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DIFFERENT KINDS OF PUBLIC SPEAKING....ELOQUENCE OF POPULAR ASSEMBLIES....EXTRACTS FROM DEMOS

THENES.

AFTER the preliminary views which have been given of the nature of eloquence in general, and of the state in which it has subsisted in different ages and countries, I am now to enter on the consideration of the different kinds of public speaking, the distinguishing characters of each, and the rules which relate to them. The ancients divided all orations into three kinds; the demonstrative, the deliberative, and the judicial. The scope of the demonstrative, was to praise or to blame; that of the deliberative, to advise or to dissuade; that of the judicial, to accuse or to defend. The chief subjects of demonstrative eloquence, were panegyrics, invectives, gratulatory and funeral orations. The deliberative was employed in matters of public concern, agitated in the senate or before the assemblies of the people. The judicial is the same with the eloquence of the bar, employed in addressing judges, who have power to absolve or to condemn. This division runs through all the ancient treatises on rhetoric; and is followed by the moderns who copy them. It is a division not inartificial; and comprehends most, or all of the matters which can be the subject of public discourse. It will, however, suit our purpose better, and be found, I imagine, more useful, to follow that division which the train of modern speaking naturally points out to us, taken from the three great scenes of eloquence, popular assemblies, the bar, and the pulpit; each of which has a distinct character that particularly suits it. This division coincides in part with the ancient one. The eloquence of the bar is precisely the same with what the ancients called the judicial. The eloquence of popular assemblies, though mostly of what they term the deliberative species, yet admits also of the demonstrative. The eloquence of the pulpit is altogether of a distinct nature, and cannot be properly reduced under any of the heads of the ancient rhetoricians.

To all the three, pulpit, bar, and popular assemblies, belong in common, the rules concerning the conduct of a discourse in all its parts. Of these rules I purpose afterwards to treat at large. But before proceeding to them, I intend to shew, first, what is peculiar to each of these three kinds of oratory, in their spirit, character, or manner. For every species of public speaking has a manner or character peculiarly suited to it; of which it is highly material to have a just idea, in order to direct the application of general rules. The eloquence of a lawyer is fundamentally different from that of a divine, or a speaker in parliament and to have a precise and proper idea of the distinguishing character which any kind of public speaking requires, is the foundation of what is called a just taste in that kind of speaking.

Laying aside any question concerning the pre eminence in point of rank, which is due to any one of the three kinds before mentioned, I shall begin with that which tends to throw most light upon the rest, viz.

the eloquence of popular assemblies. The most august theatre for this kind of eloquence, to be found in any nation of Europe, is, beyond doubt, the parliament of Great Britian. In meetings too, of less dignity, it may display itself. Wherever there is a popular court, or wherever any number of men are assembled for debate or consultation, there, in different forms, the species of eloquence may take place.

Its object is, or ought always to be, persuasion. There must be some end proposed; some point, most commonly of public utility or good, in favour of which we seek to determine the hearers. Now, in all attempts to persuade men, we must proceed upon this principle, that it is necessary to convince their understanding. Nothing can be more erroneous, than to imagine, that, because speeches to popular assemblies admit more of a declamatory style than some other discourses, they therefore stand less in need of being supported by sound reasoning. When modelled upon this false idea, they may have the show, but never can produce the effect, of real eloquence. Even the show of eloquence which they make, will please only the trifling and superficial. For, with all tolerable judges, indeed almost with all men, mere declamation soon becomes insipid. Of whatever rank the hearers be, a speaker is never to presume, that by a frothy and ostentatious harangue, without solid sense, and argument, he can either make impression on them, or acquire fame to himself. It is, at least, a dangerous experi ment; for, where such an artifice succeeds once, it will fail ten times. Even the common people are better judges of argument and good sense, than we sometimes think them; and upon any question of business, a plain man, who speaks to the point without art, will generally prevail over the most artful speaker, who deals in flowers and ornament, rather than in reasoning. Much more, when public speakers address themselves to any assembly where there are persons of education and im proved understanding, they ought to be careful not to trifle with their hearers

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Let it be ever kept in view, that the foundation of all that can be called eloquence, is good sense, and solid thought. As popular as the orations of Demosthenes were, spoken to all the citizens of Athens, every one who looks into them, must see how fraught they are with argument; and how important it appeared to him, to convince the understanding, in order to persuade, or to work on the principles of action. Such a pattern as this, public speakers ought to set before them for imitation, rather than follow the track of those loose and frothy declaimers, who have brought discredit on eloquence. Let it be their first study, in addressing any popular assembly to be previously masters of the business on which they are to speak; to be well provided with matter and argument; and to rest upon these the chief stress. always give to their discourse an air of manliness and strength, which is a powerful instrument of persuasion. Ornament, if they have ge nius for it, will follow of course: at any rate, it demands only their secondary study: Cura sit verborum; solicitudo rerum.' To your expression be attentive, but about your matter be solicitous,' is an advice of Quintilian, which cannot be too often recollected by all who study oratory.

