP.

I will sing of mercy and judgment: unto thee, O Lord, will I sing.

Psalm ci. 1.

Francis William Bell re

Forty-fourth Edition.

BOSTON:

CHARLES J. HENDEE,

AND

JENKS AND PALMER.

HARVARD
UNIVERSITY
LIBRARY

50 $126.

Entered according to Act of Congress, in the year 1835,
BY CARTER, HENDEE & CO.,

In the Clerk's Office of the District Court of Massachusetts.

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PREFACE.

As some account may be expected, of the principles on which this collection of hymns was made, it will be here given in a few words.

My main object has been, to gather from the existing body of divine poetry, those hymns which I deemed the best calculated to be sung in our churches. I consequently adopted all which appeared to me to possess the requisite poetical and devotional character, without regard to the particular denomination of Christians to which their authors belonged. Hymns from Wesley's collection, and some Moravian hymns from the Christian Psalmist of Montgomery, I regard as among the richest contents of this volume. Their delightful fervor, though by some it may be called methodistical, will be thought by others, I trust, to be the true spirit of devotional Christian poetry.

I have taken care to alter as little as possible from my originals, and to obtain all hymns, whenever it was practicable, as their authors wrote and published them. The effusions of Watts and Doddridge, the two principal classics in this high and difficult species of literature, will be found in a purer form in this volume than they are usually met with in other collections. Whenever a hymn by one of these, or any other author, seemed to require a great deal of alteration, it was not altered, but left; for it was my desire and intention that every hymn, as it appeared in this collection, should be really the production of the individual whose name is placed over it. I freely omitted such verses, however, as I did not approve, whenever it could be done without essential injury to the connexion. Those words and expressions which I consider as forming the peculiar and appropriate diction and imagery of sacred poetry, such as Zion, Israel, Canaan, Saints, &c., I have constantly retained.

The adaptation of musical emphasis and expression to the words, I have left with intelligent and well instructed choirs.

Although I undertook this work, because I was not altogether satisfied with any collection which I had seen, yet I cannot hope to have succeeded to the entire satisfaction of others. I am conscious

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