Must I be doom'd whole ages to deplore, And think of transports I must taste no more? O dreadful thought! whose endless view contains Grief foll'wing grief, and pains succeeding pains! Each joy is blasted, and each comfort fled! Ye dreary sisters, cut the fatal thread!
Ah! whither fly'st thou? to some dreary plain, Where frozen Chastity and Horrour reign; And Melancholy, daughter of Despair, With pale Contrition, and with gloomy Care; To spend thy youth in superstitious fears, In needless penance, penitence, and tears! Let those dwell there whose bosoms guilt reprove, But thou hast none, if 'tis no sin to love. For what is deem'd a half extorted vow Too dull for lovers, and forgotten now? Religious cheat! impos'd by fear on man, And priests continue what the fool began.
O stay, for absence never can destroy, No dis ance quell my visionary joy; In vain you still endeavour to remove The beauteous cause of my unhappy love: Imagination foll wing close behind, Presents afresh past pleasures to my mind; The rebel m'nd forbidden passion knows, With welcome flames the guilty bosom glows, Again th' ecstatic soul dissolves away, In brightest visions of eternal day; There sees thy fatal form, or seems to see, For Heav'n it loses, when it loses thee.
Worn by my sorrows, see this wretched frame; Innocent object of thy fatal flame!
See! round my lips a deadly paleness spread; Where roses bloom'd, the canker grief has fed; From my cold cheeks the with'ring lily flies, And light extinguish'd leaves my weeping eyes. O count again the pleasures we have prov'd, Promoting mutual what the other lov'd; Recall in thought each am'rous moment gone, Think each soft circumstance, and still think on; But chief that day destructive to my rest, For ever fatal, yet for ever blest, When 1, assisting, at the sacred shrine, My aged father in the rights divine, Beheld thee first, celestial as thou art, And felt thy image sink into my heart; Ere I could think I found myself undone, For but to see thee and to love are one..
No more the pomp ands olemn splendour pleas'd, Devotion's flames within my bosom ceas'd; Thy fairer form expell'd the Deity, And all the mighty space was fill'd with thee. I fear'd 'twas errour, and to Wisdom fled To call her rigid doctrine to my aid: But such the passion, Wisdom must approve, She saw the object, and she bade me love. The pleasing paths of Venus I retrod, No more a mortal, but an am'rous god. O pow'rful weakness of th' ecstatic mind! Celestial gleams to human failings join'd!
But me, alas! far other cares employ, To reap the harvest of unlawful joy; Pensive I wander'd on the lonely shore, Where breaking billows at a distance roar; The sighs that issued from my lab'ring breast, Woke Echo from her inmost cave of rest; | On thee I thought, on thee I call'd alone, The soften'd rocks re-echo'd to my moan, The sympathizing streams ran mournful by, And tun'd their plaintive bubblings to my cry.
Thrice had the Moon her silver mantle spread, As oft I wander'd from my sleepless bed; As oft I travers'd o'er the neighb'ring plain, As oft I sought thee, but I sought in vain; At last arriv'd the long-expected hour, I found thee musing in a lonely bow'r; The time and place invited to impart The faithful language of my love-sick heart; With agonizing sighs I gain'd belief, And each pathetic circumstance of grief; A war unequal in thy breast ensu'd, Stern duty fail'd, and gentle pity woo'd, Pity admitted, all disdain remov'd, And soon what mercy spar'd, the woman lov'd. A crimson blush o'er all thy face was spread, Then lilies pale, and all the roses fled; Each look more faithful, to thy heart reveal'd The fatal secret that thy tongue conceal'd. The happy omen of success I view'd, Embrac'd th' advantage, and th' attack pursu'd. Honour's first guard of wakeful scruples o'er, Love found a breach, and fears contend no more; Each other's arms each other's body prest, We spoke much pleasure, and we felt the rest; The rest, which only can the faithful feel; The rest, which none had ever pow'r to tell; The rest, which feels unutterably sweet, In the first intercourse when lovers meet; The modest diffidence, and bold desires, Soft thrilling cold, and quick-returning fires, The glowing blushes, and the joyful tears, The flatt'ring wishes, and th' alarming fears, The gentle breathings, and the mutual sighs, And all the silent eloquence of eyes.
