The Hidden Cinema: British Film Censorship in Action 1913-1972Routledge, 2 באוג׳ 2005 - 216 עמודים How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972. |
מתוך הספר
תוצאות 1-5 מתוך 47
עמוד
... (BBFC) as the industry's selfcensorship body with effect from1March 1913. The ... BBFC was tolevy fees based uponthe footage ofthe submittedfilms. The BBFC ... rejected morethan500 feature films.It subsequently allowed some ofthese, but ...
... (BBFC) as the industry's selfcensorship body with effect from1March 1913. The ... BBFC was tolevy fees based uponthe footage ofthe submittedfilms. The BBFC ... rejected morethan500 feature films.It subsequently allowed some ofthese, but ...
עמוד
... rejected films statistics with thevarious presidents, fortheyviewed films only when calledupontodo so after theindividual BBFC censors—two viewed and reported upon every film— disagreed and the secretarystill harboured doubts. The ...
... rejected films statistics with thevarious presidents, fortheyviewed films only when calledupontodo so after theindividual BBFC censors—two viewed and reported upon every film— disagreed and the secretarystill harboured doubts. The ...
עמוד
... BBFC stoodinmuchthe same positionin relationtothe British right asinthelate ... BBFC had shrouded itselfina secrecy which broke down only slightly and haphazardly ... rejected.While the latter arenot now as completeas onewould wish, they ...
... BBFC stoodinmuchthe same positionin relationtothe British right asinthelate ... BBFC had shrouded itselfina secrecy which broke down only slightly and haphazardly ... rejected.While the latter arenot now as completeas onewould wish, they ...
עמוד
... rejection, although bullfighting was not expressly mentioned. Within tenyears the BBFC's readiness toaccept bull fighting was demonstrated bytheaward ofacertificateto Blood and Sand,directed by Fred Niblo for Paramount,which opened in ...
... rejection, although bullfighting was not expressly mentioned. Within tenyears the BBFC's readiness toaccept bull fighting was demonstrated bytheaward ofacertificateto Blood and Sand,directed by Fred Niblo for Paramount,which opened in ...
עמוד
... BBFC rejected A Woman whenit was first submittedinMarch 1915,butlater changed its mind,the filmbeing released in Britainin the following Julyas Charlie,the Perfect Ladywiththe scenesofCharlieindrag not excised.2 In this instance the BBFC's ...
... BBFC rejected A Woman whenit was first submittedinMarch 1915,butlater changed its mind,the filmbeing released in Britainin the following Julyas Charlie,the Perfect Ladywiththe scenesofCharlieindrag not excised.2 In this instance the BBFC's ...
מהדורות אחרות - הצג הכל
The Hidden Cinema: British Film Censorship in Action, 1913-1972 <span dir=ltr>James Crighton Robertson</span> אין תצוגה מקדימה זמינה - 1989 |
מונחים וביטויים נפוצים
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