in the morning, before the master of the shop had time to miss them.

Something in the demeanor of Franklin attracted the attention of a merchant in Boston by the name of Matthew Adams. He invited him to his library and loaned him books. The lad's Uncle Benjamin, in England, who was very fond of composing rhymes which he called poetry, sent many of his effusions to his favorite nephew, and opened quite a brisk correspondence with him. Thus Benjamin soon became a fluent rhymester, and wrote sundry ballads which were sold in the streets and became quite popular. There was a great demand at that time for narratives of the exploits of pirates, the doom of murderers, and wild love adventures. It is said that one of the Boston publishers, in the sale of ballads alone, found a very lucrative business. Benjamin, who found it very easy to write doggerel verse, wrote one ballad called "The Lighthouse Tragedy." It was a graphic, and what would be called at the present day, a sensational account of a shipwreck, in which the captain and his two daughters perished. He wrote another which was still more captivating, and which in all its main features was historically true. It was an account of the world-renowned pirate, Edward Teach, usually called Blackbeard. The reader will find a minute

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narrative of the career of that monster in the volume of this series of Pioneers and Patriots entitled Captain Kidd; or the early American Buccaneers." One stanza has descended to us which it is said composed a portion of this ballad, and which is certainly a fair specimen of the popular style then in vogue.

"Come all you jolly sailors

You all so stout and brave,
Come hearken and I'll tell you,
What happened on the wave.
Oh 'tis of that bloody Blackbeard
I'm going now for to tell
And as how by gallant Maynard

He soon was sent to Hell.

With a down, down, derry down."

This was indeed wretched stuff, as Franklin afterwards admitted; but it is to be remembered he was then but a boy of fifteen. Having composed the ballad and set in type and printed it, he was then sent to hawk it through the streets. This was certainly are markable achievement for a lad of his years. The eagerness with which both of the ballads were seized by the public must have greatly gratified the self-esteem of the young writer.

Addison was a bungler in talk, but every sentence from his pen was elegant. He once said "I carry no loose change in my pocket, but I can draw for a thousand pounds." Burke said of Goldsmith, "He writes

like an angel, but he talks like poor Poll." Franklin was by no means a bungler in his speech, but he was not fluent. He hesitated, and was at a loss for words, but whatever he wrote had a wonderful flow of harmony. The right word was always in the right place. Doubtless had he devoted as much attention to the acquirement of conversational ease, as he did to skill in writing, he would have been as successful in the one art as in the other. From early life it was his great ambition to be not merely a fine but a forcible writer. He did not seek splendor of diction, but that perspicuity, that transparency of expression which would convey the thought most directly to the mind.

An odd volume of the Spectator fell in his way. He was charmed with the style. Selecting some. interesting incident, he would read it with the closest care; he would then close the book, endeavoring to retain the thought only without regard to the expression. Then with pen, in hand, he would sit down and relate the anecdote or the incident in the most forceful and graphic words his vocabulary would afford. This he would correct and re-correct, minutely attending to the capitals and the punctuation until he had made it in all respects as perfect as it was in his power. He then compared his narrative with that in the Spectator. Of course he usually

found many faults which he had committed, but occasionally he could not but admit he had improved upon his original. This encouraged him with the hope that by long continued practice, he might become an able writer of the English language. This practice he continued for months, varying it in many ways. He continued to rhyme, though he admitted that there was little poetry in his verse. The exercise, however, he thought useful in giving him a mastery of language.

Though Franklin wrote ballads, he seemed to be mainly interested in reading books of the most elevated and instructive character. Locke's" Essay on the Human Understanding," he studied thoroughly. "The Art of Thinking," by the Messrs. de Port Royal, engrossed all his energies. But perhaps there was no book, at that time, which produced so deep and abiding impression on his mind as the "Memorabilia of Socrates," by Xenophon.

Franklin was fond of arguing; he was naturally disputatious. With his keen intellect, he was pretty sure to come off as victor, at least in his own judgment, in discussions with his associates. But the Socratic method of argumentation, so different from that in which he had been accustomed to indulge, at once secured his approval and admiration. Socrates was never guilty of the discourtesy

of assailing an opponent with flat contradiction or positive assertion. With a politeness which never failed him, and a modesty of demeanor which won the regard of all others, he would lead his fellow disputant, by a series of questions, to assent to the views which he advocated. Franklin immediately commenced practicing upon this newly discovered art. He was remarkably successful, and became one of the most agreeable and beloved of companions. But ere long he became satisfied of the folly of these disputations, in which each party struggles, not for truth, but for victory. It is simply an exercise of intellectual gladiatorship, in which the man who has the most skill and muscle discomfits his antagonist. Jefferson warned his nephew to avoid disputation. He says, "I have never known, during my long life, any persons engage in a dispute in which they did not separate, each more firmly convinced than before of the correctness of his own views."

Franklin enjoyed marvellous health. His digestive powers were perfect. He could live upon any thing and almost upon nothing without experiencing any inconvenience. A book advocating purely vegetable diet accidentally fell into his hands. It urged the pecuniary economy and the saving of time in adopting a vegetarian diet. Eagerly he adopted the views presented. He could safely do so, had