The Landscape Palimpsest: Reading Early 19th Century British Representations of MalayaMonash Asia Institute, 1997 - 79 עמודים The four chapters in the author's thesis deal with ideas and constructs that are essential for understanding landscape painting as visual history; individual artists and their experiences in Malaya; specific paintings and their themes; and a deeper reading of early British landscape depictions based |
מתוך הספר
תוצאות 1-3 מתוך 26
עמוד 17
... landscape . They might have been forgiven for using their impressions of that country and the characteristics of its natural landscape as a model for their depictions of the Malay landscape . Yet there is little resemblance between their ...
... landscape . They might have been forgiven for using their impressions of that country and the characteristics of its natural landscape as a model for their depictions of the Malay landscape . Yet there is little resemblance between their ...
עמוד 28
... Malaya . The grander and more expansive appreciation of the Malay landscape , and the British understanding of their place within it , was replaced with a more intimate fascination with the details of Malayan plant and animal life , and ...
... Malaya . The grander and more expansive appreciation of the Malay landscape , and the British understanding of their place within it , was replaced with a more intimate fascination with the details of Malayan plant and animal life , and ...
עמוד 43
... landscape were more persuasive to the early nineteenth century British artist . Unlike India , the Malay landscape was , to the European mind , relatively deviod of signs of a pre- existing civilisation , at least in the areas of ...
... landscape were more persuasive to the early nineteenth century British artist . Unlike India , the Malay landscape was , to the European mind , relatively deviod of signs of a pre- existing civilisation , at least in the areas of ...
מונחים וביטויים נפוצים
aesthetic appear appreciation approach attention audience beauty Britain British artists British landscape Cambridge Captain Robert Smith changes chapter Chinese civilisation colonial Company comparing context course cultural depictions of Malaya detail discussed drawings early 19th century East England English engraving environment European evidence experience explorers expression fact feel foreground foreign Forge further give History House Howard ideas images important impressive included India influence interest interpretation Island Italy James kind L. C. Keat land landscape depictions landscape painting landscape pictures London looked Malay landscape Malaya meaning MICHIGAN nature needs observer particularly Penang perhaps period Picturesque places Plate political position possible presence Prince of Wales produced question reference reflect relationship representations represented Rohatgi role scene seen sense settlement ships sketches sources style suggested surrounding Thomas trees tropical understanding University Press View visual visual representations Wallach William Daniell