Pleas'd with the first delight, my raptures rove To seize at once the last recess of love; Till flying swiftly on from joy to joy,
I sunk at last in heav'nly ecstasy.
The secret progress thus we first began, Then soon round pleasure's flow'ry circle ran; How oft we met, dull reason frown'd in vain, How oft we parted but to meet again!
O blessed moments, and divinest dreams! Enchanting transports, and celestial gleams! Fly quick, my fancy, bring 'em back to view, In retrospection let me love anew; And once in thought enjoy the bliss again, Even cheaply purchas'd by an age of pain. O sacred queen of silent night, advance, And cast thy sable mantle o'er th' expanse,
Love wafts our, thoughts, when fancy spreads her Come, gentle Sleep, and close my wearied eyes,
To lands of Paradise with gentle gales, Love makes the sister soul for ever even; Love can do all, for love itself is Heav'n.
The tedious bus'ness of the day was done; Our off'rings ended with the parting Sun; The night advanc'd, the shepherds homeward sped
To the sweet comforts of the nuptial bed;
Give to my arms what hateful day denies, For vain, alas! those dulcet wishes roll, When sov'reign reason awes the wakeful soul; Sleep sets it free to all its native fires, And gives a grateful loose to soft desires. At that calm hour, when Peace her requium sings, And pleasing slumbers spread their airy wings; Thy beauteous image comes before my sight: (My theme by day, my constant dream by night;)
Fancy not fairer paints those Heav'n-born maids, In fair Elysium under myrtle shades, Who ever blooming, ever young appear, To drive from happy shades intruding fear. My ravish'd thoughts on plumes angelic soar, And feel within a Heav'n, or somewhat more. Straight on thy oft repeated name I call, Then wake, and sigh, and find it vanish'd all. Thus erst when Orpheus from the Stygian shore Had won his youthful bride by music's pow'r, Impatient to behold her, ere he past The pool Cocytus, and tl:' infernal waste, Heedless he cast forbidden looks behind; The fleeting shadow vanish'd like the wind, And all his joys wing'd their eternal flight With her, like frighted doves, to realms of night. Again I close my sleep-deluded eyes, Around my soul black swarms of demons rise, Pale spectres grin, and angry furies howl, Quick light'nings flash, and horrid thunders roll; Again the frighted wand'rer hastes away Back to the living horrours of the day, There counts the visionary mis'ry o'er, And realizes what was dreamt before.
Ye dreary pow'rs, that hover o'er the plains Where sorrows reign, and everlasting pains, Bear me to places suited to my woe,
Where noxious herbs and deadly poisons grow, Whilst wintry winds howl fiercely round my head,
The flint my pillow, sharpen'd rocks my bed; And ghosts of wretches once who dy'd for love, Round their unburied bodies nightly rove, on some blasted Which hang half moulder'd tree,
And by their sad example counsel me.
What now avail the joyous moments past, Or what will all the wretched few that last? In them I dying will our loves proclaim, With fault' ring accents call upon thy name, And whilst I bless thee with my parting breath, Enjoy the raptures of my life in death. Then spare thy curses, and forget th' offence Of him who robb'd thee of thy innocence; Or if not quite forget, forgive at least, And sooth the dying penitent to rest.
Oh! may to thee the pitying gods bestow Eternal peace, and happiness below; Yet when thy mortal frame, as once it must, Returns and mingles with its native dust; May the same urn our mingled ashes have, And find a lasting union in the grave!