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In the next place, in order to be persuasive speakers in a popular assembly, it is, in my opinion, a capital rule, that we be ourselves per

suaded of whatever we recommend to others. Never, when it can be avoided, ought we to espouse any side of the argument, but what we believe to be the true and the right one. Seldom or never will a man be eloquent, but when he is in earnest, and uttering his own sentiments. They are only the veræ voces ab imo pectore,' the unassumed language of the heart or head, that carry the force of conviction. In a former lecture, when entering on this subject I observed, that all high eloquence must be the offspring of passion, or warm emotion. It is this which makes every man persuasive; and gives a force to his genius, which it possesses at no other time. Under what disadvantage then is he placed, who, not feeling what he utters, must counterfeit a warmth to which he is a stranger.

I know, that young people, on purpose to train themselves to the art of speaking, imagine it useful to adopt that side of the question under debate, which, to themselves, appears the weakest, and to try what figure they can make upon it. But, I am afraid, this is not the most improving education for public speaking; and that it tends to form them to a habit of flimsy and trivial discourse. Such a liberty they should, at no time, allow themselves, unless in meetings where no real business is carried on, but where declamation and improvement in speech is the sole aim. Not even in such meetings, would I recommend it as the most useful exercise. They will improve themselves to more advantage, and acquit themselves with more honour, by choosing always that side of the debate to which, in their own judgment, they are most inclined, and supporting it by what seems to themselves most solid and persuasive. They will acquire the habit of reasoning closely, and expressing themselves with warmth and force, much more when they are adhering to their own sentiments, than when they are speaking in contradiction to them. In assemblies where any real business is carried on, whether that business be of much importance or not, it is always of dangerous consequence for young practitioners to make trial of this sort of play of speech. It may fix an imputation on their characters before they are aware; and what they intend merely as amusement, may be turned to the discredit, either of their principles or their understanding. Debate in popular courts, seldom allows the speaker that full and accurate preparation before hand, which the pulpit always, and the bar sometimes, admits. The arguments must be suited to the course which the debate takes; and as no man can exactly foresee this, one who trusts to a set speech, composed in his closet, will, on many occasions, be thrown out of the ground which he had taken. He will find it pre-occupied by others, or his reasonings superseded by some new turn of the business; and, if he ventures to use his prepared speech, it will be frequently at the hazard of making an awkward figure. There is a general prejudice with us, and not wholly an unjust one, against set speeches in public-meetings. The only occasion, when they have any propriety, is at the opening of a debate, when the speaker has it in his power to choose his field But as the debate advances, and parties warm, discourses of this kind become more unsuitable. They want the native air; the appearance of being suggested by the business that is going on; study and ostentation are apt to be visible; and, of course, though applauded as elegant, they are seldom so persuasive as more free and unconstrained discourses.

This, however, does not by any means conclude against premedita

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tion of what we are to say; the neglect of which, and the trusting wholly to extemporaneous efforts, will unavoidably produce the habit of speaking in a loose and undigested manner. But the premeditation which is of most advantage, in the case which we now consider, is of the subject or argument in general, rather than of nice composition in any particular branch of it. With regard to the matter, we cannot be too accurate in our preparation, so as to be fully master of the business under consideration; but with regard to words and expression, it is very possible so far to overdo, as to render our speech stiff and precise. Indeed, till once persons acquire the firmness, that presence of mind, and command of expression, in a public meeting, which nothing but habit and practice can bestow, it may be proper for a young speaker to commit to memory the whole of what he is to say. But, after some performances of this kind have given him boldness, he will find it the better method not to confine himself so strictly: but only to write, beforehand, some sentences with which he intends to set out, in order to put himself fairly in the train: and, for the rest, to set down short notes of the topics, or principal thoughts upon which he is to insist, in their order, leaving the words to be suggested by the warmth of discourse. Such short notes of the substance of the discourse, will be found of considerable service, to those, especially, who are beginning to speak in public. They will accustom them to some degree of accuracy, which if they speak frequently, they are in danger too soon of losing. They will even accustom them to think more closely on the subject in question; and will assist them greatly in arranging their thoughts with method and order.

