Jerusalem: The Emanation of the Giant AlbionPrinceton University Press, 1991 - 302 עמודים The nature of William Blake's genius and of his art is most completely expressed in his Illuminated books. In order to give full and free expression to his vision Blake invented a method of printing that enabled him to create works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through the pages as originally conceived and published by the poet himself that Blake's meaning can be fully experienced. |
תוכן
PREFACE | 6 |
FOREWORD | 7 |
INTRODUCTION | 9 |
THE PLATES | 16 |
THE TEXT with COMMENTARY on the plates and NOTES on the text | 117 |
The printed text of Jerusalem | 118 |
Texts and Citations | 119 |
WORKS CITED | 286 |
מהדורות אחרות - הצג הכל
Jerusalem: The Emanation of the Giant Albion <span dir=ltr>William Blake</span> תצוגה מקדימה מוגבלת - 1991 |
מונחים וביטויים נפוצים
Albions Sons Amalek awake Babylon beauty behold beneath Beulah blood bosom Butlin Canaan Cathedron Children City closd cloud cruel Damon dark Daughters of Albion Daughters of Beulah Dead despair divided Divine Vision Druid Earth Emanation Enitharmon Erdman Eternal Death Felpham Female fibres fire flames fled Forgiveness Four Four Zoas fourfold Furnaces Gate Giant gold Golgonooza groans Gwendolen Hammer hand heaven Heshbon hills Holy howling Human Hyle iron Jehovah Jerusalem Jesus labour Lamb Lamb of God London London Stone Looms Lord Los's loud Luvah Mercy mighty Moab monochrome copies Moon mountains night pain Palamabron Philosophy and Symbols pity plate rage Rahab Reuben River rocks round Satan Shadow sleep Sons of Albion soul Spectre Starry Wheels stones tears Temples terrible Tharmas thee thou thro thunder trembling Twelve Tyburns Brook Ulro Urizen Urthona Vala Valley Vegetated Veil Victims voice weave weeping William Blake wrath