If you ere long my bleeding corse should see Beneath the covert of yon conscious tree, This last request I make for all my fears, For all my sleepless minutes spent in tears, For all those struggles of my parting breath, And all the agonies in one, my death; Think on the raptures which we ravish'd there, Then breathe a sigh, and drop th' indebted tear. This empty tribute's to the mem'ry due, Of one, who liv'd and dy'd in love of you. My ghost, thus sooth'd, shall seek the Stygian shore,
Mix with the happy crowd, and grieve no more, But eager wait till thou at last art giv'n, To raise each blessing of ta' Elysian Heav'n, Where uncontrol'd in amorous sports we'll play,
And love a whole eternity away.
THE POWER OF HARMONY:
A POEM, IN TWO BOOKS.
THE DESIGN.
It is observable, that whatever is true, just, and harmonious, whether in nature or morals, gives an instantaneous pleasure to the mind, exclusive of reflection. For the great Creator of all things, infinitely wise and good, ordained a perpetual agreement between the faculties of moral perception, the powers of fancy, and the organs of bodily sensation, when they are free and undistempered. From hence is deducibie the most comfortable, as well as the most true philosophy that ever adorned the world; namely a constant admiration of the beauty of the creation, terminating in the adoration of the First Cause, which naturally leads mankind cheerfully to co-operate with his grand design for the promotion of universal happiness.
From hence our author was led to draw that analogy between natural and moral beauty: since the same faculties, which render us susceptible of pleasure from the perfection of the creation, and the excellence of the arts, afford us delight in the contemplation of dignity and justice in characters and manners. For what is virtue, but a just regulation of our affections and appetites, to make them correspond to the peace and welfare of society? so that good and beauty are inseparable.*
From this true relish of the soul, this harmonious association of ideas, the ancient philosophers, and their disciples among the moderns, have enlivened their imaginations and writings in this amicable intercourse of adding moral epithets to natural objects, and illustrating their observations upon the conduct of life, by metaphors drawn from the external scenes of the world. So we know, that by a beautiful action, or consonant behaviour, is meant the generous resignation of private advantage by some individual, to submit and adapt his single being to the whole community, or some part of it. And in like manner, when we read of a solemn grove, where horrour and melancholy reign, we enter tain an idea of a place that creates such thoughts in the mind, by reason of its solitary situation, want of light, or any other circumstances analogous to those dispositions, so termed, in human
This then is the design of the poem, to show that a constant attention to what is perfect and beautiful in nature will by degrees harmonize the soul to a responsive regularity and sympathetic
gorically. Invocation to quit superstition, and From Ida's cloud-topt summit, or the cave adore the Creator of all things. Chaos originally With Epimenides, where he survey'd, reduced to harmony. A fictitious account of the Higher on wings of contemplation borne, music of the spheres. The notes of music taken The mighty maze of nature; whence he learnt, from the number of planets. Its effect on the From that celestial number', how to form human mind in despair-in sorrow-in rage-The lyre heart-melting, and the vocal shell. on distempered bodies-on brutes and irra- tional beings. The seat of Art described, and her attendants: to what end are her labours: either to excite voluptuousness, or the contrary, just as made use of. Commendation of the use of art to raise in us sentiments of justice and temperance. The excellence of art as great in representing monstrous objects a the most re- gular, as far as relates to im tation. Why a just resemblance gives us pleasure. Passions may be represented by outward forms, but mo- ral beauty can never be full enough expressed by them: that province belongs to the Muse. The conclusion of the first book.
THE HARMONY OF MUSIC, POETRY, AND THE IMITATIVE ARTS.
