dramatists who drove the Bible from the stage, and introduced representations of familiar life and popular manners. These are the titles of his plays. The PLAY called the four P. s, being a new and merry ENTERLUDE OF A PALMER, PARDONER, PoTICARY, AND PEDLAR, printed at London in quarto, without date or name of the printer, but probably from the prefs of Berthelette or Raftell. The PLAY of Love, or a new and very mery ENTERLUDE of all maner of WEATHERS, printed in quarto by William Raftell, 1533, and again by Robert Wyer. A mery PLAY betweene the PARDONER and the FRERE, the CURATE, and neybour PRATTE, in quarto, by William Rastell, dated the fifth day of April, 1533. The PLAY of Gentlenes and Nobilitie, in two parts, at London, without date. The PINNER of Wakefield, a COMEDIE. Philotas Scotch, a COMEDIE. A mery PLAY betweene JOHAN JOHAN the husband, TYв the wife, and fyr JOHAN the preefte, by William Raftell, in quarto, 1533. His EPIGRAMS, fix hundred in number, are probably some of his jokes verfified; and perhaps were often extemporaneous fallies, made and repeated in company. Wit and humour are ever found in proportion to the progrefs of politenefs. The miserable drolleries and the contemptible quibbles, with which these little pieces are pointed, indicate the great want of refinement, not only in the compofition but in the converfation of our ancestors. This is a specimen, on a piece of humour of Wolfey's Fool, A faying of PATCHE my lord Cardinale's FOOLE. Maister Sexton, a perfon of knowen wit, e Drinke none, fayd my lord, for that fore leg of thyne: For my leg: I drinke on the tother fide'. The following is rather a humorous tale than an epigram, yet with an epigrammatic turn. Fool. Although that a Fox have been seene there seelde, Noddinge, and bliffinge', staring on Paules steeple. The real name of PATCH, Wolfey's She caft downe hir hennes, and now did fhe blis", .. Jefu, quod fhe, in nomine patris! "Who hath ever heard, at any season, He gat her hennes on his necke, and to go. The other is on the phrafe, wagging beards. It is mery in ball, when beardes wagge all. Not to wag their beardes in brawling or threatinge: On the fashion of wearing Verdingales, or farthingales. Alas! poore verdingales muft lie ith' ftreete, Our author was educated at Broadgate-hall in Oxford, so called from an uncommonly wide gate or entrance, and fince converted into Pembroke college. Thefe EPIGRAMS are mentioned in Wilson's RHETORIKE, published in 1553. Another of Heywood's works, is a poem in long verse, entitled, A DIALOGUE contayning in effect the number of al the PROVERBES in the English tongue compact in a matter concerning two marriages. The first edition I have feen, is dated 1547*. All the proverbs of the English language are here interwoven into a very filly comic tale. The lady of the story, an old widow now going to be married again, is thus described, with fome degree of drollery, on the bridal day. In this late old widow, and than old new wife, Her luft was as yong, as her lims were olde. She was made like a beere-pott, or a barell. She fmirkt and fhe fmyld, but fo lifped this las,. * In quarto. Others followed, 1566.1576.-1587-1598. 4to. I do not understand this, which is marked for a proverb. z An admirable proverbial fimile. It is used in Wilfon's ARTE OF RHETORIKE, "I knewe a prieft that was as nice as a "Nunnes Hen, when he would fay maffe he "would I fuppose, That day her eares might wel glow, To beare a faddle. She is in this marriage, Gup with a gald back, Gill, come up to supper, What my old mare would have a new crupper, And now mine olde hat must have a new band, &c. The work has its value and curiofity as a repertory of proverbs made at so early a period. Nor was the plan totally void of ingenuity, to exhibit these maxims in the courfe of a narrative, enlivened by facts and circumftances. It certainly was fufceptible of humour and invention. Heywood's largest and most laboured performance is the SPIDER AND THE FLIE, with wooden cuts, printed at London by Thomas Powell, in 1556. It is a very long poem in the octave ftanza, containing ninety-eight chapters. Perhaps there never was so dull, fo tedious, and trifling an apologue: without fancy, meaning, or moral. A long tale of fictitious manners will always be tiresome, unlefs the defign be burlesque: and then the ridiculous, arifing from the contraft between the folemn and the light, must be ingenioufly fupported. Our author seems to have intended a fable on the burlesque conftruction: but we know not when he would be ferious and when witty, whether he means to make the reader laugh, or to give him advice. We must indeed acknowledge, that the age was not yet fufficiently ** would never faie DOMINUS VOBIS"CUM, but Dominus Vobicum." fol. 312. a. edit. 1567. 4to. SECOND PART. ch. i. refined, |