The Hidden Cinema: British Film Censorship in Action 1913-1972Routledge, 2 באוג׳ 2005 - 216 עמודים How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972. |
מתוך הספר
תוצאות 1-5 מתוך 85
עמוד
British Film Censorship in Action 1913-1972 Dr James C Robertson. Also available in the Cinema and Society series (Series editor: Jeffrey ... the Working Class Peter Stead Film and Reform John Grierson and the Documentary Film Movement.
British Film Censorship in Action 1913-1972 Dr James C Robertson. Also available in the Cinema and Society series (Series editor: Jeffrey ... the Working Class Peter Stead Film and Reform John Grierson and the Documentary Film Movement.
עמוד
... and the Documentary Film Movement Ian Aitken Realism andTinsel Cinema andSociety in Britain 1939–49 Robert Murphy J.ArthurRank andthe British Film Industry Geoffrey Macnab The Hidden Cinema British film censorship in action, 1913—1975 ...
... and the Documentary Film Movement Ian Aitken Realism andTinsel Cinema andSociety in Britain 1939–49 Robert Murphy J.ArthurRank andthe British Film Industry Geoffrey Macnab The Hidden Cinema British film censorship in action, 1913—1975 ...
עמוד
... the 1950s cinemagoing has been a regular habit and filmmaking a major industry. The cinema combined all the other art forms— painting, sculpture, music, the word, the dance—andadded anew dimension—an illusion oflife. Living, breathing ...
... the 1950s cinemagoing has been a regular habit and filmmaking a major industry. The cinema combined all the other art forms— painting, sculpture, music, the word, the dance—andadded anew dimension—an illusion oflife. Living, breathing ...
עמוד
... in part misleading to equate the rejected films statistics with thevarious presidents, fortheyviewed films only when calledupontodo so after theindividual BBFC censors—two viewed and reported upon every film— disagreed and the ...
... in part misleading to equate the rejected films statistics with thevarious presidents, fortheyviewed films only when calledupontodo so after theindividual BBFC censors—two viewed and reported upon every film— disagreed and the ...
עמוד
... and 12 per year respectively—none of them large when offset against the total number viewed atthe BBFC throughout thewhole period. For example, in ... the cinematic and literary intelligentsia, with George Bernard Shaw and H.G.Wells.
... and 12 per year respectively—none of them large when offset against the total number viewed atthe BBFC throughout thewhole period. For example, in ... the cinematic and literary intelligentsia, with George Bernard Shaw and H.G.Wells.
מהדורות אחרות - הצג הכל
The Hidden Cinema: British Film Censorship in Action, 1913-1972 <span dir=ltr>James Crighton Robertson</span> אין תצוגה מקדימה זמינה - 1989 |
מונחים וביטויים נפוצים
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