OF Harmony, and her celestial pow'r O'er the responsive soul, and whence arise Those sweet sensations, whether from the lays Of melting music, and impassion'd verse, From mimic scenes of emulative art, Or nature's bcauteous objects, which affect The moral pow'rs with sympathetic charms, The Muse congenial sings.-Descend, ye Nine, Who guard th' Aonian mount, whilst I unfold The deep recesses of your tuneful haunts, And from your inmost bow'rs select a bay To deck the fav'rite theme. Do thou attend, Thou, whom Lucretius to his great design Invok'd; and with thee bring thy darling son, Who tun'd Anacreon's lyre, to guide my hand, Advent'rous rais'd to sweep harmonious chords. Come all ye sons of liberty, who wake From dreams of superstition, where the soul Thro' mists of forc'd belief, but dimly views Its own great Maker; come, and I will guide, Uninterrupted by the jargon shrill
Of peevish priests, your footsteps to the throne Where pleasure reigns with reason, to behold His majesty celestial, and adore Him thro' each object of proportion fair, The source of virtue, harmony, and bliss!
Ere this delightful face of things adorn'd The great expanse of day, dark Chaos reign'd, And elemental Discord; in the womb Of ancient Night, the war of atoms rag'd Incessant; Anarchy, Confusion wild, Harsh Dissonance, and Uproar fill'd the whole; Till that Eternal One, who from the first Existed, sent his plastic word abroad Throughout the vast abyss: created worlds Felt the sweet impulse, and obedient fled To stations ascertain'd; there to perform Their various motions, corresponding all To one harmonious plan, which fablers feign The mystic music of the distant spheres.
All this the Samian sage' had seen at large,
It is very evident that Pythagoras, who is justly esteemed in one respect the inventor of music, had a clear notion of the present astronomical system, though the honour of the discovery was
Thus all the pow'r of music from the spheres Descends to wake the tardy soul of man From dreams terrestrial; ever to its charms Obsequious, ever by its dulcet strains Smooth'd from the passions of tempestuous life, And taught to pre-enjoy its native Heav'n. Whilst thro' this vale of errour we pursue Ideal joys, where Fancy leads us on Thro' scenes of paradise in fairy forms Of ease, of pleasure, or extensive pow'r; And when we think full fairly we possess The promis'd Heav'n, Disease, or wrinkled Care, Fill with their loath'd embrace our eager grasp, And leave us in a wilderness of woe
To weep at large; where shall we seek relief, Where ease th' oppressive anguish of the mind, When Retrospection glows with conscious shame By grey Experience in the wholesome school Of Sorrow tutor'd? Whither shall we fly? To wilds and woods, and leave the busy world For solitude? Ah! thither still pursue Th'intruding fiends, attend our evening walk, Breathe in each breeze, and murmur in each rill; Where Peace, protected by the turtle wing Of Innocence, expands the lovely bloom Of gay Content, no more to be enjoy'd, But lost for ever! Yet benignant Heav'n, Correcting with parental pity, sent This friendly siren from the groves of Joy, To temper with mellifluent strains the voicę Of mental Anguish, and attune the groans Of young Impatience, to the softer sound Of grateful Pæans to its Maker's praise.
Alike, if ills external, made our own, Mix in the cup of life the bitter drop Of sorrow; when the childless father sighs From the remembrance of his dying son; When Death has sever'd, with a long farewel, The lover from the object of desire,
In the full bloom of youth, and leaves the wretch, To sooth affliction in the well-known scenes Of blameless rapture once; uncouth Advice In vain intrudes with sacerdotal frown, And Superstition's jargon, to expel The sweet distress; the gen'rous soul disdains, Deaf to such monkish precepts, all constraint, And gives a loose to grief; but straight apply The lenient force of numbers, they'll assuage By calm degrees the sympathetic pain, Til lull'd at length, the intellectual pow'rs
reserved for Copernicus so many ages after. Nor was this sentiment of his unknown to the rest of the philosophers: for the Stagyrite, in the 15th chapter of the 2d book wp: Opave, speaks of it in these terms. "Those philosophers, who are called Pythagoreans, affirm, that the Sun is in the middie; and that the Earth, like the rest of the planets, rolls round it upon its own axis, and so forms the day and night."
