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'DITOR'S Preface. . . . . . . . ix
of Life of Matthew Prior . . . . . xvii
A Dedication; To the Right Honourable
jo Lionel, Earl of Dorset and Middlesex 3
so Preface.

On Exod. iii. 14—“I am that I am.”—An Ode, writ-
ten in 1688, as an Exercise at St. John's College,
Cambridge . . . . . . . . . . . 23

To the Countess of Exeter, playing on the Lute . . 27

Picture of Seneca dying in a Bath. By Jordain. At
the Earl of Exeter's, Burleigh House . . . 29

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An Epistle to Fleetwood Shepherd, Esq. . . . . . .32
To the Countess of Dorset, written in her Milton, by
Mr. Bradbury . . . . . . . . . . . . 38
To the Lady Dursley: on the same subject . . . . 39
To my Lord Buckhurst. Very young, playing with a
Cat . . . . 40

An Ode, “While from our looks, fair nymph, you
guess” . . . . . . . . . . . . . . . 41
A Song, “In vain you tell your parting lover” . . . 41
The Despairing Shepherd . . . . . . . . . . 42
To the Honourable Charles Montague . . . . . . 44
Hymn to the Sun. Set by Dr. Purcell. And intended
to be sung before their Majesties on New-year's day,
1693-4 . . . . . . . . . . . . . . . 47
The Lady’s Looking-glass. In imitation of a Greek
Idyllium . . . . - - - • . . . 50

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A Simile . . 181

The Flies - - - . . . . . . . 182

A Paraphrase from the Frencil . . . . . . . . 183

From the Greek . . . . . . . . . . . . 184

Epigram, “Frank carves very ill, yet will palm all the

meats” . . . . . . . . . . . . . . 184

Another, “To John I ow'd great obligation” . . . 184

Another, “Yes, every poet is a fool” . . . . . . 185

Another, “Thy nags (the leanest things alive)” . . 185

To a person who wrote ill, and spoke worse against me 185

On the same Person . . . . . . . . . . . 186

“Quid sit futurum cras fuge quaerere” . . . . . 186

_{A Ballad of the Notbrowne Mayde . . . . . . 187

Lohenry and Emma. A Poem. Upon the model of the

Nutbrown Maid . . . - 200

An Ode, humbly inscribed to the Queen, on the glorious

Success of Her Majesty's Arms, 1706 . . . . . 226

Cantata. Set by Monsieur Galliard . . . . . . 242

Her right Name . . . . . . . . . . . . 244

Lines written in an Ovid . . . . . . . 245

A true Maid . . . . . . . . . . . . 245

Another . . . . . . . . . . . . . . 246

A Reasonable Affliction . . . . . . . . . . 246
SoNgs, set to MUSIC BY THE Most EMINEN r MAsTERs.

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I. “Reading ends in melancholy’.

II. “Whither would my passion run' .

III. ‘Strephonetta, why d'ye fly me.”

IV. ‘Come, weep no more, for tis in vain?

V. ‘Let perjur’d fair Amynta know’. .

VI. “Phillis, since we have both been kind’

VII. “Phillis, this pious talk give o'er’.

VIII. ‘Still, Dorinda, I adore' . . . . .

IX. “Is it, O Love, thy want of eyes’.

X. “Why, Harry, what ails you? . . .

XI. “Since my words, though ne'er so tende

XII. “Morella, charming without art”

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