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five subjeft with respect to an action exerted upon it; an objeCt with respect to a percipient; a cause with respect to the effect it produces; and an effeCl with respect to its cause.
(The volumes are denoted by numeral letters, the pages by figures.]
ABstract idea) defined ii. 114. Abstract ideas of different kinds,
Abstract terms) ought to be avoided in poetry i. zij. ii. 348. Cannot'
Accent) defined ii. 104. The musical accents that are necessary in an
Action) what feelings are raised by human actions i. 3J. 3S. Hi. 337.
Action and reaction betwixt a passion andits object i. is*.
Actor) bombast actor i. 134. An actor should feel the passion he re-
Admiration i. in. 24$.
Æneid. See Virgil.
Affectation i. 31$.
Affection) to children accounted for i. 1S3. To blood-relations i. &].
and belief influenced by affection i. 1J4. Affection defined!. 35; ii. 517.
Agamemnon) of Seneca censured i. 46J.
Agreeable emo ions and passions i. 96, &c.
Alcestes) of Euripide> censured i. 491. ii. 418. 4x0.
Alciandre) of Racine censured i. 4JS.
Alexandiinc 1 ne ii. izo.
Allegory) defined ii. 17j. More difficult in painting than in poetry ii. 190. In an historic il poem ii. 387. 388.
All for love) of Dryden censured i. 475.
Alto relievo ii. 466.
Ambiguity) occasioned by a wrong choice of words ii. 10. occasionedby a wrong a'rangement ii. 54.
Amynta) of Tasso censured i. 449.
Awr patr'ui) accounted for i. S7.
Amphibrachys ii. 179.
Amphimacer ii. 179
An Imic and synthetic methods of reasoning compared i. xx.
Anapæstus ii. 178.
Anger; explainedi. 7X, ire. Frequently comes to its height instant;. neoullyi.iio. Decays suddenly i. 113. Sometimes exerted again/! the innocent i. 148 and even against things inanimate i. r48. Not infectious 1. 170. Has no dignity in it i. 34X.
Angle) largest and smallest angle of vision i. 164.
Animals' distributed by nature into classes ii. 484. 4s J.
Antibacchius ii. 179.
Anticlimax ii. 9*
Antispastus ii. 180.
Antithesis ii. 19 Verbal antithesis i. 377. ii. 19.
Apostrophe ii. xss. ire.
Appearance) things ought to be described in poetry, as they appear, not as they arc in reality ii. 314. 3x5
Appetite) defined i. 4X. .Appetites of hunger, thirst, animal love, avise without an object i. $5. Appetite for fame or esteem i. ifco.
Apprehension) dullness and quickness of apprehension, to what causes owing i. X9X
Architecture ch. 14. Grandeur of manrter in architecture i. xxo. Tbe situation of a greathouse ought to be lofty i. 3x1. A playhouse on music room susceptible of much ornament i. 3x3. "What emotions can lie raised by architecture ii. 4x7. Its emotions compared with those of gardening ii. 418. Every building ought to have an expression suited to its destination ii 4x8. 460. 461. Simplicity ought to be the governing taste ii. 4x9. Regularity ought to be studied ii. ♦30-453' External form of dwelling-houses ii. 449. 4J0. Divisions
within ii. 4J0. 451.463. A palace ought to be regular, but in a
Arioslo) censured i. 308. ii. 401.
Aristæus) the episode of Aristæus in tfye Georgics censured ii. 175.
Aristotle) censured ii. J»J . Note.
Army) defined ii.iij.
Arrangement) die best arrangement of words is to place them if pos-
Articulate sounds) how far agreeable ii. 6. 7. 8. 9. 10.
Artificial mount ii. 441.
Arts) See Fine Arts.
Ascent) pleasant, but descent not painful i. 109.
Athalie) of Racine censured i. 469.
Attention) defined ii. 5 rp. Impression made by objects depends on the
Attractive paflibns i. 4x3.
Attractive object i. 173.
Attributes) transferred by a figure of speech from one subject to ano-
Avarice) defined i. 38.
Avenue) to a house ii. 440.
Aversion) defined i. in. 389. ii. 518.
Bajazete) of Racine censured i. 487.
Barren scene) defined ii. 403.
Base) of a column ii. 469. 1
Basso-relievo ii. 466.
Batrachomuomachia) censuredi. 351.
Beauty) ch. 3. Intrinsic and relative i. 18S. ii. 441. Beauty of sim-