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the coming season, in several of the Northern of the face is neither coarsely caricatured of Mr. J. Yeoman and Mr. J. C. Derby. His cities.

nor at all unbeautiful, and all the power and three-quarter length likeness of General Van Another of Rinehart's works on public massiveness of Mr. Evarts's finely - chiseled | Vliet, exhibited the same year, was one of exhibition in Baltimore-his native city-is brow and forehead have been most truly and his strongest pictures in male portraiture. his “Clytie,” the principal attraction in the delicately defined by the nice instinct of the In the following year he painted a portrait of small art-gallery of the Peabody Institute. artist. Hair is very rarely adequately de Mrs. Hoey, which perhaps excited more genThis beautiful marble statue well deserves, picted in plaster or in stone, and here also eral praise than any other picture exhibited as far as the figure is concerned, the high this sculptor has been happier in his effort in the Academy that season. Mr. Stone expraise which has been liberally bestowed than most artists. Locks and fine masses hibited last year life-size portraits of the late upon it; but in the accessories the artist of it spring from the forehead, and the be James Gordon Bennett and Daniel Leroy. has been singularly unfortunate. Even if holder notes its turns and delicate curves He was an industrious painter, and examples the introduction of the actual, embodied sun as it rises from the skin. Hair, as we all of his work exist in the collections of a large flower may be considered appropriate or know, is as varied in its quality as the indi- number of the old families of New York. consistent-for it really divides the atten vidual head it covers, and ranges from stiff, During his leisure hours, Mr. Stone painted tion more than it helps the meaning—yet it wiry hair, live and full of vitality, where each an occasional fancy head, but they were rareseems unaccountable that the sort of “sun thread separates and appears to lie apart, ly exhibited out of his studio. Several of flower” selected should be that unseemly to dead locks that seem more like cotton these ideal studies were left in his studio at vegetable (Helianthus annuus) which towers or tow than to have any life of their own. the time of his death, and if offered for sale in huge ugliness over the dusty yards of sub The hair marks different temperaments, and now they will doubtless find ready purchasurban shanties, and which was entirely un among them the fine hair which tends to ers. Mr. Stone died in the prime of life; he known to the white race until after the dis. mass itself in soft curves, lying one above was a genial companion; and, in personal apcovery of America. The heading of Ovid's another, which form and unite its shapes as pearance, a noble specimen of vigorous manfable—“Clytie Nympha Conjux in herbam do the mass of feathers on a raven's wing, hood.

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the pean heliotrope, with its delicate white or most sensitive and intellectual. Mr. St. Gau- chusetts, has recently arrived from Leghorn, pale-red flowers, would have formed not only deus appears to have taken this view of his and has been placed over his grave at Hinga truer but far more beautiful accessory to model, and, while the hair on most busts we ham, in which town he lived for many years. the figure, had any been needed. The shade see lies in shapeless bunches, and follows The statue of the great war governor is of of Ovid might justly be scandalized at see meaningless lines, the hair in this one is sin- | slightly-gray Carrara marble, a color in the ing our American weed, which sometimes rises, gularly light, and its locks are massed and full light of day superior to white marble, in warmer climates, to the height of twenty curved as if wind could lift them or a shake which often appears sheeny and dazzling unfeet, made the type of the gentle nymph of the head entirely derange their position. der such conditions. This statue is by Thomwhose love for the sun-god the poet so beau

as R. Gould, the well known-artist, who is tifully describes. At the same time the ar The death of William Oliver Stone, N. A., now living at Florence, and it is rather larger tist certainly deserves credit for faithfulness which was announced in the daily jour-than life. It represents the governor standto his model even in this part of his work; nals last week, is notable from the fact that ing, dressed in a double-breasted frock-coat, for the sun-flowers are presented, in the va he was one of the very limited circle of ar and with a long military-cloak hanging from rious stages of their growth, with the ut tists in this country who have attained any his shoulders, and fastened across his chest most exactness and truth to Nature, though great degree of renown as portrait-painters. by a cord and tassels. Upon the collar is the exigencies of art require the stalks to be Mr. Stone was a pupil of Nathaniel Jocelyn, carved the star of the Commonwealth's es. flattened out against a stump in a somewhat of New Haven, but at an early age, compara cutcheon.. Governor Andrew, as all will recstiff and unnatural manner. On the whole, tively, set up his easel for himself, and as ollect him, was a short and stout man, with there can be little doubt that the botanical sumed a distinctive position as an artist. a firm, broad-shouldered figure, well knitted portion of this work might have been left He was never strong as the painter of men, and determined. But his beauty lay in his out with positive advantage to the general although he at times produced meritorious fine and well-poised head. No subject could effect.

