The Technique of Film and Video Editing: History, Theory, and PracticeTaylor & Francis, 26 באפר׳ 2013 - 512 עמודים The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples. |
תוכן
I History of Film Editing
| 1 |
II Editing For the Genre
| 265 |
III Principles of Editing
| 359 |
Filmography | 435 |
Glossary | 449 |
| 458 | |
| 461 | |
מהדורות אחרות - הצג הכל
The Technique of Film and Video Editing: History, Theory, and Practice <span dir=ltr>Ken Dancyger</span> תצוגה מקדימה מוגבלת - 2007 |
The Technique of Film and Video Editing: History, Theory, and Practice <span dir=ltr>Ken Dancyger</span> תצוגה מקדימה מוגבלת - 2013 |
מונחים וביטויים נפוצים
action sequence Alfred Hitchcock approach audience begins Britain British Film Institute camera movement camera placement character’s cinema verité Citizen Kane close shot close-up comedy continuity create creative cutaway D. W. Griffith David Lean death dialogue sequence directors documentary dramatic editing style editor Eisenstein emotional example experience extreme long shots feeling Figure film cuts filmmakers footage foreground frame genre German goal Griffith Hitchcock ideas Image and Sound important intercut Janus Films Jennings jump cut juxtaposition Karel Reisz killed killer Kubrick Listen to Britain look main character midshot Moving Image MTV style murder narration narrative Natural Born Killers nonlinear NOTES/REFERENCES Oliver Stone pace Peckinpah performance Phoolan play plot point of view presented provided by British provided by Moving realism reality Reisz relationship role scene sense set piece Sound Archives sound effects sound track Spielberg story suggests television United visual Wild Bunch woman young