The Hidden Cinema: British Film Censorship in Action 1913-1972Routledge, 2 באוג׳ 2005 - 216 עמודים How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972. |
מתוך הספר
תוצאות 1-5 מתוך 80
עמוד
... to the BBFC. The film was held back for a short time before the BBFC finally allowed it, possibly as theresultof political pressure andadverse publicity. This affair, prominentlycovered bythe NewsChronicle and Daily Heraldin particular ...
... to the BBFC. The film was held back for a short time before the BBFC finally allowed it, possibly as theresultof political pressure andadverse publicity. This affair, prominentlycovered bythe NewsChronicle and Daily Heraldin particular ...
עמוד
... BBFC had shrouded itselfina secrecy which broke down only slightly and haphazardly untilTrevelyan became secretaryin 1959. He wasthe firstsecretary who had previously servedas a BBFC censor, and he accelerated the more open ...
... BBFC had shrouded itselfina secrecy which broke down only slightly and haphazardly untilTrevelyan became secretaryin 1959. He wasthe firstsecretary who had previously servedas a BBFC censor, and he accelerated the more open ...
עמוד
... to the BBFC early in 1913. When the BBFC wasestablished at the beginningof thatsameyearthere had beenno set rules relating toanimal treatment, but A Spanish Bull Fightwas nevertheless rejectedon 14 March. This was one of22 films ...
... to the BBFC early in 1913. When the BBFC wasestablished at the beginningof thatsameyearthere had beenno set rules relating toanimal treatment, but A Spanish Bull Fightwas nevertheless rejectedon 14 March. This was one of22 films ...
עמוד
... BBFC rejected A Woman whenit was first submittedinMarch 1915,butlater changed its mind,the filmbeing released in Britainin the following Julyas Charlie,the Perfect Ladywiththe scenesofCharlieindrag not excised.2 In this instance the BBFC's ...
... BBFC rejected A Woman whenit was first submittedinMarch 1915,butlater changed its mind,the filmbeing released in Britainin the following Julyas Charlie,the Perfect Ladywiththe scenesofCharlieindrag not excised.2 In this instance the BBFC's ...
עמוד
... to the BBFC and therebyrisked a prosecution because the BBFC's precise legal powers were unclear.The most glaring example of this was the D.W.Griffith classic Intolerance whichfeatures industrial violence, the materialization of Christ ...
... to the BBFC and therebyrisked a prosecution because the BBFC's precise legal powers were unclear.The most glaring example of this was the D.W.Griffith classic Intolerance whichfeatures industrial violence, the materialization of Christ ...
מהדורות אחרות - הצג הכל
The Hidden Cinema: British Film Censorship in Action, 1913-1972 <span dir=ltr>James Crighton Robertson</span> אין תצוגה מקדימה זמינה - 1989 |
מונחים וביטויים נפוצים
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