W. W. C. pictures of this class, but his special forte be better adapted for the sculptor than his

lay in the execution of the beads of women clean-cut Roman nose, with nostrils flexible A VERY beautiful portrait-bust of William and children. In the treatment of such sub- and energetic, his well-marked, handsome M. Evarts, by Mr. St. Gaudeus, has lately ar jects he had no superior in this country. mouth, with full lips and rounded chin, dimrived at Boston from Rome. Mr. St. Gau- His works were graceful in drawing, and pled in the middle, and his large eyes, and deus has of late made a good deal of reputa- marked by unusual richness of color and forehead crowned by closely-curling hair. A tion by the life and beauty of his works, and delicacy of treatment. Mr. Stone, like many face mobile and brilliant, it afforded every this head of Mr. Evarts gained great com of his contemporaries, delighted to paint the advantage to the artist. At first sight the mendation from the artists in Rome. Every portrait of a pretty woman, and, when treat-statue looks a little under-sized, though it is one familiar with Mr. Evarts's refined and ing such a subject, while he preserved the really larger than life, but a further impresintellectual countenance will recognize this portrait, it was invested with a feeling of sion dispels this feeling, and, while many per. bust as a remarkably happy likeness of the ideality which gave evidence of a high aim sons may regret that it has not a more puboriginal. It is spirited and entirely free and an imaginative and inventive faculty of lic situation in Boston or perhaps Washingfrom the vulgar clap-trap look of pomposity | more than usual power. The ordinary por- ton, it is, on the whole, well placed on its and self-consciousness by which inferior ar- | trait-picture, such as we see scores of in our simple pedestal in the old graveyard at Hingtists strive to lend dignity to their work, and public exhibitions every year, rarely attracts ham. to atone for the deficiency of their apprecia- | the attention of the multitude, but those of tion of fine and important characteristics. Stone's women and children always appeared A COLOSSAL portrait-bust of Goethe, which, Mr. Evarts might be in the court - room to be possessed of some magnetic power, it is said, is intended to be placed in the Cenpleading a case, so full is his eye of fire, however plain the subject might be, which tral Park at some future day, was placed on so instinct with expression are the mouth arrested attention at once. Baker's portraits exhibition at Tiffany's jewelry establishment and other features, and so entirely free is of women and children also appear to pos- last week. The bust is about thirty inches the face from any restige of thought of self. sess this power. In 1866 Mr. Stone exhibited in height, and is the work of Professor FiMr. St. Gaudeus has displayed, in modeling at the Academy a portrait entitled “Bessie,” scher, of Berlin, or rather is the reproduction Mr. Evarts's thin face, uncommon apprecia- which was marked by many rare qualities. of the original by that eminent sculptor, tion and artistic sensitiveness. Though the In 1867 he exhibited two portraits of ladies, which was executed in 1849. The head is jaw-bone is indicated clearly through the which were remarkably brilliant in color and not particularly striking, and as a work of somewhat worn lines of the cheeks, this part pure in tone. They are now in the collection | art it utterly fails to convey to Goethe's ad

mirers of to-day an idea of his genius or of the German painter Beyschlag's exquisite though at the beginning she will confine herthe poetic inspiration with which his writ- “Psyche and her Urn;” two choicely exe self to concert and oratorio. ings are endowed. Although the features cuted engravings from De Haas's marine pict

The latter department of music is peculare clearly defined, the modeling appears to ures, forming one of the series of papers on

iarly adapted to this artist's style and powhave been carried to a degree of finish which American painters ; and several other illustrated papers; with three steel engravings con

er on account of the broad phrasing and has effaced every trace of individuality. This sisting of “ The Riven Shield,” from a paint

pure declamation required. The London criticism may not apply to the original bronze, ing by Morris ; "The Triumph of Galatea,”

papers are already lamenting the loss of which exists in Berlin, we believe, but par- from a painting by Domenichino; and" Puck,” Tietjens for the coming festivals as irreparaticularly belongs to the reproduction, which from Miss Hosmer's well-known sculpture. ble, although there are many clever and acis cast in some base metal, shows no marks

complished singers eager to fill the gap, and of the sculptor's chisel, and has been stained

make the most of the opportunity. We may and varnished in imitation of the genuine Music and the Drama.

anticipate such an interpretation of oratorio material. It is not probable that this bust

music as has not been heard among us since is to be offered to the Park authorities, but

the last appearance of the lamented Parepathat a real bronze will be substituted. Sach Thea meen made with the prima donna

THE announcement that an arrangement Rosa, who, in many respects, may be likened a work would be a worthy companion to the

to Tietjens. bust of Schiller, which was presented by the Malle. Tietjens was a double pleasure, inas To support her in oratorio there will be Germans, and now ornaments the Park ram- much as it removed the fear that we were to the Centennial Choral Union, an organizable, near the lake.

have no Italian opera this winter, and also tion which has been working under the au.

promised a hearing of a singer who, in some spices of Messrs. George F. Bristow and A FINE bust, in white Carrara marble, of

respects, stands alone in her art. Malle. Charles E. Harslee, with special reference to Charles Sumner, has recently been presented Tietjens has for a number of years been the Philadelphia Centennial of next year, to George W. Curtis, by the city of Boston. known almost exclusively in England, having The chorus will consist of eight liundred The bust was executed by Milmore, in Italy, become such a favorite with that public as to voices, which have been carefully selected and is more thar: full-size. It is a strong make any other nearly unnecessary. Eng- from the best available material, and certainlikeness, and all the features are life-like and land has been for many years the favorite ly, with the time and care expended in their well marked. The attitude of the head is home of oratorio. Her musicians, both sing- preliminary rehearsals, should do their work very erect, and the eyes and mouth are energet

ers and composers, have assiduously culti- in a thoroughly satisfactory manner. The ic and animated, as if Mr. Sumner were speak- vated this style of music, and the numerous orchestra, we are told, will also be one of the ing. The best likenesses are those of course

festivals held every year in the principal cities largest with which oratorio bas ever been which are made either directly from life or by attest the popularity of it. It is in oratorio given in this city. The three oratorio perthose who are familiar with the look and atti- that Malle. Tietjens bas of late years achieved | formances in New York will be on the eventude of the original