The number of the planets.
Παντες δ' επίαπονοιο λύρης φθογίοισι συνωδόν Αρμονίην προσέχεσι διαςας αλλος απ' αλλα.
Alex. Ephes. apud Heracl. de Hom.
Sink to divine repose, and rage no more. So when descended rains from Alpine rocks Burst forth in diff'rent torrents, down they rush Precipitate, and o'er the craggy steep Hoarse roaring bear the parted soil away; Anon, collected on the smoother plains, Glide to the channel of some ancient flood, And flow one silent stream. This oft I felt, When, wand'ring thro' the unfrequented woods, Mourning for poor Ardelia's hapless fate, Thee, my belov'd. Melodius, I have heard In silent rapture all the live-long day. Tho' black Despair sate brooding o'er my thoughts Pregnant with horror, thy Platonic lay Dispell'd th' unmanly sorrows, and again Led forth my vagrant fancy thro' the plan Of Nature, studious to explore with thee Each beauteous scene of musical delight, Which bears fraternal likeness to the soul.
Is there a passion3, whose impetuous force Disturbs the human breast, and breaking forth With sad eruptions, deals destruction round, Like flames convulsive from th' Etnean mole, But by the magic strains of some soft air Is harmoniz'd to peace? As tempests cease Their elemental fury, when the queen
Of Heav'n, descending on a Zephyr's plume, Smiles on th'enamel'd landscape of the spring. Say, at that solemn hour, the noon of night, When nought but plaintive Philomela wakes, Say, whilst she warbles forth her tragic tale, Whilst grief melodious charms the Sylvan pow'rs, And Echo from her inmost cave of rest Joins in her wailing, dost not thou partake A melancholy pleasure? And tho' rage Did lead thee forth beneath the silent gloom To meditate on horrour and revenge, Thy soften'd soul is gently sooth'd within, And, humaniz'd again by Pity's voice, Becomes as tender as the gall-less dove.
Nor is the tuneful blessing here confin'd To cure distemper'd passions, and allay By its persuasive notes convulsive throbs
Of soul alone; but (strange!) with subtle pow'r Acts on the grosser matter of the frame By riot shatter'd, or the casual lot
Breathesam'rous airs, touch'd by the love-sick swain, Mute is each hill and dale; the list'ning herds s Express their joy irrational (as erst When Fauns and Dryads follow'd ancient Pan In festive dance.) Ask you, from whence arise These grateful signs of pleasure in the gaze Of list'ning flocks at music's dulcet lore? From whence, but from responsive notes within Of Harmony celestial, which inspires
Each animal, thro' all the spacious tracts Of earth, and air, and water, from the large Unwieldly elephant, to th' unseen mote, That flutters in the Sun's meridian beam, See! roundthat fragrantrose, whose sweets perfume The tinctur'd pinions of the passing breeze, How bees laborious gather! from each hive The dusky myriads swarm, to taste the dew, Just sprinkled from Aurora's golden plumes, Ambrosializ'd within its dulcet leaves, And sweets distilling like Arabian gums From medicinal groves-homeward they bear The liquid spoil, exulting, all intent T'enrich the waxen empire; till anon Luxurious plenty sows the fatal seed Of dire dissention; sudden rage ensues, And fight domestic; to the fields of air The winged hosts resort; the signals sound, And civil slaughter strews the plains below But e'en amidst With many a little corpse. The thickest war, let but the tuneful rod On brazen cymbal strike, the lenient strains, Quick undulating thro' the silent air, Recal harmonious love and gentle peace Back to their ancient seats; the friendly swarms Sudden in reunited clusters join, Pendent on neighb'ring sallows; nought is heard But notes reciprocal of bliss sincere, Soft breathing thro' each amicable hive.
Now to the Muse sublimer objects turn; For mind alone can feel th' effect divine Of emulative art, where human skill Steals with a Promethean band the fire Of Heav'n, to imitate celestial pow'r.