This leads me next to observe, that in all kinds of public speaking, nothing is of greater consequence than a proper and clear method. I mean not that formal method of laying down heads and subdivisions, which is commonly practised in the pulpit; and which, in popular assemblies, unless the speaker be a man of great authority and character, and the subject of great importance, and the preparation too very accurate is rather in hazard of disgusting the hearers; such an introduction is presenting always the melancholy prospect of a long discourse. But though the method be not laid down in form, no discourse, of any length, should be without method; that is, every thing should be found in its proper place. Every one who speaks, will find it of the greatest advantage to himself to have previously arranged his thoughts, and classed under proper heads, in his own mind, what he is to deliver. This will assist his memory, and carry him through his discourse, without that confusion to which one is every moment subject, who has fixed no distinct plan of what he is to say. And with respect to the hearers, order in discourse is absolutely necessary for making any proper impression. It adds both force and light to what is said. It makes them accompany the speaker easily and readily, as he goes along; and makes them feel the full effect of every argument which he employs. Few things, therefore, deserve more to be attended to than distinct arrangement for eloquence, however great, can never produce entire conviction without it. Of the rules of method, and the proper distribution of the several parts of a discourse, I am hereafter to treat.

Let us now consider of the style and expression suited to the eloquence of popular assemblies. Beyond doubt, these give scope for the most animated manner of public speaking. The very aspect of a large assembly, engaged in some debate of moment, and attentive to the

discourse of one man, is sufficient to inspire that man with such eleva tion and warmth, as both give rise to strong expressions, and gives them propriety. Passion easily rises in a great assembly, where the movements are communicated by mutual sympathy between the orator and the audience. Those bold figures, of which I treated formerly as the native language of passion, have then their proper place. That ardour of speech, that vehemence and glow of sentiment, which arise from a mind animated and inspired by some great and public object, for the peculiar characteristics of popular eloquence, in its highest degree of perfection.

The liberty, however, which we are now giving of the strong and passionate manner to this kind of oratory, must be always understood with certain limitations and restraints, which, it will be necessary to point out distinctly, in order to guard against dangerous mistakes on this subject.

As, first, the warmth which we express must be suited to the occasion and the subject; for nothing can be more preposterous, than an attempt to introduce great vehemence into a subject, which is either of slight importance, or which, by its nature, requires to be treated of calmly. A temperate tone of speech, is that for which there is most frequent occasion; and he who is, on every subject, passionate and vehement, will be considered as a blusterer, and meet with little regard.

In the second place, we must take care never to counterfeit warmth without feeling it. This always betrays persons into an unnatural manner, which exposes them to ridicule. For, as I have often suggested, to support the appearance, without the real feeling of passion, is one, of the most difficult things in nature. The disguise can almost never be so perfect, but it is discovered. The heart can only answer to the heart. The great rule here, as indeed in every other case, is, to follow nature; never to attempt a strain of eloquence which is not seconded by our own genius. One may be a speaker, both of much reputation and much influence, in the calm argumentative manner. attain the pathetic, and the sublime of oratory, requires those strong sensibilities of mind, and that high power of expression which are given to few.

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In the third place, even when the subject justifies the vehement manner, and when genius prompts it; when warmth is felt, not counterfeited; we must, however, set a guard on ourselves, not to allow impetuosity to transport us too far. Without emotion in the speaker, eloquence, as was before observed, will never produce its highest effects; but at the same time, if the speaker loose command of himself, he will soon lose command of his audience too. He must never kindle too soon; he must begin with moderation: and study to carry his hearers along with him; as he warms in the progress of his discourse. For, if he uns before in the course of passion, and leaves them behind; if they are not turned, if we may speak so, in unison to him, the discord will presently be felt, and be very grating. Let a speaker have ever so good reason to be animated and fired by his subject, it is always expected of him, that the awe and regard due to his audience should lay a decent restraint upon his warmth, and prevent it from carrying him beyond certain bounds. If, when most heated by the subject, he can be so far master of himself as to preserve close attention to argument, and even to some degree of correct expression,

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