. The portraits, therefore, her principal triumphs, no other living singer ings of Wednesday, October 20th; Friday, which are made now of Mr. Sumner, are

being supposed to be her equal in this style October 29th ; and Wednesday, November the most valuable ones that will ever be produced, and for such reasons a bust like this quired in the opera. of singing, which differs widely from that re- 10th. The works to be produced in their

entirety are Händel's " Messiah” and Menby Milmore is of historical value, as it is one

Malle. Tietjens has reached nearly if not delssohn's “ Elijah.” The last performance of the few which will be made now while Mr. quite the limit of years at which great sing- will consist of a miscellaneous programme Sumner's looks are vividly remembered, and

ers are ordinarily supposed to cease their from the great composers of oratorio. Tietbefore time has dulled the impression of his efforts, but, if we may judge from the English jens first general concert will be on the evenstately and intellectual head.

accounts, her voice remains unimpaired. Per- | ing of October 4th, and consist of a popular

fection of art rarely is attained till the freshness programme of operatic selections and balAs costume is one of the arts, we quote and beauty of the organ of singing have be- lads. here from a London journal the subjoined information in regard to the latest development gun to decline. Indeed, it is not unfreof Paris fashion: "Designs, it is stated, are

Mr. Byron's “ Our Boys,” produced last quently the case that singers, as long as not only floral and geometric in their ten

the voice retains its youthful bloom, neglect week at the Fifth Avenue Theatre, is a very dency, but zoological.' Exquisite brocades the more finished graces of the art, and think charming comedy. The reason of its two are sprinkled profusely with lions, tigers, and only of them when the necessity of replacing hundred nights in London is clear enough. panthers, “medieval - looking beasts that departed powers exercises a stern compul- It cannot be ranked with the great English are by no means life-like in their proportions sion. It is said of Mario that, when that plays—it is far too slight in story and in or coloring, and far more nearly allied to the marvelous voice of his was in its golden prime character-drawing for that; but it is a very fabulous creatures in stone that decorate a of youth, he was so little dramatic or sympa- delightful production of the lighter kindGothio cathedral than the savage denizens of a thetie in his style as to call forth the severest pleasant in story, wholesome in tone, animodern menagerie.' Artists, it seems, have

criticism. It was only when the organ lost mated in action, and bright in dialogue. The also gone to museuns and borrowed old heraldic devices with which to ornament the its youth and bloom that the greatest of dra- story is of two boys, one the son of a barorobes of ladies who value their personal ap

matic tenors attempted to develop the pecul.net, the other the son of a retired tradesman. pearance. Unicorns, winged bulls, and birds, iar powers which afterward made him so fa- The two fathers are friends, and so are the are used profusely. Oriental writing, the mous.

two sons, notwithstanding the great differhieroglyphics of the ancient Egyptians, Per Malle. Tietjens has for years been recog-ence in their social rank; and both fathers sian arabesques, and Chinese and Japanese nized by the English critics and public as the and sons are very happily contrasted for signs, are artistically converted into patterns. leading dramatic prima donna, even in com- stage purposes. The baronet is dignified One design is mentioned as being ' peculiarly petition with all the great singers whose annu- and high-bred; the tradesman is vulgar in pretty;' it is a scrawl studded here and there

al appearance in London make that city the speech, and undiguified in manner ; but both with keys some three inches long. There are at least thirty sorts of keys of different epochs,

first musical capital of Europe. The great are men of principle, and animated by strong capitally rendered. Of all the pleasing novel- | rôle of Medea, for example, in Cherubini's fatherly affection for their boys. The boys" ties, however, which are being introduced, great opera of that name, has no other ade have been traveling in Europe ; they return there ar: none to equal a design in which quate interpreter, and it is never attempted at the opening of the play. The son of the various insects are introduced.'”

except with Tietjens. In the same way Leo- baronet has all the affectations of a blasé

nora, in Beethoven's only opera, “Fidelio," youth--the son of the tradesman is full of THE ART JOURNAL for October will contain

is the monopoly of this lady on account of heartiness, naturalness, and ainbition. Each the first of a series of papers, finely illustrated, on “ Household Art,” by C. W. Elliott. It

the breadth and beauty of her vocalizatiou, father has selected a wife for his son, and by will also give an illustration of the prizes won

and the intensity of her dramatic power. We a rather stale derice each of the boys manages by the American rifle-team in its recent ex

are promised that a hearing will be had of to fall in love with the woman designed for cursion to Great Britain ; an engraving of Tietjens in her great rôles later in the season, the other. The baronet has brought up his

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boy to implicitly respect his authority; the general harmony of the sketch to effect. It | secular and religious performers belong to cerson of the tradesman has been governed only lacks color and breadth, perhaps, somewhat.

tain societies or guilds, which meet at prethrough his affections. Each parent is confi- One would not dislike a little more beartiness

scribed periods and for prescribed purposes, dent of the success of his plan of domestic and resonance; but every one must admire

and there are large numbers of musicians who government in this emergency, but both theo- the severe fidelity with which the idea of play in private houses for a stipulated fee.