Deep in the vale of Solitude, where Peace Breathes o'er the soul diviner airs than those By Grecian fablers sung, which from the banks
Of sickness wither'd. When th' harmonious plan Of fam'd Elysium waft on happy shades
Of inward beauty ceases, oft the lute,
By soft vibrations on responsive nerves, Has reconcil'd, by medicinal sounds, Corporeal Chaos to its pristine form. Such is the fabled charm Italians boast To cure that insect's venom, which berumbs By fatal touch the frozen veins, and lulls The senses in oblivion: when the harp, Sonorous, thro' the patient's bosom pours Its antidotal notes, the flood of life, Loos'd at its source by tepefying strains, Flows like some frozen silver stream unthaw'd At a warm zephyr of the genial spring.
Doubt you those charms of music o'er the soul Of man? Behold! e'en brute creation feels 4 Its pow'r divine! For when the liquid flute
3 Spirto ha' ben dissonante, anima sorde, Che dal concerto universal discorda.
L'Adone del Marino, Cant. sett. See the surprising effects of music related by Plato, Aristotle, Theophrastus, Polybius, and other ancient authors.
Their grateful influence, in sequester'd bow'rs The pow'r of Art resides: Reflection firm, And vagrant Fancy at her sov'reign nod Attendant wait; behind th' ideal train Of Memory, with retrospective eye
Supports her throne, whilst Contemplation guides Her trophied car. Thro' Nature's various paths, Alike, where glows the blossom'd pride of May, Or where bleak Winter from the widow'd shrubs Strips the gay verdure, and invests the boughs With snowy horrour; where delicious streams Thro' flow'ry meadows seek their wanton course; Or where on Afric's unfrequented coasts The dreary desert burns; where e'er the ray Of beauty gilds the scene, or where the cloud Of horrour casts its shade; she unrestrain'd Explores, and in her faithful mirror bears The sweet resemblance, to revive the soul, When absence from the sight for ever tears
5 For do but note a wild and wanton herd, Or race of youthful and unhandled colts, &o. Shakesp. Merchant of Venice.
The source of rapture. Hence the tablet glows With charms exotic; hence the sculptur'd bust, As o'er the rock the plastic chissel moves, Breathes by degrees, till straight returns afresh The lov'd idea to the ravish'd eye, And calls up every passion from its source.
Is love the object of thy glowing thoughts? Or dream'st thou of a bliss exceeding far Elysian pleasures? Would'st thou taste again The heart-enfeebling transports, when the soul, Big with celestial triumph, thro' the vales Of am'rous Fancy led the sportive Hours To soft Idalian airs, whilst wanton Loves Strew'd round thee roses of eternal bloom, And fann'd the sultry breeze with golden plumes? See! where, beneath a myrtle bow'r reclin'd, Which on the canvas casts its cooling shade, Encircled in each other's arms, yon beauteous pair In dulcet dalliance lie; the rigid frown Of Care ne'er low'rs, but ever cheerful smiles Effuse, like vernal suns, their genial beams To warm their mutual hearts; whilst rapt'rous sighs, Sweeter than aromatic winds which blow O'er spicy groves in intermingled gales, Are wafted to th' impending queen of love.