The members of these guilds have various ries come to naught, for neither of the boys the character is worked out.

privileges. At one of the sittings of the Gerwill consent to marry the woman of his fa

man society a musician presented himself who ther's choice. The result is a domestic revo A VOLUME entitled “Hamlet; or, Shake had the right of setting the first string of the lution. The boys go off together to London, speare's Philosophy of History: a Study of the "koto” (a seven-stringed instrument) an ocbent on making their own way in the world, Spiritual Soul and Unity of Hamlet,” recent tave lower than any one else. The Japanese become very poor, suffer not a little, but at ly published in England, is commented upon use string, wind, and percussion instruments. last are sought out by the not very obdu in the Athenæum as follows: “The wildest | These are divided into pure instruments (for rate fathers; and, in the end, all is made

extravagance of German speculation upon the religious music only) and impure, which are well. This is the story, in the main; but

remote significance of Shakespeare seems tame used only for secular objects. There are no

beside this attempt to solve the mystery of instruments of metal. Twelve keys are used, the dry plot of a play thus narrated gives the

Hamlet. At the outset, the author asserts one for each month, and each key has twelve reader but little idea of the touches of hu

that his book is not addressed to those who can tones. Tuning - forks of various shapes, all mor, the flashes of wit, the phases of charac see no mystery in the works of Shakespeare.' different from those known in Europe, are in ter, the many minor incidents, that make up Without being sure whether we are of this common use. The strings of the instrument the pleasant whole.

bat-like few or many, we can at least see no are of silk, covered with wax; and the notes Plays like “ Our Boys" make the theatre such mystery as Mercade suggests. Accord- simply give the number of strings to be struck, a delight; their effect upon every listener

ing to an ideal key to 'Hamlet' which he pre or, in the flute, of the hole to be stopped. cannot be otherwise than wholesome, even if

fixes, and to the disquisition which follows, Semitones are distinguished by a sign placed they do not possess high imaginative power,

Shakespeare in 'Hamlet' had the intention against the number of the preceding tope. and make no attempt to do more than to pre

of suggesting many very remote and remark The notes are written downward, and the

able things. 'He fathomed,' says Mercade, words to the left of them. Songs are always sent a slight but charming picture for the

the great dynamical principle of modern his in unison with the principal instrument in the recreation of an hour. “Our Boys” is very | tory in Europe. "Time is the stage upon accompaniment. On the whole, Japanese muwell acted by every person in the cast, and is which the play is built, Mankind the actors; sic is very similar to that of China. well mounted.

Truth and Error the action of the drama."

Claudius thus presents 'Error, injustice, etc.' NEW YORK is likely to be blessed with a

Gertrude 'Human belief and custom.' Their large amount of oratorio music this season, marriage ' indicates the corruption of Christi

From Abroad. and the true lovers of the art will be likely

anity,' while Hamlet's father presents Unato say, “The more the better.” The “Oradulterated Christianity prior to the second

OUR PARIS LETTER. century-ideal truth and justice.' The bultorio Society of New York," under the diwarks of Error are Polonius, presenting 'Big

September 7, 1875. rection of Mr. Leopold Damrosch, and with the noble coöperation of Theodore Thomas's

otny, intoleranci, absolutism; "Reynaldo: dis; Inricworkin recently published by then Abbé orchestra, and Mr. Dudley Buck on the or Voltimand, repression by force, persecu the saving of Notre-Dame from the flames gan, will give a series, Mendelssohn's “Pau tion (1);' Cornelius, ' Hard - heartedness (?);' during the Commune. The abbé was charged lus " for the first, and the “Messialı” for the Rosencrantz, ' opposition of those who benefit by the court-martial with the painful task of second. Afterward a number of short choral

by abuses ;' Guildenstern, 'Sophistry, casuis- preparing for death those of the insurgents who works from the old Italian and German mas

try, hypocrisy, evasion ;' Ophelia, 'Church;' were condemned to be shot on the 25th of May, ters, and parts of Liszt’s “Christus” (for the

Laertes, ' historical continuity of authority, or- 1871. Among them was a young workman

thodox literature, conservatism ;' and Osric, who, on learning the fatal news, fell as though first time in America), will be offered. We

Society and criticism.' On the other side is thunder-stricken against the wall; then, strikhave not yet learned what solo talent has Hamlet, representing · Progress. With him ing his brow violently with his clinched fist, been secured, but can hardly expect it to are Francisco, Bernardo, Marcellus, 'typify- he cried, “I knew that such a deed would equal the orchestral and choral ability en ing the end of dark ages, first movement of bring me ill luck !” Surprised at this exclalisted in the enterprise. It is a delightful the growth of knowledge (revival of learning), mation, which was uttered with an expression and encouraging fact to see New York tak probably reading, criticism, inquiry, and print- of heart-rending sincerity, the abbé persuaded ing so deep an interest in oratorio, and we ing.' Horatio comes as the spirit of justice, the condemned man to confide his secret to

him. trust to record the deepening and strength independence, and scholarship, resulting from ening of the taste in the future. No more

above. Fortinbras is' Liberty ;' the first Clown " See here," he said, after besitating for a

is an artistic double to Hamlet,' and the few moments, “I will confess every thing, but auspicious omen of the organic growth of