But burns thy heart with more refin'd delight? And would'st thou thro' the faithful colours view Calm Chastity and Justice blend their charms Like gleams of opening Heav'n? Yon radiant throne Presents great Cyrus, as the Magi feign'd The snowy-vested Mithres, from the east Descending in effulgent rays of light, To guide the virtuous to th' etherial plains, Where joy for ever dwells. Before him stands A trembling captive, with dejected looks, As conscious of her form: upon her cheeks The rose of beauty fades, with paler hue The lily sickens, and each flow'r declines Its drooping head. But see! how he revives With unexpected hopes her tortur'd breast, And joy's soft blush appears! So the bless'd wings Of western zephyrs, o'er Arabian coasts Sprinkle their heav'nly dew; the wither'd plants Incline their sun-parch'd bosoms to imbibe The renovating moisture, till anon The pristine bloom thro' vegetative pores Returning, smiles in ev'ry flow'ry vale, And decks the neighb'ring hills with verdant pride. Such groups as these instruct th' unbiass'd mind With real wisdom, when with Beauty's garb Virtue invested, and ne'er fading charms, Fills with desire the soul; here Art employs To worthy ends her pencil as of old, And calls the hero to receive the wreath Of public honour, whilst his sacred bust Is still preserv'd for nations yet unborn To view with adoration; every breast Feels emulative spirits burn within, And longs to join the honour'd list of fame. Yet still her influence is not less confess'd In other forms, to raise abhorrence fierce, To paint in hideous shapes the crew of Vice, And all her train of sure-attending woes. These objects have their diff'rent graces too, And glow, if faithful, thro' the mimic scenes With charms peculiar. For perfection sits,
6 See the reason in Aristotle assigned, why the mind is as much delighted with aptness of description to excite the image, as with the image in de
As the known imitation shall succeed, With equal lustre on a tyrant's frown, As on the dimple of Pancaste's check, Or Delia's iv'ry neck. The melting tear Drops from th'afflicted parent's joyless eye, Not less delightful to th'attentive gaze Of fixt examination, than the smiles Of infant Cupids sporting thro' the groves, Where Venus sleeping lies. From nature form'd, The just resemblance from consenting thought Applause demands; and Fancy's ravish'd eye Sports o'er the painted surge, whose billows roll Tempestuous to the sky, with equal bliss, As o'er the marble surface of the deep, When mild Favonius from the western isles, With youthful Spring flies gladsome o'er the main, To seek his gentle May; while Proteus rests Deep in his ouzy bed, and halcyons call, Secure of peace, their new-fledg'd young abroad. External matter thus by art is wrought, Or with the pencil or the chissel's touch, To give us back the image of the mind, Which smiles to find its own conceptions there. But can she draw the tenderness of thought? Can she depict the beauty of the soul, And all th' internal train of sweet distress, When friendship o'er the recent grave declines Its sick'ning head, as ev'ry action dear, And ev'ry circumstance of mutual love Returns afresh; while from the streaming eyes Bursts forth a flood of unavailing tears, Of parting tears, ere yet they close the tomb? Or, can she from the colours that adorn The wat'ry bow; from all the splendid store That Flora lavishes in vernal hours
On wanton Zephyr; from the blazing mine Where Plutus reigns; can she select a bloom To emulate the patriot's bosom, when the wealth Of nations, all imperial pomp is scorn'd, And tyrants frown in vain, yet to the last He breathes the social sigh, and even in death With blessing on his native country calls!- That only to the Muse belongs, to show How charms each moral beauty, how the scene Of goodness pleases the responsive soul, And sooths within the intellectual pow'rs With sympathetic order. For at first, This emanation of the source of life Unsullied glows, till o'er th' etherial rays Opinion casts a tincture, and infects The mental optics with a jaundice hue; Then, like the domes beneath a wizard's wand, Each object, as the hellish artist wills,
A shape fallacious wears.-O throng, ye youth, Around the poet's song, whose sacred lays Breathe no infectious vapours from the coasts, Where Indolence supinely nods at ease, And offers to the passing crowd her couch Of down, whilst infant vices lull the mind To fatal slumbers; other themes invite My faithful hand to strike the votive lyre. Lo! Virtue comes in more effulgent pomp, Than what the great impostor promis'd oft To cheated crowds of Mussulmen, beside The winey rivers and refreshing shades Of Paradise; and lo! the dastard train Of pleasure disappears. So fleet the shades,
scription. Arist. de Poet, cap. 4. So Plutarch de Aud. Poet. See his Symp. lib. 5.
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