Ghost is the revival of Christianity.' The hasten to make use of what I shall tell you, real musical culture can be found than this.

interlude, it may be added, is the Reforma for in an hour it will be too late. Yesterday

tion. We have shortened some of the explana- evening I carried to Notre-Dame myself two In the poorest of Mr. Boucicault's plays tions of the Key of Mercade, which is advanced barrels of powder and two cans of petroleum. he never fails to develop at least one good as ideal, but have endeavored to preserve the I placed the two barrels of powder in the pipes dramatic character. This is notably true of sense. Those who see any benefit to philoso- of the furnace, one on the upper part of the

The Flying Scud,” a drama which in motive phy, science, or common-sense, in such spec- church and the other on the lower. As to the and story has nothing to commend it, but

ulations, will find abundance of similar matter petroleum, I put one can, not in the big chair escapes entire condemnation by the very fine

in the book. To us the whole is 'Midsum- where folks preach, but under another chair mer madness.""

near the benches where folks sit, and the other delineation of Nat Gosling, the eccentric and

I placed among the wood-work under the organ. superannuated old jockey. Just now this

The last number of the transactions of the But I repeat, hasten to send to Notre-Dame to poor but turbulent play is temporarily re German society for the study of the natural have all that taken away!" Then, interruptvived at Booth's Theatre, in order to afford history and ethnology of Eastern Asia, in ing himself, he asked, “ What o'clock is it?" the New York public an opportunity of wit Yokohama, gives an interesting account of * Half - past nine,” answered the abbé, nessing Mr. George Belmore's excellent per music in Japan. The Japanese musicians are looking at his watch. sonation of the part of the old jockey. Mr.

usually divided into four classes : those who “The petroleum was to be set on fire beBelmore is an English actor who has made a

play religious music only, those who play sec-tween nine and ten o'clock." reputation in his own country as a finished

ular music, blind musicians, and female mu Not an instant was to be lost. The conactor of eccentric parts. His Nat Gosling is

sicians. The musicians who possess a theo- fessor at once informed the provost of the rev

retical knowledge of music, and even those elation that had just been made to him. A a remarkably close and truthful performance,

who know their notes, are very few in num battalion of policemen started immediately subdued in tone, accurate to the minutest

ber; they are scattered all over the country, for Notre-Dame, taking with them the crimidetail in every accent, gesture, and facial ex and belong only to the class of those who oc nal, so that he might guide them in their pression, and never sacrificing truth or the cupy themselves with sacred music. Both the researches. Every thing that he had said was

room.

true, and several chairs were already on fire, that celebrated woman is an interpreted fact, etc., have been disposed of at immense prices. but assistance had arrived in time. The flames slipped behind M. de Balzac and fled from the All the bric-à-bric merchants of Paris and of were speedily extinguished, and the powder

Germany are ransacking Nancy for similar and petroleum were removed. The Abbé "Madame George Sand is a small lady of treasures, and are inviting, by advertisements Riche, moved by a truly Christian inspiration, a rather delicate aspect, about thirty years of and placards, all the inhabitants to bring out then took the provost aside.

age, having fine and abundant tresses and a their antique valuables. The St.-Charles Hos“You cannot," he said, “ shoot the man to very noble countenance. Her profile is of the pital possessed a series of vases in faïence, the whom we owe the revelations that have saved | style that the French call Bourbonian. Her gift of King Stanislas to their pharmacy, and Notre-Dame. Remember that a few yards foot is irreducible and ber hand improbable. used by the good nuns to contain ointments; from the cathedral stands the hospital of the A court of young artists followed her, and cel before the exhibition no one thought much of Hôtel-Dieu, crowded with invalids. Had No brated men ranged themselves on either side them, and after its close a bric-à-brac merchant tre-Dame been blown up, what a horrible catas to salute her. The warm pallor of her coun offered two thousand dollars for the two printrophe would have ensued! This man must tenance brought out the lustre of her black cipal vases. One of his confrères offers one be pardoned." and sparkling eyes."

hundred dollars a piece for the two hundred A council was held, and the Abbé Riche Heavens and earth! how plain she is now, small vases belonging to the collection, and gained his point. The man's life was spared. that celebrated and fascinating woman, whose twentỳ thousand dollars for the set of large

Jules Lecomte published in 1840 a work on heartless immorality has disgraced her sex ones. The Evangeliare of St.-Gauglin, Bishthe then celebrated authors of France. Here even more than her genius adorned it! Old, op of Toul, which belongs to the Cathedral is a sketch of Eugène Sue, then in the height fat, and commonplace - looking, with a stiff of Nancy, is estimated by these enthusiasts as of his renown:

range of little false curls surmounting her being worth sixty thousand dollars. An “M. Sue is a tall young man, and rather | prominent forehead, with deep indentations enormous valuation has been set upon the stout as well. He wears boot-heels some two in her heavy cheeks, and with eyes sharp and Graduel which formerly belonged to the anor three inches high, and my informant tells keen as a gimlet-point, George Sand retains cient Chapter of St.-Dié. These prices have me that M. Sue is in despair because these not a vestige of the Cleopatra-like fascination thrown all possessors of antiquities in these heels are not red. He is a dandy in the full wherewith she won the hearts and blighted regions into a fever. The heirs of M. Charles signification of the word. He is pale and very the lives of Chopin and of De Musset. Such de Gouvain possess a livre d'heures in perfect dark, with abundant bair and beard, his nose women ought to die in their siren prime, not preservation, and closed with clasps most exis twisted to one side, and he carries a little live to grow old and stout and ordinary-look-quisitely and delicately worked. This treascare covered with precious stones. He is ing. She is very pious now, I hear, and very ure has caused quite a commotion among the quite wealthy, the paternal fortune amounting domestic in her tastes. “When the devil was parties to which it belongs. One wishes to to twenty-five or thirty thousand francs of sick”-we all know that adage, and, I sup- keep it, a second to sell it, and a third wished revenue. In the winter he resides in Paris

pose, it is pretty much the same with the to have it exhibited among the precious obon the Rue Caumartin. His furniture is ex devil grown old.

jects collected at the Hôtel-de-Ville of Nancy. tremely splendid, of the styles of the Renais The Revue des Deux Mondes for the 1st of But so many precautions and so many formalisance and Louis XV. It is said to have cost September contains the opening chapters of ties, so many keys and so much glass-case, over twenty thousand dollars. His study is a new novel by Octave Feuillet, entitled “A were exacted from the director of that exhibiin antique carved oak, ornamented on all Society Marriage.” It begins in graceful and tion, that he refused to have any thing to do sides with ancient bronzes, old Flemish pict- | interesting fashion with the love-affairs of two with the priceless prayer-book. By a decision ures, and all sorts of arms and curiosities in young people betrothed by the efforts of an of the court it is to be sold for the benefit of the severest taste. Antique colored glass of inveterate and amiable match-maker, one Ma- | the heirs. It is to be brought to Paris by M. the fifteenth century only permits a sort of dame de la Veyle. The style is, as is usual Renard, the oldest lawyer of the tribunal, who mysterious twilight to penetrate this apart- with this exquisitely graceful and charming engages to take personal charge of it, and to ment; it is hard to understand how M. Sue writer, at once sparkling and forcible. Here place it in the hands of M. Pillet, the celecan see to write or even to read amid these are one or two observations culled from the brated commissaire priseur, or estimator of anshadows, which have something religious pages at random:

tiquities, of the Hôtel Drouot. It is to be exabout them. His salon is all satin damask, “ Without being armed with very solid or hibited under his charge for a month in a gilded furniture, buhl furniture, marquetry in very elevated principles, Madame Fitz-Gerald glass case under lock and key, and then to be copper, enamels, old tapestry hangings, Ja possessed in the highest degree the religion sold at auction. If the object in question panese vases, and other ruinous fancies. The of ermines and of women of the world were a monster diamond instead of an ancient dining - room is in the transition style of horror of stains! Evil was for her not only manuscript, the owners thereof could not Louis XIII., but, by a caprice which seems evil, it was an impropriety."

make more fuss about it. like an infirmity in the host of these brilliant "Remember, dear child, that woman is It is doubtful, after all, whether we shall apartments, the same obscurity reigns every made to endure, and man to be endured." have the pleasure of hearing Massé's muchwhere."

The second volume of the “ Memoirs of talked-of opera of "Paul and. Virginia " at It was at this time that Eugène Sue pur Odilon Barrot" is to appear on the 1st of Oc- the Opéra Comique this winter, some difficulty posed writing the “History of the French tober. The first volume has already reached on the question of salary having arisen beNavy.” Long before the publication of the its third edition. It will take two more to tween Mademoiselle Heilbron and the managefirst number, several fragments of it had ap- complete the work. The Bibliothèque Char ment. It is the old story, so say the critics, peared in the Parisian reviews, and had been pentier is shortly to issue a complete edition an American tour having spoiled the lady for severely criticised. One day, when he had of the poetry of Théophile Gautier, which will Parisian prices. The Théâtre Lyrique is very just given a foretaste of his “ History of Jean include a number of unpublished poems. anxious to get possession of the work in quesBart,” by a chapter à la Walter Scott, which Among the late publications of the Librairie tion, on which great hopes are founded. But had been printed in some literary collection, Illustrée is comprised a reprint in fac-simile the Théâtre Lyrique is in the very odd posiM. Sue received a packet from Toulon, trans of the number for September 4, 1870, of all tion of an opera with a director and a subvenmitted through the Ministry of the Navy. It the leading newspapers of France, and also a tion, but lacking a theatre. There is in this was formally unsealed, and within M. Sue reprint of the “ History of the Revolution of city of theatres not a single one available for found a gilt medal, on which was inscribed, 1870–71," by Jules Claretie. The almanacs the reconstructed organization. Two directors " To M. Eugène Sue, from the French Navy for 1876 are already advertised ; they comprise in face of this difficulty have already resigned in Gratitude." Beneath this inscription was a a vast variety of styles and subjects. There without directing — monarchs, like Louis tiny line, which looked like an ornamental is the literary almanac and the culinary alma- | XVII., deposed before they had ever reigned. flourish. M. Sue showed this medal with great nac, the musical, the matrimonial, the histor “Faust” is to be given at the Grand Opéra pride to forty of his friends, the forty - first | ic, the prophetic, the epistolary, the facetious, to-morrow night at last. The rehearsals take discovered that the little line was really com and the medical almanacs, and many others place every off-night, so the consumers of Pilposed of this conclusion, in almost impercept that I have neither the space nor the patience sen beer at the café just behind the operaible letters, to the inscription, “For his not to enumerate. They are not very expensive, house have been treated to about fifty repetihaving written its history!”

varying in price from six to thirty cents a tions of "The Soldiers' Chorus" on every alHere is a picture of George Sand of those piece.

ternate evening, as in this warm weather the days as she appeared at the opera :

It appears that the recent exhibition of the windows are all left open during rehearsals. " At that moment the Baroness Dudevant antique treasures of Alsace and of Lorraine The cast of the opera is not at all strong. (George Sand) entered the foyer, leaning on has been the source of unheard-of fortunes to Faure will not be the Mephistopheles ; the tenor, the arm of M. Charles Didier. On seeing her, many of the exhibitors. Old hoards of bric- though young, is short, and fat, and vulgarAlfred de Musset, whose journey to Italy with | à-brac, porcelain, illuminated manuscripts, looking, and Madame Carvalho will be the

mer.

up:

only real artist of the whole. And she, alas ! will be far more than one grain of wheat in it. is rather aged for the part of the girlish maid- I don't think I have mentioned, by-the-way,

I don't think I have mentioned, by-the-way, Science, Invention, Discovery. en heroine. But the scenery, and the chorus, that Tom Taylor is also writing a play for the and the ballet, will be superb, especially in Haymarket. He is, however; and he is writthe scene of the Walpurgis Night, which is ing it especially for Miss Neilson.

NOTES. seldom or never given on the American stage. Both the Strand and Gaiety are closed

LUCY H. HOOPER.

for redecoration. But, in a very few days, shaw's inaugural address before the Britthey'll be opened again, when Mr. Charles ish Association, which appeared in the JOURMathews—who, though seventy-two, is as live NAL of last week, closed with a reference to the

ly as a youth of twenty-will put in an appearOUR LONDON LETTER.

fact that the Egyptians probably had a kuowlance at the latter, and a new opéra-bouffe by edge of steel. We now return to the review What is said to be a hitherto unpublished two rising young playwrights, Messrs. F. Hay of this paper, selecting from the many facts sermon by Father Prout has just been printed and F. W. Green, will be produced at the for- | here collected such as will prove most interin a Cork paper. How characteristic it is!

esting to the reader, and best serve to illusHaving chosen for his text “ He that giveth to Mr. Henry Cromie, who must have Chau- trate the character of the whole address. As the poor lendeth to the Lord,” he goes on to cer's works at his fingers' ends, as it were, has in Egypt the art of building in stone had show that the real poor are " the clargy," * and | just undertaken another arduous task. Hav- reached the greatest perfection five thousand this is how the great Irish humorist winds ing completed, for the Chaucer Society, his years ago, so in Mesopotamia the art of build

“List of Chaucer's Rhymes in the Canterbury ing with brick, the only available material in "Last Thursday was a week since Bartlemy

Tales," he has now set about compiling, for that country, was in an equally advanced state fair, and I wint down to buy a horse, for this

the same society, an index of all the names of some ten centuries later. The stability of this is a large parish an' mortification an' frettin' the places and people mentioned and the sub- ancient brickwork may be best proved by the have puffed me up, so that God help me it's jects dwelt on and alluded to in the tales in fact that the name of Nebuchadnezzar is as little able I am to answer all the sick calls to ! question.

common on the bricks of many modern towns say nothin' o stations, weddin's, and christenin's. Well! I bought the horse an' it cost

The queen of song, Madame Adelina Patti, in Persia as it was in Babylon, the old brick me more than I expicted, so there I stood with- | is coming among us again. She is on the point walls having been demolished simply to furout a penny in my pocket after I paid the deal- of landing, as I write, from Dieppe. Hard nish material for the modern structures. As iler. It rained cats an' dogs, an' as I am so poor work is before her. At Bristol she has to lustrating the labor bestowed on these works, I can't afford a great-coat, I got wet to the skin sing, at Brighton she has also to sing, and in it is said that the mound of Koyunjik alone i' less than no time. There ye were, scores o' ye if the public houses with the winders up

London she has to lay the foundation-stone of contained fourteen and one-half million tons that all the world might see ye a atein' an' a new throat and ear hospital.

of brick, representing the labor of ten thoudhrinkin' as if it was for a wager; an' there Two of our best-known authors have been sand men for twelve years! The palace of wasn't one o' ye had the grace to ask Father writing to the newspapers within the last few Sennacherib, which stood on the mound, was Prout ha' ye got a mouth i' yer face! An'

days—Charles Reade and R. H. Horne, of probably the largest ever built by any one monthere I might ha' stood i' the rain until this blissid hour (that is supposin' it had continued

"farthing epio" fame. Mr. Horne rushes arch. It contained more than two miles of rainin' until now) if I hadn't been picked up

into print to express his opinion that Captain walls, paneled with alabaster slabs. Herodoby Mr. Man Roche o' Kildinan-an honest Webb, the swimmer, should be made a knight; tus states that in the construction of one of gintleman an an hospitable man I must say Mr. Reade does ditto in order to defend Colo- his palaces this monarch employed three huntho' he is a Protestant. He took me home with him an' there to yer etarnal disgrace, ye

nel Baker, of indecent-assault infamy. Inci- dred and sixty thousand men. Passing from villains, I got as full as a tick-an' Mun Roche dentally we learn from the latter's letter that these architectural wonders to those more inhad to send me home in his own carriage, he is wont to keep a written record of crimi- timately related to engineering science, referwhich is an everlasting shame to all o' ye whó nal cases, a disclosure which will not surprise ence is made to the extended system of irrigabelong to the true Church. “Now, I ask, which has carried out this

those of his readers who have perused his tion-works constructed by the Egyptians, Mestixt? Ye, who did not give me even a poor “Never too late to mend."

opotamians, and other ancient people. Egypt tumbler o punch at Bartlemy, or Mun Roche

I met Mr. B. L. Farjeon the other morning was probably far better irrigated in the days of who took me home an' filled me with the best as he was following Dr. Johnson's famous the Pharaohs than it is now, and as this could atein' andhrinkin', an' sint me to my own example-taking “a walk down Fleet Street." not have been accomplished without the aid house afther that in his own iligant carriage ? | He had just, he told me in his ever-hearty of maps and surveys, it is evident that at that Who best fulfilled the Scriptur Who lint to the Lord by givin' to the poor clargy!

way, returned from France, where an agree-day surveying and its kindred branches were “Remember a time will come when I must able surprise had awaited him. Happening to understood and practised. Lake Mæris, in give an account o'ye! What can I say thin? go into a Paris bookseller's shop, he saw a Egypt, was an artificial reservoir made by one Won't I have to hang down my head in shame French translation that he wutted not of, of of the Pharaohs, and supplied by the floodon yer account? Pon my conscience, it his Christmas-story,“ The King of No-Land." wouln't much surprise me, unless ye greatly

waters of the Nile. It was one hundred and mind yer ways, if Mun Roche an' you won't

It was the last copy that dealer in books bad, fifty square miles in extent, and was retained have to change places on that occasion-he to but he had sold many copies, he went on; and by a bank or dam sixty yards wide and ten sit along side o me, as a friend who had then he proceeded to expatiate on the merits feet high, which bank, though now in ruins, thrated the poor clargy well i' this world, an' of the tale. The author of “Grif," of course, can be traced for a distance of thirteen miles. ye in a sartin place, which I won't particularly listened smilingly, but went away without | While the greater number of the ancient camintion now, except to hint that its precious little frost and snow ye'll have in it; but quite

either making his identity known or buying nals were made for purposes of irrigation, the revarse. However, it's never too late to the volume. “'Twould have been a pity, you others served also for navigation. One of mind; an' I hope by this day week it's quite know, Williams,” he remarked, slyly, “ to these was traced by Sir Henry Rawlinson another story I'll have to tillo ge all.” have prevented somebody having the pleasure from Hit, on the Euphrates, to the Persian Mr. Arthur Sullivan, from whom we look of reading it."

Gulf, a distance of between four and five bunfor a really fine opera one of these days, is at

Mr. John Baldwin Buckstone, the veteran dred miles. A kindred subject of more direct present basking under Italy's blue skies. But author-actor, is one of the most forgetful of interest at the present time is that of drainhe is at work withal. He has an Italian piece Sydney Smith himself. A very characteristic Agrigentum possessed a system of sewers;

men; indeed, he is almost as absent-minded as age. Twenty-three centuries ago the city of in hand. Our late M, P. for Falmouth, Mr. Eastwick,

anecdote regarding him has just cropped up. It which, on account of their size, were deemed a great authority on Indian affairs, is just now

appears that some years ago, when Mr. B. was worthy of mention by Diodorus, and it was busily engaged in our Eastern empire in gath- in that smokiest of Scotch cities, Glasgow, his two centuries earlier than this that the wellering up materials for some hand-books on the

son introduced him to a Mr. Albert Smith, known Cloaca Maxima was built as part of the three presidencies, which Mr. Murray has com

a civil - engineer, as an old acquaintance. drainage system of Rome. The palace-mounds missioned him to write. It is well that Mr.

“Don't you remember my friend Mr. Smith, of Nimroud and Babylon were built over great Eastwick has taken to the pen again, for,

you know?” “Smith - Smith!” mutteren vaulted drains, as were also the brick mounds though an execrable speaker, he is an excel

the aged comedian;"I've heard that name be- of Chaldea. Following these statements are lept writer.

fore."

"Why, father," said the son, “it's others of a like character, referring to the more Mr. Maddison Morton, the veteran author

Mr. Albert Smith.” “Albert Smith-Albert familiar facts regarding the Roman roads, aqueof " Box and Cox," has chosen a strange title

Smith! Bless my soul! do you say so? I ducts, etc., after noticing which, the writer enfor his forthcoming Haymarket comedy. It thought I had-er-buried poor Albert-er-ters the departments of invention and applied will be called "Chaff," but doubtless there

twelve years ago-er-in Kensal Green Ceme- science. Extended reference is made to the tery!"

steam-engine, weaving-machines, steamships, * Clergy.

WILL WILLIAMS. and electric telegraph. The following state

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